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Junior Wells|Come On In This House

Come On In This House

Junior Wells

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Junior Wells' penchant for clowning around sometimes conflicts with his craftsmanship, but he's all business on Come on in This House, his most unadulterated blues record since his highly acclaimed Hoodoo Man Blues of more than 30 years vintage. This is what has come to be known as an "unplugged" session -- that is, predominately, although not exclusively, acoustic instrumentation. Producer John Snyder's concept was threefold: to team Wells with some of the era's top younger traditional blues guitarists -- Corey Harris, Alvin Youngblood Hart, Sonny Landreth, Bob Margolin, and John Mooney; to have those musicians, in various combinations, accompany Wells on a variety of slide guitars; and to concentrate on vintage Chicago and Delta blues from the repertoires of Rice Miller, Little Walter, Tampa Red, Arthur Crudup, and Wells himself. The result is a virtual slide-guitar mini-fest and a demonstration of the timeless appeal of classic blues done well. Wells' vocals are deep and manly; his harp playing is high-pitched, like a child's pleading. A surprising highlight is the only contemporary tune on the disc, Tracy Chapman's "Give Me One Reason." New Orleans drummer Herman Ernest III, who appears on 11 of the 14 cuts, does a masterful job laying down understated rhythmic grooves.
© Steve Hoffman /TiVo

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Come On In This House

Junior Wells

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1
What My Momma Told Me / That's All Right
00:04:31

Derek Trucks, Electric Guitar, FeaturedArtist, AssociatedPerformer - Unknown, ComposerLyricist - Jay Newland, Recording Engineer, StudioPersonnel - Junior Wells, Vocals, Harmonica, MainArtist, AssociatedPerformer - John Snyder, Producer, Recording Producer - Herman Ernest III, Drums, AssociatedPerformer - Tony Daigle, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Jon Cleary, Piano, AssociatedPerformer - Michael Bishop, Mastering Engineer, Recording Engineer, StudioPersonnel - Jay Burton, Asst. Recording Engineer, StudioPersonnel - Bob Sunda, Electric 6-String, AssociatedPerformer - Dominick Barbara, Asst. Recording Engineer, StudioPersonnel

℗ 1996 Telarc International Corp.

2
Why Are People Like That?
00:03:51

Derek Trucks, Electric Guitar, FeaturedArtist, AssociatedPerformer - Jay Newland, Recording Engineer, StudioPersonnel - Junior Wells, Vocals, Harmonica, MainArtist, AssociatedPerformer - John Snyder, Producer, Recording Producer - Bobby Charles, ComposerLyricist - Herman Ernest III, Drums, AssociatedPerformer - Sonny Landreth, Electric Guitar, FeaturedArtist, AssociatedPerformer - Tony Daigle, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Jon Cleary, Piano, AssociatedPerformer - Michael Bishop, Mastering Engineer, Recording Engineer, StudioPersonnel - Jay Burton, Asst. Recording Engineer, StudioPersonnel - Bob Sunda, Electric Bass, AssociatedPerformer - Dominick Barbara, Asst. Recording Engineer, StudioPersonnel

℗ 1996 Telarc International Corp.

3
Trust My Baby
00:05:01

Unknown, ComposerLyricist - Jay Newland, Recording Engineer, StudioPersonnel - Junior Wells, Vocals, Harmonica, MainArtist, AssociatedPerformer - John Snyder, Producer, Recording Producer - Corey Harris, Steel Guitar, FeaturedArtist, AssociatedPerformer - Herman Ernest III, Drums, AssociatedPerformer - Tony Daigle, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Jon Cleary, Piano, AssociatedPerformer - Michael Bishop, Mastering Engineer, Recording Engineer, StudioPersonnel - Jay Burton, Asst. Recording Engineer, StudioPersonnel - Bob Sunda, Upright Bass, AssociatedPerformer - Dominick Barbara, Asst. Recording Engineer, StudioPersonnel

℗ 1996 Telarc International Corp.

4
Million Years Blues
00:05:11

Unknown, ComposerLyricist - Jay Newland, Recording Engineer, StudioPersonnel - Junior Wells, Vocals, Harmonica, MainArtist, AssociatedPerformer - John Snyder, Producer, Recording Producer - Herman Ernest III, Drums, AssociatedPerformer - Tony Daigle, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Michael Bishop, Mastering Engineer, Recording Engineer, StudioPersonnel - Jay Burton, Asst. Recording Engineer, StudioPersonnel - Alvin Youngblood Hart, Dobro, FeaturedArtist, AssociatedPerformer - Bob Sunda, Upright Bass, AssociatedPerformer - Dominick Barbara, Asst. Recording Engineer, StudioPersonnel

℗ 1996 Telarc International Corp.

