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Florilegium|Bolivian Baroque, Vol. 2: Music from the Missions

Bolivian Baroque, Vol. 2: Music from the Missions

Florilegium and Arakaendar Bolivia Choir

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The instrumental music repertory kept in the music archives of Chiquitos (Archivo Musical de Chiquitos) consist of two major collections: a) music for an instrumental ensemble; b) keyboard music. Each of these contains approximately 200 works of music (either fragmentary or complete works). It is difficult to maintain that such a large number of works was to be found in each of the Jesuit settlements. It is possible that the musical libraries of the guaran settlements were even larger. Since these documents have disappeared altogether, we can neither confirm nor deny their existence. On the other hand, in the archives of the missionary post in Moxos, where 4000 sheets of music are kept, the instrumental works do not exceed 20 and are generally fragments of sonatas, concertos and dances. No instrumental music has been found, not even fragments. In among the quartets, dances, partitas, concertos, symphonies and sonatas belonging to the music collection of Chiquitos, the latter, numbering approximately 110 compositions, are the best known. In most cases, the copyist left no details regarding the composer. The ones of which the composer is mentioned or recognized by the musicologists that have studied the music collection of Chiquitos, were written by Arcangelo Corelli, Antonio Vivaldi, Niccol Jommelli, Ignazio Balbi, Pietro Locatelli, Giovanni Battista Sammartini, Nicola Calandro and Domingo Poretti. Ten sonatas that were attributed to Arcangelo Corelli make him the most popular and prolific composer of instrumental music in the ancient Jesuit missionary posts. On the other hand, no instrumental music has ever been found that could prove beyond any doubt that the composer

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Bolivian Baroque, Vol. 2: Music from the Missions

Florilegium

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Sonata for 2 Violins and Basso Continuo (Ignacio Balbi)

1
I. Allegro assai
00:02:13

Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist - Ignacio Balbi, Composer

2007 Channel Classics Records 2007 Channel Classics Records

2
II. Andante spirituoso
00:01:07

Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist - Ignacio Balbi, Composer

2007 Channel Classics Records 2007 Channel Classics Records

3
III. Allegro
00:00:58

Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist - Ignacio Balbi, Composer

2007 Channel Classics Records 2007 Channel Classics Records

4
Cayósole al Alba
00:04:09

Anonymous, Lyricist - Copyright Control, MusicPublisher - Juan de Araujo, Composer - Florilegium, Ensemble, MainArtist - Bolivian Soloists, MainArtist

2007 Channel Classics Records 2007 Channel Classics Records

5
Gloria et honore
00:03:52

Anonymous, Lyricist - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist - Arakaendar Bolivia Choir, Choir, MainArtist - Jan Josef Ignác Brentner, Composer

2007 Channel Classics Records 2007 Channel Classics Records

6
Stella coeli extirpavit
00:02:54

Anonymous, Composer, Lyricist - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist - Bolivian Soloists, MainArtist

2007 Channel Classics Records 2007 Channel Classics Records

7
Quis me a te sponse separabit
00:07:22

Anonymous, Composer, Lyricist - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist - Henry Villca, MainArtist

2007 Channel Classics Records 2007 Channel Classics Records

Missa Encarnación (Giovanni Battista Bassani)

8
I. Kyrie
00:03:43

Anonymous, Lyricist - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist - Arakaendar Bolivia Choir, Choir, MainArtist - Giovanni Battista Bassani, Composer

2007 Channel Classics Records 2007 Channel Classics Records

9
II. Gloria
00:04:23

Anonymous, Lyricist - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist - Arakaendar Bolivia Choir, Choir, MainArtist - Giovanni Battista Bassani, Composer

2007 Channel Classics Records 2007 Channel Classics Records

10
III. Credo
00:05:06

Anonymous, Lyricist - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist - Arakaendar Bolivia Choir, Choir, MainArtist - Giovanni Battista Bassani, Composer

2007 Channel Classics Records 2007 Channel Classics Records

11
IV. Sanctus
00:01:55

Anonymous, Lyricist - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist - Arakaendar Bolivia Choir, Choir, MainArtist - Giovanni Battista Bassani, Composer

2007 Channel Classics Records 2007 Channel Classics Records

12
V. Agnus Dei
00:01:12

Anonymous, Lyricist - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist - Arakaendar Bolivia Choir, Choir, MainArtist - Giovanni Battista Bassani, Composer

2007 Channel Classics Records 2007 Channel Classics Records

Sonata for 2 Violins and Basso Continuo (Pietro Antonio Locatelli)

13
I.
00:01:59

Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist - Pietro Locatelli, Composer

2007 Channel Classics Records 2007 Channel Classics Records

14
II. Andante
00:02:15

Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist - Pietro Locatelli, Composer

2007 Channel Classics Records 2007 Channel Classics Records

15
III. Allegro
00:02:30

Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist - Pietro Locatelli, Composer

2007 Channel Classics Records 2007 Channel Classics Records

16
Si el Amor se quedare dormido
00:03:01

Anonymous, Lyricist - Copyright Control, MusicPublisher - Juan de Araujo, Composer - Florilegium, Ensemble, MainArtist - Bolivian Soloists, MainArtist

2007 Channel Classics Records 2007 Channel Classics Records

17
Tota salutis
00:05:35

Anonymous, Composer, Lyricist - Copyright Control, MusicPublisher - Florilegium, MainArtist - Katia Escalera, MainArtist

2007 Channel Classics Records 2007 Channel Classics Records

18
Salve Regina
00:01:50

Anonymous, Composer, Lyricist - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist - Arakaendar Bolivia Choir, Choir, MainArtist

2007 Channel Classics Records 2007 Channel Classics Records

19
Tota pulchra es Maria
00:03:14

Anonymous, Composer, Lyricist - Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist - Bolivian Soloists, MainArtist

2007 Channel Classics Records 2007 Channel Classics Records

20
Traditional Bolivian Melody
00:04:55

Copyright Control, MusicPublisher - Florilegium, Ensemble, MainArtist - Don Januario, Composer

2007 Channel Classics Records 2007 Channel Classics Records

Album review

The instrumental music repertory kept in the music archives of Chiquitos (Archivo Musical de Chiquitos) consist of two major collections: a) music for an instrumental ensemble; b) keyboard music. Each of these contains approximately 200 works of music (either fragmentary or complete works). It is difficult to maintain that such a large number of works was to be found in each of the Jesuit settlements. It is possible that the musical libraries of the guaran settlements were even larger. Since these documents have disappeared altogether, we can neither confirm nor deny their existence. On the other hand, in the archives of the missionary post in Moxos, where 4000 sheets of music are kept, the instrumental works do not exceed 20 and are generally fragments of sonatas, concertos and dances. No instrumental music has been found, not even fragments. In among the quartets, dances, partitas, concertos, symphonies and sonatas belonging to the music collection of Chiquitos, the latter, numbering approximately 110 compositions, are the best known. In most cases, the copyist left no details regarding the composer. The ones of which the composer is mentioned or recognized by the musicologists that have studied the music collection of Chiquitos, were written by Arcangelo Corelli, Antonio Vivaldi, Niccol Jommelli, Ignazio Balbi, Pietro Locatelli, Giovanni Battista Sammartini, Nicola Calandro and Domingo Poretti. Ten sonatas that were attributed to Arcangelo Corelli make him the most popular and prolific composer of instrumental music in the ancient Jesuit missionary posts. On the other hand, no instrumental music has ever been found that could prove beyond any doubt that the composer

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