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Rotary Connection|Dinner Music

Dinner Music

Rotary Connection

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The only accurate prediction one could have made before going into a Rotary Connection record was that it would be unpredictable, and attempting to list who the group's peers were to the uninitiated only worked on a song-by-song basis. No other record quite fits this bill like Dinner Music. The least-uniform Rotary Connection record -- and that's saying a lot -- it comes off like a series of tangents with little in the way of cohesion. One moment, they could be jumping in piles of hay on the set of Hee Haw ("Country Things"), later on they could be at a packed juke joint ("Stormy Monday Blues"), and then they could be lulling a crowd at the Newport Folk Festival ("Amuse"), or even taking over the BBC Radiophonic Workshop to twiddle with electronics ("Lektricks #2"). The most bizarre song of all is "Merry Prankster," which has all the cracked acoustic pop of late-'60s Arthur Lee until it shifts into an odd tempo and a chorus made from an even odder melody of grunts. The record's best moment is buried in the latter half. "Amuse" is a beautifully folky song sung by Minnie Riperton at her most gentle and arresting. It's nothing but an acoustic guitar and her voice, which effortlessly wraps around your ears despite not taking full advantage of her five-octave range. Altogether, Dinner Music is the only record where Rotary Connection's eclecticism worked to their disadvantage.

© Andy Kellman /TiVo

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Dinner Music

Rotary Connection

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1
Pointillism/We Will Be Free
00:03:23

Charles Stepney, Producer - Rotary Connection, MainArtist - Stu Black, Engineer, StudioPersonnel

℗ 1970 UMG Recordings, Inc.

2
Living Alone
00:02:57

Charles Stepney, Producer, Recording Arranger, AssociatedPerformer - MINNIE RIPERTON, Vocals, AssociatedPerformer - Sidney Barnes, Vocals, AssociatedPerformer - Rotary Connection, MainArtist - Bobby Simms, Guitar, AssociatedPerformer - Jon Stockllin, ComposerLyricist - Marshall Chess, Producer - Stu Black, Engineer, StudioPersonnel - Mitch Aliotta, AssociatedPerformer, Bass (Vocal) - Judy Hauff, Vocals, AssociatedPerformer - Tommy Vincent Donlinger, Drums, AssociatedPerformer

℗ 1970 UMG Recordings, Inc.

3
Lektricks #1
00:00:48

Charles Stepney, Producer - Not Applicable, ComposerLyricist - Rotary Connection, MainArtist - Stu Black, Engineer, StudioPersonnel

℗ 1970 UMG Recordings, Inc.

4
Country Things
00:03:08

Charles Stepney, Producer - Rotary Connection, MainArtist - Jon Stocklin, ComposerLyricist

℗ 1970 UMG Recordings, Inc.

5
Quartet
00:01:03

Charles Stepney, Producer - Rotary Connection, MainArtist - Stu Black, Engineer, StudioPersonnel - Brian Heller, ComposerLyricist

℗ 1970 UMG Recordings, Inc.

6
May Our Amens Be True
00:03:06

Charles Stepney, Producer, Recording Arranger, AssociatedPerformer - MINNIE RIPERTON, Vocals, AssociatedPerformer - Sidney Barnes, Vocals, AssociatedPerformer, ComposerLyricist - Rotary Connection, MainArtist - Bobby Simms, Guitar, AssociatedPerformer - Marshall Chess, Producer - Stu Black, Engineer, StudioPersonnel - Jon Stocklin, ComposerLyricist - Mitch Aliotta, AssociatedPerformer, Bass (Vocal) - Judy Hauff, Vocals, AssociatedPerformer - Tommy Vincent Donlinger, Drums, AssociatedPerformer

℗ 1970 UMG Recordings, Inc.

7
Stormy Monday Blues
00:03:59

Charles Stepney, Producer - Bob Crowder, ComposerLyricist - MINNIE RIPERTON, Vocals, AssociatedPerformer - Earl Hines, ComposerLyricist - Billy Eckstine, ComposerLyricist - Rotary Connection, MainArtist - Stu Black, Engineer, StudioPersonnel

℗ 1970 UMG Recordings, Inc.

8
Love Me Now
00:02:50

Charles Stepney, Producer, Recording Arranger, AssociatedPerformer - MINNIE RIPERTON, Vocals, AssociatedPerformer - Sidney Barnes, Vocals, AssociatedPerformer - Rotary Connection, MainArtist - Morris Dollison, ComposerLyricist - Bobby Simms, Guitar, AssociatedPerformer - Marshall Chess, Producer - Stu Black, Engineer, StudioPersonnel - Mitch Aliotta, AssociatedPerformer, Bass (Vocal) - Judy Hauff, Vocals, AssociatedPerformer - Tommy Vincent Donlinger, Drums, AssociatedPerformer

℗ 1970 UMG Recordings, Inc.

9
Lonely Summer
00:02:39

Charles Stepney, Producer - Rotary Connection, MainArtist - Bobby Simms, ComposerLyricist - Stu Black, Engineer, StudioPersonnel

℗ 1970 UMG Recordings, Inc.

10
Amuse
00:04:03

Charles Stepney, Producer, Recording Arranger, AssociatedPerformer - MINNIE RIPERTON, Vocals, AssociatedPerformer - Sidney Barnes, Vocals, AssociatedPerformer - Rotary Connection, MainArtist - Bobby Simms, Guitar, AssociatedPerformer - Jon Stockllin, ComposerLyricist - Marshall Chess, Producer - Stu Black, Engineer, StudioPersonnel - Mitch Aliotta, AssociatedPerformer, Bass (Vocal) - Judy Hauff, Vocals, AssociatedPerformer - Tommy Vincent Donlinger, Drums, AssociatedPerformer

℗ 1970 UMG Recordings, Inc.

11
Lektricks #2/Merry Prankster
00:03:19

Charles Stepney, Producer - Rotary Connection, MainArtist - Stu Black, Engineer, StudioPersonnel

℗ 1970 UMG Recordings, Inc.

12
Pump Effect/Want You To Know
00:03:14

Charles Stepney, Producer - Rotary Connection, MainArtist - Stu Black, Engineer, StudioPersonnel

℗ 1970 UMG Recordings, Inc.

Album review

The only accurate prediction one could have made before going into a Rotary Connection record was that it would be unpredictable, and attempting to list who the group's peers were to the uninitiated only worked on a song-by-song basis. No other record quite fits this bill like Dinner Music. The least-uniform Rotary Connection record -- and that's saying a lot -- it comes off like a series of tangents with little in the way of cohesion. One moment, they could be jumping in piles of hay on the set of Hee Haw ("Country Things"), later on they could be at a packed juke joint ("Stormy Monday Blues"), and then they could be lulling a crowd at the Newport Folk Festival ("Amuse"), or even taking over the BBC Radiophonic Workshop to twiddle with electronics ("Lektricks #2"). The most bizarre song of all is "Merry Prankster," which has all the cracked acoustic pop of late-'60s Arthur Lee until it shifts into an odd tempo and a chorus made from an even odder melody of grunts. The record's best moment is buried in the latter half. "Amuse" is a beautifully folky song sung by Minnie Riperton at her most gentle and arresting. It's nothing but an acoustic guitar and her voice, which effortlessly wraps around your ears despite not taking full advantage of her five-octave range. Altogether, Dinner Music is the only record where Rotary Connection's eclecticism worked to their disadvantage.

© Andy Kellman /TiVo

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