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Hathor Consort|Ferrabosco II : The Art of Fantasy

Ferrabosco II : The Art of Fantasy

Hathor Consort - Romina Lischka

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Alfonso Ferrabosco the Younger, viol player at the court of Elizabeth I and Charles I, was the most innovative and influential composer of viol consort music of his generation. Following the steps of his father, composer Alfonso Ferrabosco the Elder, he continued the specifically English « In Nomine » tradition for viol consort into the seventeenth century while adding his own special touch in the « In Nomine through all parts » in using the cantus firmus in all voices with various rhythms and transpositions. His greatest achievement was the development of an imitative counterpoint perfectly adapted to the viol. The particular character of Ferrabosco's music was determined by his love for architecture and symmetrical forms which were integrated in all possible ways into his Fantasies: flexible motives, augmentations and diminutions of themes and a clear harmonic structure. © Ramée/Outhere

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Ferrabosco II : The Art of Fantasy

Hathor Consort

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1
Fantasia No. 2 à 6, MB 81/30
Hathor Consort
00:04:23

Hathor Consort - Romina Lischka, treble viol, tenor and bass lyra viol & artistic direction - Alfonso Ferrabosco II, Composer

2018 Outhere 2018 Outhere

2
Fantasia No. 15 à 4, MB 62/15
Hathor Consort
00:02:00

Hathor Consort - Romina Lischka, treble viol, tenor and bass lyra viol & artistic direction - Alfonso Ferrabosco II, Composer

2018 Outhere 2018 Outhere

3
Pavan No. 2 on Seven Notes à 5, MB 81/7
Hathor Consort
00:04:48

Hathor Consort - Romina Lischka, treble viol, tenor and bass lyra viol & artistic direction - Alfonso Ferrabosco II, Composer

2018 Outhere 2018 Outhere

4
Almaine No. 10 à 5, MB 81/24
Hathor Consort
00:02:03

Hathor Consort - Romina Lischka, treble viol, tenor and bass lyra viol & artistic direction - Alfonso Ferrabosco II, Composer

2018 Outhere 2018 Outhere

5
Galliard for Two Viols in the First Tuning
Romina Lischka
00:03:23

Irene Klein, consort bass & lyra viol - Romina Lischka, bass lyra viol - Alfonso Ferrabosco II, Composer

2018 Outhere 2018 Outhere

6
Almain for Two Viols in the First Tuning
Romina Lischka
00:02:40

Irene Klein, consort bass & lyra viol - Romina Lischka, bass lyra viol - Alfonso Ferrabosco II, Composer

2018 Outhere 2018 Outhere

7
Fantasia No. 9 à 4, MB62/9
Hathor Consort
00:03:18

Hathor Consort - Romina Lischka, treble viol, tenor and bass lyra viol & artistic direction - Alfonso Ferrabosco II, Composer

2018 Outhere 2018 Outhere

8
Fantasia No. 13 à 4, MB 62/13
Hathor Consort
00:03:07

Hathor Consort - Romina Lischka, treble viol, tenor and bass lyra viol & artistic direction - Alfonso Ferrabosco II, Composer

2018 Outhere 2018 Outhere

9
In Nomine No. 1 à 5, MB 81/3
Hathor Consort
00:03:01

Hathor Consort - Romina Lischka, treble viol, tenor and bass lyra viol & artistic direction - Alfonso Ferrabosco II, Composer

2018 Outhere 2018 Outhere

10
A Pavin for Three Viols in the Second Tuning
Romina Lischka
00:04:42

Hathor Consort (Irene Klein, consort bass & lyra viol - Thomas Baeté, bass & lyra viol) - Romina Lischka, treble viol, tenor and bass lyra viol & artistic direction - Alfonso Ferrabosco II, Composer

