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Holly Johnson|Blast

Blast

Holly Johnson

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Following the abrupt creative and popular burnout of Frankie Goes to Hollywood, Holly Johnson chased a solo career, playing up his old band's floodlight camp for a more direct, commercial sound. Well received for an offshoot, Blast had all the trappings of a self-possessed number one, and for good reason -- there were few crass ballads to speak of other than the sullen glam of "Feel Good," while Johnson continued to have a field day with disco, synth rock, bubblegum, new wave, and carnival pop. Like it or not, if longtime fans felt that Johnson's personality lost a bit of its color, especially its rudeness, Blast demonstrated his skills for larger-than-life hooks and insatiable brass-buffered electro cabaret had hardly diminished.

© Dean Carlson /TiVo

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Blast

Holly Johnson

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1
Atomic City
00:06:15

Dan Hartman, ComposerLyricist - Holly Johnson, MainArtist, ComposerLyricist

℗ 1989 MCA Records Ltd.

2
Heaven's Here
00:04:16

Holly Johnson, MainArtist, ComposerLyricist

℗ 1989 MCA Records Ltd.

3
Americanos (Album Version)
00:03:36

Holly Johnson, MainArtist, ComposerLyricist

℗ 1989 MCA Records Ltd.

4
Deep In Love
00:03:58

Holly Johnson, MainArtist, ComposerLyricist

℗ 1989 MCA Records Ltd.

5
S.U.C.C.E.S.S.
00:03:31

Holly Johnson, MainArtist, ComposerLyricist

℗ 1989 MCA Records Ltd.

6
Love Train
00:04:02

Andy Richards, Producer - Holly Johnson, MainArtist, ComposerLyricist - Steve Lovell, Producer

℗ 1989 MCA Records Ltd.

7
Got It Made
00:03:48

Holly Johnson, MainArtist, ComposerLyricist

℗ 1989 MCA Records Ltd.

8
Love Will Come
00:04:28

Holly Johnson, MainArtist, ComposerLyricist

℗ 1989 MCA Records Ltd.

9
Perfume
00:03:33

Holly Johnson, MainArtist, ComposerLyricist

℗ 1989 MCA Records Ltd.

10
Feel Good
00:05:28

Holly Johnson, MainArtist, ComposerLyricist

℗ 1989 MCA Records Ltd.

Album review

Following the abrupt creative and popular burnout of Frankie Goes to Hollywood, Holly Johnson chased a solo career, playing up his old band's floodlight camp for a more direct, commercial sound. Well received for an offshoot, Blast had all the trappings of a self-possessed number one, and for good reason -- there were few crass ballads to speak of other than the sullen glam of "Feel Good," while Johnson continued to have a field day with disco, synth rock, bubblegum, new wave, and carnival pop. Like it or not, if longtime fans felt that Johnson's personality lost a bit of its color, especially its rudeness, Blast demonstrated his skills for larger-than-life hooks and insatiable brass-buffered electro cabaret had hardly diminished.

© Dean Carlson /TiVo

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