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Brass Construction|Classic Masters

Classic Masters

Brass Construction

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All of 1970s/'80s disco/funk band Brass Construction's recordings for United Artists, Liberty, and Capitol Records ended up in the EMI vault, making it easy to assemble compilations, and this is the fourth such collection, following 1991's Golden Classics (licensed to Collectables Records), 1993's The Best of Brass Construction: Movin' & Changin' (on the discontinued EMI America label), and 1997's Get Up to Get Down: Brass Construction's Funky Feeling (on Capitol). What's different about this one? Well, Classic Masters is a volume in a Capitol midline-priced series of 24-bit digitally remastered best-ofs, and it is a by-the-book compilation, gathering together the group's 12 biggest singles hits, as measured by peak rankings in Billboard's R&B chart (which means, for example, that "Help Yourself," which got to number 58, is here, but "Attitude," which got to number 59, is not) and sequencing them in chronological order. Although the singles chart was the guide, these are not necessarily the single edits of the songs; "Movin'," Brass Construction's biggest hit, runs 8:40 here, as it did on the 1975 Brass Construction album, not 3:49 as it did on the 45. The result is a collection that is stronger than Golden Classics; more coherent (if shorter) than The Best of Brass Construction (which has mixed sequencing); and more hit-oriented than Get Up to Get Down. The sequencing gives the listener a good sense of the group's musical development, as it started with lengthy dancefloor workouts ("Movin'," "Changin'"), tried more song-like forms ("The Message [Inspiration]"), reverted to near-instrumentals ("Get Up"), and finally turned to synthesizers and a close impersonation of Rick James ("Walkin' the Line"). A history of R&B music from the mid-'70s to the mid-'80s can be heard here, much of it still capable of setting feet in motion.

© William Ruhlmann /TiVo

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Classic Masters

Brass Construction

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1
Movin' (2002 Digital Remaster / 24-Bit Mastering)
00:08:40

Randy Muller, ComposerLyricist - Robert Vosgien, Mastering Engineer, StudioPersonnel - Brass Construction, MainArtist - Jeff Lane, Producer - Irving Spice, String Arranger, AssociatedPerformer - Wade Williamson, ComposerLyricist

(C) 2002 Capitol Records, LLC â„— 2002 Capitol Records, LLC

2
Changin' (2002 Digital Remaster / 24-Bit Mastering)
00:08:12

Randy Muller, Composer - Brass Construction, MainArtist - Jeff Lane, Producer - Irving Spice, String Arranger, AssociatedPerformer

(C) 2002 Capitol Records, LLC â„— 2002 Capitol Records, LLC

3
Ha Cha Cha (Funktion) (2001 Digital Remaster / 24-Bit Mastering)
00:05:51

Randy Muller, Composer - Brass Construction, MainArtist, AssociatedPerformer, Turntablist - Jeff Lane, Producer

(C) 2002 Capitol Records, LLC â„— 2001 Capitol Records, LLC

4
The Message (Inspiration) (2002 Digital Remaster / 24-Bit Mastering)
00:04:42

Randy Muller, Composer - Brass Construction, MainArtist

(C) 2002 Capitol Records, LLC â„— 2002 Capitol Records, LLC

5
L-O-V-E-U (2002 Digital Remaster / 24-Bit Mastering)
00:03:40

Randy Muller, ComposerLyricist - Robert Vosgien, Mastering Engineer, StudioPersonnel - Michael Goldberg, ComposerLyricist - Brass Construction, MainArtist - Jeff Lane, Producer

(C) 2002 Capitol Records, LLC â„— 2002 Capitol Records, LLC

6
Help Yourself (2002 Digital Remaster / 24-Bit Mastering)
00:04:03

Randy Muller, Composer - Brass Construction, MainArtist

(C) 2002 Capitol Records, LLC â„— 2002 Capitol Records, LLC

7
Get Up (2002 Digital Remaster / 24-Bit Mastering)
00:08:01

Randy Muller, Composer - Robert Vosgien, Mastering Engineer, StudioPersonnel - Brass Construction, MainArtist - Jeff Lane, Producer

(C) 2002 Capitol Records, LLC â„— 2002 Capitol Records, LLC

8
Right Place (2002 Digital Remaster / 24-Bit Mastering)
00:06:33

Brass Construction, MainArtist - Jeff Lane, Producer - Wade Williamston, ComposerLyricist - Michael Grudge, ComposerLyricist

(C) 2002 Capitol Records, LLC â„— 2002 Capitol Records, LLC

9
Can You See The Light (2002 Digital Remaster / 24-Bit Mastering)
00:05:48

Randy Muller, Composer, Producer - Brass Construction, MainArtist

(C) 2002 Capitol Records, LLC â„— 2002 Capitol Records, LLC

10
Walkin' The Line (2002 Digital Remaster / 24-Bit Mastering)
00:03:58

Randy Muller, Composer, Producer, MainArtist - Brass Construction, MainArtist

(C) 2002 Capitol Records, LLC â„— 2002 Capitol Records, LLC

11
Never Had A Girl (24-Bit Mastering)
00:04:41

Randy Muller, Composer, Producer - Robert Vosgien, Mastering Engineer, StudioPersonnel - Brass Construction, MainArtist

(C) 2002 Capitol Records, LLC â„— 1984 Capitol Records, LLC

12
Partyline (Single Version / 2002 Digital Remaster / 24-Bit Mastering)
00:04:01

Randy Muller, Composer, Producer - Robert Vosgien, Mastering Engineer, StudioPersonnel - Brass Construction, MainArtist

(C) 2002 Capitol Records, LLC â„— 2002 Capitol Records, LLC

Album review

All of 1970s/'80s disco/funk band Brass Construction's recordings for United Artists, Liberty, and Capitol Records ended up in the EMI vault, making it easy to assemble compilations, and this is the fourth such collection, following 1991's Golden Classics (licensed to Collectables Records), 1993's The Best of Brass Construction: Movin' & Changin' (on the discontinued EMI America label), and 1997's Get Up to Get Down: Brass Construction's Funky Feeling (on Capitol). What's different about this one? Well, Classic Masters is a volume in a Capitol midline-priced series of 24-bit digitally remastered best-ofs, and it is a by-the-book compilation, gathering together the group's 12 biggest singles hits, as measured by peak rankings in Billboard's R&B chart (which means, for example, that "Help Yourself," which got to number 58, is here, but "Attitude," which got to number 59, is not) and sequencing them in chronological order. Although the singles chart was the guide, these are not necessarily the single edits of the songs; "Movin'," Brass Construction's biggest hit, runs 8:40 here, as it did on the 1975 Brass Construction album, not 3:49 as it did on the 45. The result is a collection that is stronger than Golden Classics; more coherent (if shorter) than The Best of Brass Construction (which has mixed sequencing); and more hit-oriented than Get Up to Get Down. The sequencing gives the listener a good sense of the group's musical development, as it started with lengthy dancefloor workouts ("Movin'," "Changin'"), tried more song-like forms ("The Message [Inspiration]"), reverted to near-instrumentals ("Get Up"), and finally turned to synthesizers and a close impersonation of Rick James ("Walkin' the Line"). A history of R&B music from the mid-'70s to the mid-'80s can be heard here, much of it still capable of setting feet in motion.

© William Ruhlmann /TiVo

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