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Lee Konitz|Dovetail

Dovetail

Lee Konitz

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Billed as the "Lee Konitz Terzet" (without ever defining what "Terzet" is), this fine trio set features Konitz on alto, tenor, soprano and even a vocal, plus pianist Harold Danko and bassist Jay Leonhart. Konitz states in the liner notes that "we played in a club for one week and found a way to create nice instant arrangements on familiar tunes..." That pretty well describes this music, for even the so-called originals by the trio have a close relationship to a familiar standard. The repertoire is certainly a bit offbeat for these modernists, particularly such songs as "I Want to Be Happy," "Sweet Georgia Brown" and "Penthouse Serenade," but the musicians come up with fresh statements on all of the tunes. A continually interesting set, like most of Lee Konitz's recordings.
© Scott Yanow /TiVo

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Dovetail

Lee Konitz

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1
I Want To Be Happy
00:09:37

Lee Konitz, MainArtist

1983 Sunnyside Communications 1983 Sunnyside Communications

2
The Night Has A Thousand Eyes
00:04:48

Lee Konitz, MainArtist

1983 Sunnyside Communications 1983 Sunnyside Communications

3
Counter-Point
00:02:14

Lee Konitz, MainArtist

1983 Sunnyside Communications 1983 Sunnyside Communications

4
Dovetail
00:07:39

Lee Konitz, MainArtist

1983 Sunnyside Communications 1983 Sunnyside Communications

5
Sweet Georgia Brown
00:06:19

Lee Konitz, MainArtist

1983 Sunnyside Communications 1983 Sunnyside Communications

6
Alone Together
00:06:59

Lee Konitz, MainArtist

1983 Sunnyside Communications 1983 Sunnyside Communications

7
Cherokee
00:09:07

Lee Konitz, MainArtist

1983 Sunnyside Communications 1983 Sunnyside Communications

8
Penthouse Serenade
00:03:23

Lee Konitz, MainArtist

1983 Sunnyside Communications 1983 Sunnyside Communications

9
Play Fiddle Play
00:08:04

Lee Konitz, MainArtist

1983 Sunnyside Communications 1983 Sunnyside Communications

Album review

Billed as the "Lee Konitz Terzet" (without ever defining what "Terzet" is), this fine trio set features Konitz on alto, tenor, soprano and even a vocal, plus pianist Harold Danko and bassist Jay Leonhart. Konitz states in the liner notes that "we played in a club for one week and found a way to create nice instant arrangements on familiar tunes..." That pretty well describes this music, for even the so-called originals by the trio have a close relationship to a familiar standard. The repertoire is certainly a bit offbeat for these modernists, particularly such songs as "I Want to Be Happy," "Sweet Georgia Brown" and "Penthouse Serenade," but the musicians come up with fresh statements on all of the tunes. A continually interesting set, like most of Lee Konitz's recordings.
© Scott Yanow /TiVo

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