Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
This Shepp date, recorded in Paris in 1979 under the auspices of being a tribute to Charlie Parker with a host of stringers, is a testament to two things: how far Shepp's star had fallen despite his still-considerable abilities as a musician, and how dire times must have been for him to choose such a bad band to hook up with. With a trumpet player and rhythm section -- all of who will remain nameless -- Shepp bills this set as a "tribute to Charlie Parker." The real reason these three Parker tunes were chosen and the other standard, "Lover Man," was because this was the only material the band could agree on. Many might argue that with choices like "Au Privave," "Parker's Mood," and "Now's the Time," the material is plenty hot on the bebop chart. But this music isn't played like that; it's played at a drugged-out tempo. The common wisdom is that Shepp could no longer -- if he ever could -- play these tunes in their original time signatures. That's ridiculous. The fact of the matter is that his pianist and bass player are sluggish; Shepp had to turn the standards into blues jams so they could hang. And why would he do this? To eat, man, to eat. Things were tough scuffling in 1979 before the Wynton revival in jazz really polished off the '60s cats, and at that time Shepp was down on his luck. As a tenor player, however, his solos here are as inspired as ever, which makes this record even more of a heartbreaking shame.
© Thom Jurek /TiVo
You are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
Listen to this playlist and more than 100 million songs with our unlimited streaming plans.
From kr133,33/month
Archie Shepp, Performer - Siegfried Kessler, Performer - Clifford Jarvis, Performer - Bob Cunningham, Performer - Everett Hollins, Performer - Jimmy Sherman, Composer - Jimmy Davis, Composer - Roger Ramirez, Composer
(C) 2013 West Wind (P) 2013 West Wind
Archie Shepp, Performer - Siegfried Kessler, Performer - Clifford Jarvis, Performer - Bob Cunningham, Performer - Everett Hollins, Performer - Charlie Parker, Composer
(C) 2013 West Wind (P) 2013 West Wind
Bob Cunningham, Performer - Everett Hollins, Performer - Archie Shepp, Performer - Siegfried Kessler, Performer - Clifford Jarvis, Performer - Charlie Parker, Composer
(C) 2013 West Wind (P) 2013 West Wind
Siegfried Kessler, Performer - Clifford Jarvis, Performer - Bob Cunningham, Performer - Everett Hollins, Performer - Archie Shepp, Performer - Charlie Parker, Composer
(C) 2013 West Wind (P) 2013 West Wind
Album review
This Shepp date, recorded in Paris in 1979 under the auspices of being a tribute to Charlie Parker with a host of stringers, is a testament to two things: how far Shepp's star had fallen despite his still-considerable abilities as a musician, and how dire times must have been for him to choose such a bad band to hook up with. With a trumpet player and rhythm section -- all of who will remain nameless -- Shepp bills this set as a "tribute to Charlie Parker." The real reason these three Parker tunes were chosen and the other standard, "Lover Man," was because this was the only material the band could agree on. Many might argue that with choices like "Au Privave," "Parker's Mood," and "Now's the Time," the material is plenty hot on the bebop chart. But this music isn't played like that; it's played at a drugged-out tempo. The common wisdom is that Shepp could no longer -- if he ever could -- play these tunes in their original time signatures. That's ridiculous. The fact of the matter is that his pianist and bass player are sluggish; Shepp had to turn the standards into blues jams so they could hang. And why would he do this? To eat, man, to eat. Things were tough scuffling in 1979 before the Wynton revival in jazz really polished off the '60s cats, and at that time Shepp was down on his luck. As a tenor player, however, his solos here are as inspired as ever, which makes this record even more of a heartbreaking shame.
© Thom Jurek /TiVo
About the album
- 1 disc(s) - 4 track(s)
- Total length: 00:39:22
- Main artists: Archie Shepp Everett Hollins Bob Cunningham Siegfried Kessler Clifford Jarvis
- Composer: Various Composers
- Label: West Wind
- Genre: Jazz
(C) 2013 West Wind (P) 2013 West Wind
Improve album informationWhy buy on Qobuz...
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.