5
Give Me One Reason
00:05:02

Jay Newland, Recording Engineer, StudioPersonnel - Tracy Chapman, ComposerLyricist - Junior Wells, Vocals, Harmonica, MainArtist, AssociatedPerformer - John Snyder, Producer, Recording Producer - Herman Ernest III, Drums, AssociatedPerformer - Sonny Landreth, Electric Guitar, Steel Guitar, FeaturedArtist, AssociatedPerformer - Tony Daigle, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Michael Bishop, Mastering Engineer, Recording Engineer, StudioPersonnel - Jay Burton, Asst. Recording Engineer, StudioPersonnel - Bob Sunda, Upright Bass, AssociatedPerformer - Dominick Barbara, Asst. Recording Engineer, StudioPersonnel

℗ 1996 Telarc International Corp.

6
Ships On The Ocean
00:05:26

Unknown, ComposerLyricist - Jay Newland, Recording Engineer, StudioPersonnel - Junior Wells, Vocals, Harmonica, MainArtist, AssociatedPerformer - John Snyder, Producer, Recording Producer - Corey Harris, Steel Guitar, FeaturedArtist, AssociatedPerformer - Tony Daigle, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Michael Bishop, Mastering Engineer, Recording Engineer, StudioPersonnel - Jay Burton, Asst. Recording Engineer, StudioPersonnel - Dominick Barbara, Asst. Recording Engineer, StudioPersonnel

℗ 1996 Telarc International Corp.

7
She Wants To Sell My Monkey
00:04:32

Unknown, ComposerLyricist - Jay Newland, Recording Engineer, StudioPersonnel - Junior Wells, Vocals, Harmonica, MainArtist, AssociatedPerformer - John Snyder, Producer, Recording Producer - Tony Daigle, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Michael Bishop, Mastering Engineer, Recording Engineer, StudioPersonnel - Tab Benoit, Acoustic Guitar, AssociatedPerformer - Jay Burton, Asst. Recording Engineer, StudioPersonnel - Alvin Youngblood Hart, Vocals, Steel Guitar, FeaturedArtist, AssociatedPerformer - Bob Sunda, Upright Bass, AssociatedPerformer - Dominick Barbara, Asst. Recording Engineer, StudioPersonnel

℗ 1996 Telarc International Corp.

8
So Glad You're Mine
00:05:48

Unknown, ComposerLyricist - Jay Newland, Recording Engineer, StudioPersonnel - Junior Wells, Vocals, Harmonica, MainArtist, AssociatedPerformer - John Snyder, Producer, Recording Producer - Herman Ernest III, Drums, AssociatedPerformer - John Mooney, Electric Guitar, FeaturedArtist, AssociatedPerformer - Tony Daigle, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Jon Cleary, Piano, AssociatedPerformer - Michael Bishop, Mastering Engineer, Recording Engineer, StudioPersonnel - Jay Burton, Asst. Recording Engineer, StudioPersonnel - Bob Sunda, Upright Bass, AssociatedPerformer - Dominick Barbara, Asst. Recording Engineer, StudioPersonnel

℗ 1996 Telarc International Corp.

9
Mystery Train
00:07:00

Sam Phillips, ComposerLyricist - Bob Margolin, Guitar, FeaturedArtist, AssociatedPerformer - Jay Newland, Recording Engineer, StudioPersonnel - Junior Wells, Vocals, Harmonica, MainArtist, AssociatedPerformer - John Snyder, Producer, Recording Producer - Junior Parker, ComposerLyricist - Corey Harris, Steel Guitar, FeaturedArtist, AssociatedPerformer - Herman Ernest III, Drums, AssociatedPerformer - Tony Daigle, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Michael Bishop, Mastering Engineer, Recording Engineer, StudioPersonnel - Jay Burton, Asst. Recording Engineer, StudioPersonnel - Bob Sunda, Upright Bass, AssociatedPerformer - Dominick Barbara, Asst. Recording Engineer, StudioPersonnel

℗ 1996 Telarc International Corp.

10
I'm Gonna Move To Kansas City
00:03:39

Derek Trucks, Electric Guitar, FeaturedArtist, AssociatedPerformer - Unknown, ComposerLyricist - Jay Newland, Recording Engineer, StudioPersonnel - Junior Wells, Vocals, Harmonica, MainArtist, AssociatedPerformer - John Snyder, Producer, Recording Producer - Herman Ernest III, Drums, AssociatedPerformer - Tony Daigle, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Michael Bishop, Mastering Engineer, Recording Engineer, StudioPersonnel - Jay Burton, Asst. Recording Engineer, StudioPersonnel - Bob Sunda, Upright Bass, AssociatedPerformer - Dominick Barbara, Asst. Recording Engineer, StudioPersonnel

℗ 1996 Telarc International Corp.