2018 Outhere 2018 Outhere

11
Almain for One Lyra Viol
Romina Lischka
00:03:54

Romina Lischka, tenor lyra viol - Alfonso Ferrabosco II, Composer

2018 Outhere 2018 Outhere

12
Coranto for One Lyra Viol
Romina Lischka
00:01:46

Romina Lischka, tenor lyra viol - Alfonso Ferrabosco II, Composer

2018 Outhere 2018 Outhere

13
Fantasia No. 4 à 6, MB 81/32
Hathor Consort
00:03:29

Hathor Consort - Romina Lischka, treble viol, tenor and bass lyra viol & artistic direction - Alfonso Ferrabosco II, Composer

2018 Outhere 2018 Outhere

14
Ut Re Mi Fa Sol La - La Sol Fa Mi Re Ut à 5, MB 81/2a&b
Hathor Consort
00:07:38

Hathor Consort - Romina Lischka, treble viol, tenor and bass lyra viol & artistic direction - Alfonso Ferrabosco II, Composer

2018 Outhere 2018 Outhere

15
Fantasia à 4, MB 62 App./VdGS No. 24
Hathor Consort
00:02:13

Hathor Consort - Romina Lischka, treble viol, tenor and bass lyra viol & artistic direction - Alfonso Ferrabosco II, Composer

2018 Outhere 2018 Outhere

16
Fantasia No. 6 à 6, MB 81/34
Romina Lischka
00:03:18

Hathor Consort - Romina Lischka, treble viol, tenor and bass lyra viol & artistic direction - Alfonso Ferrabosco II, Composer

2018 Outhere 2018 Outhere

17
A Fancie for Three Viols in the Third Tuning
Romina Lischka
00:02:25

Hathor Consort (Irene Klein, consort bass & lyra viol - Thomas Baeté, bass & lyra viol) - Romina Lischka, treble viol, tenor and bass lyra viol & artistic direction - Alfonso Ferrabosco II, Composer

2018 Outhere 2018 Outhere

18
Fantasia No. 11 à 4, MB 62/11
Hathor Consort
00:02:49

Hathor Consort - Romina Lischka, treble viol, tenor and bass lyra viol & artistic direction - Alfonso Ferrabosco II, Composer

2018 Outhere 2018 Outhere

19
In Nomine No. 3: Through all Parts à 6, MB 81/28
Hathor Consort
00:04:54

Hathor Consort - Romina Lischka, treble viol, tenor and bass lyra viol & artistic direction - Alfonso Ferrabosco II, Composer

2018 Outhere 2018 Outhere

20
Prelude for One Lyra Viol
Romina Lischka
00:01:28

Romina Lischka, tenor lyra viol - Alfonso Ferrabosco II, Composer

2018 Outhere 2018 Outhere

21
Pavin for One Lyra Viol
Romina Lischka
00:05:12

Romina Lischka, tenor lyra viol - Alfonso Ferrabosco II, Composer

2018 Outhere 2018 Outhere

22
Fantasia on the Hexachord à 6, MB 81/25
Hathor Consort
00:03:47

Hathor Consort - Romina Lischka, treble viol, tenor and bass lyra viol & artistic direction - Alfonso Ferrabosco II, Composer

2018 Outhere 2018 Outhere

Album review

Alfonso Ferrabosco the Younger, viol player at the court of Elizabeth I and Charles I, was the most innovative and influential composer of viol consort music of his generation. Following the steps of his father, composer Alfonso Ferrabosco the Elder, he continued the specifically English « In Nomine » tradition for viol consort into the seventeenth century while adding his own special touch in the « In Nomine through all parts » in using the cantus firmus in all voices with various rhythms and transpositions. His greatest achievement was the development of an imitative counterpoint perfectly adapted to the viol. The particular character of Ferrabosco's music was determined by his love for architecture and symmetrical forms which were integrated in all possible ways into his Fantasies: flexible motives, augmentations and diminutions of themes and a clear harmonic structure. © Ramée/Outhere

Details of original recording : Recorded in March, 2018 at the Begijnhofkerk, Sint-Truiden, Belgium

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