11
King Fish Blues
00:05:18

Amos Blakemore, ComposerLyricist - Jay Newland, Recording Engineer, StudioPersonnel - Junior Wells, Vocals, Harmonica, MainArtist, AssociatedPerformer - John Snyder, Producer, Recording Producer - John Mooney, Electric Guitar, FeaturedArtist, AssociatedPerformer - Tony Daigle, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Michael Bishop, Mastering Engineer, Recording Engineer, StudioPersonnel - Jay Burton, Asst. Recording Engineer, StudioPersonnel - Bob Sunda, Upright Bass, AssociatedPerformer - Dominick Barbara, Asst. Recording Engineer, StudioPersonnel

℗ 1996 Telarc International Corp.

12
You Better Watch Yourself
00:03:47

Derek Trucks, Acoustic Guitar, FeaturedArtist, AssociatedPerformer - Unknown, ComposerLyricist - Jay Newland, Recording Engineer, StudioPersonnel - Junior Wells, Vocals, Harmonica, MainArtist, AssociatedPerformer - John Snyder, Producer, Recording Producer - Herman Ernest III, Drums, AssociatedPerformer - Tony Daigle, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Jon Cleary, Piano, AssociatedPerformer - Michael Bishop, Mastering Engineer, Recording Engineer, StudioPersonnel - Jay Burton, Asst. Recording Engineer, StudioPersonnel - Dominick Barbara, Asst. Recording Engineer, StudioPersonnel

℗ 1996 Telarc International Corp.

13
Come On In This House
00:05:53

Bob Margolin, Electric Guitar, FeaturedArtist, AssociatedPerformer - Unknown, ComposerLyricist - Jay Newland, Recording Engineer, StudioPersonnel - Junior Wells, Vocals, Harmonica, MainArtist, AssociatedPerformer - John Snyder, Producer, Recording Producer - Herman Ernest III, Drums, AssociatedPerformer - Tony Daigle, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Michael Bishop, Mastering Engineer, Recording Engineer, StudioPersonnel - Jay Burton, Asst. Recording Engineer, StudioPersonnel - Bob Sunda, Upright Bass, AssociatedPerformer - Dominick Barbara, Asst. Recording Engineer, StudioPersonnel

℗ 1996 Telarc International Corp.

14
The Goat
00:03:46

Unknown, ComposerLyricist - Jay Newland, Recording Engineer, StudioPersonnel - Junior Wells, Vocals, Harmonica, MainArtist, AssociatedPerformer - John Snyder, Producer, Recording Producer - Corey Harris, Steel Guitar, FeaturedArtist, AssociatedPerformer - Herman Ernest III, Drums, AssociatedPerformer - Tony Daigle, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Jon Cleary, Piano, AssociatedPerformer - Michael Bishop, Mastering Engineer, Recording Engineer, StudioPersonnel - Jay Burton, Asst. Recording Engineer, StudioPersonnel - Bob Sunda, Upright Bass, AssociatedPerformer - Dominick Barbara, Asst. Recording Engineer, StudioPersonnel

℗ 1996 Telarc International Corp.

Album review

Junior Wells' penchant for clowning around sometimes conflicts with his craftsmanship, but he's all business on Come on in This House, his most unadulterated blues record since his highly acclaimed Hoodoo Man Blues of more than 30 years vintage. This is what has come to be known as an "unplugged" session -- that is, predominately, although not exclusively, acoustic instrumentation. Producer John Snyder's concept was threefold: to team Wells with some of the era's top younger traditional blues guitarists -- Corey Harris, Alvin Youngblood Hart, Sonny Landreth, Bob Margolin, and John Mooney; to have those musicians, in various combinations, accompany Wells on a variety of slide guitars; and to concentrate on vintage Chicago and Delta blues from the repertoires of Rice Miller, Little Walter, Tampa Red, Arthur Crudup, and Wells himself. The result is a virtual slide-guitar mini-fest and a demonstration of the timeless appeal of classic blues done well. Wells' vocals are deep and manly; his harp playing is high-pitched, like a child's pleading. A surprising highlight is the only contemporary tune on the disc, Tracy Chapman's "Give Me One Reason." New Orleans drummer Herman Ernest III, who appears on 11 of the 14 cuts, does a masterful job laying down understated rhythmic grooves.
© Steve Hoffman /TiVo

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