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Alvin Youngblood Hart|Big Mama'S Door

Big Mama'S Door

Alvin Youngblood Hart

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The debut recording of 33-year-old Hart is extraordinarily simple and simply extraordinary. Except for three cuts on which he's joined by Taj Mahal, Big Mama's Door is just Hart on acoustic guitar and vocals, and he's not doing anything fancy -- just playing prewar-style blues, mostly in a percussive Delta manner, recorded live to two-track. Yet he succeeds so well in blending technique and feeling, structure and spontaneity, tradition and freshness that he produces a minor gem of a blues record, evocative of the blues masters of the 1920s and '30s. He covers Leadbelly, Blind Willie McTell, Charley Patton, and the Mississippi Sheiks and does originals that replicate older blues idioms, not just in the notes but in the nuances, and in the personal commitment he brings to the material.

© Steve Hoffman /TiVo

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Big Mama'S Door

Alvin Youngblood Hart

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1
Big Mama's Door (Album Version)
00:03:51

Mike Johnson, Engineer - Alvin Youngblood Hart, Vocal - Alvin Youngblood Hart, Composer - Alvin Youngblood Hart, Guitar - Alvin Youngblood Hart, Lyricist - Alvin Youngblood Hart, Performer - Dan Alexander, Engineer - Joe Gastwirt, Mastering Engineer - Michael Nash, Producer

1996 Sony Music Entertainment Inc.

2
Joe Friday (Album Version)
00:02:42

Mike Johnson, Engineer - Alvin Youngblood Hart, Vocal - Alvin Youngblood Hart, Composer - Alvin Youngblood Hart, Guitar - Alvin Youngblood Hart, Lyricist - Alvin Youngblood Hart, Performer - Dan Alexander, Engineer - Joe Gastwirt, Mastering Engineer - Michael Nash, Producer

1996 Sony Music Entertainment Inc.

3
Them Fair Weather Friends (Album Version)
00:05:08

Mike Johnson, Engineer - Alvin Youngblood Hart, Vocal - Alvin Youngblood Hart, Composer - Alvin Youngblood Hart, 12 String Guitar - Alvin Youngblood Hart, Lyricist - Alvin Youngblood Hart, Performer - Dan Alexander, Engineer - Joe Gastwirt, Mastering Engineer - Michael Nash, Producer

1996 Sony Music Entertainment Inc.

4
France Blues (Album Version)
00:03:21

Taj Mahal, Mandolin - Taj Mahal, Background Vocal - Mike Johnson, Engineer - Alvin Youngblood Hart, Vocal - Alvin Youngblood Hart, Guitar - Alvin Youngblood Hart, Performer - Alvin Youngblood Hart, Lyricist - Alvin Youngblood Hart, Composer - Dan Alexander, Engineer - Joe Gastwirt, Mastering Engineer - Traditional, Composer - Traditional, Lyricist - Michael Nash, Producer

1996 Sony Music Entertainment Inc.

5
Gallows Pole (Album Version)
00:04:45

Mike Johnson, Engineer - Alvin Youngblood Hart, Vocal - Alvin Youngblood Hart, 12 String Guitar - Alvin Youngblood Hart, Performer - Alvin Youngblood Hart, Lyricist - Alvin Youngblood Hart, Composer - Dan Alexander, Engineer - Joe Gastwirt, Mastering Engineer - Traditional, Composer - Traditional, Lyricist - Michael Nash, Producer

1996 Sony Music Entertainment Inc.

6
Pony Blues (Album Version)
00:03:32

Mike Johnson, Engineer - Alvin Youngblood Hart, Vocal - Alvin Youngblood Hart, Guitar - Alvin Youngblood Hart, Performer - Dan Alexander, Engineer - C. Patton, Composer - C. Patton, Lyricist - Joe Gastwirt, Mastering Engineer - Michael Nash, Producer

1996 Sony Music Entertainment Inc.

7
Amazed 'N' Amused (Album Version)
00:02:15

Mike Johnson, Engineer - Alvin Youngblood Hart, Guitar - Alvin Youngblood Hart, Composer - Alvin Youngblood Hart, Performer - Alvin Youngblood Hart, Lyricist - Dan Alexander, Engineer - Joe Gastwirt, Mastering Engineer - Michael Nash, Producer

1996 Sony Music Entertainment Inc.

8
Things 'bout Comin' My Way
00:04:43

W. Vinson, Composer - W. Vinson, Lyricist - Alvin Youngblood Hart, Vocal

(P)1996 Sony Music Entertainment Inc.

9
When I Was a Cowboy (Western Plains) (Album Version)
00:03:13

H. Ledbetter, Composer - H. Ledbetter, Lyricist - Mike Johnson, Engineer - Alvin Youngblood Hart, Vocal - Alvin Youngblood Hart, Guitar - Alvin Youngblood Hart, Performer - Dan Alexander, Engineer - J. Lomax, Composer - J. Lomax, Lyricist - Joe Gastwirt, Mastering Engineer - Michael Nash, Producer - A. Lomax, Composer - A. Lomax, Lyricist

1996 Sony Music Entertainment Inc.

10
Rest Your Saddle (Album Version)
00:02:41

Mike Johnson, Engineer - Alvin Youngblood Hart, Vocal - Alvin Youngblood Hart, Composer - Alvin Youngblood Hart, Performer - Alvin Youngblood Hart, Lyricist - Dan Alexander, Engineer - Joe Gastwirt, Mastering Engineer - Michael Nash, Producer

1996 Sony Music Entertainment Inc.

11
If Blues Was Money (Album Version)
00:03:38

Mike Johnson, Engineer - Alvin Youngblood Hart, Vocal - Alvin Youngblood Hart, Composer - Alvin Youngblood Hart, Guitar - Alvin Youngblood Hart, Lyricist - Alvin Youngblood Hart, Performer - Dan Alexander, Engineer - Joe Gastwirt, Mastering Engineer - Michael Nash, Producer

1996 Sony Music Entertainment Inc.

12
Hillbilly Willie's Blues (Album Version)
00:03:30

Mike Johnson, Engineer - Alvin Youngblood Hart, Vocal - Alvin Youngblood Hart, Banjo - Alvin Youngblood Hart, Performer - Dan Alexander, Engineer - W. McTell, Composer - W. McTell, Lyricist - Joe Gastwirt, Mastering Engineer - Michael Nash, Producer

1996 Sony Music Entertainment Inc.

13
Livin' In a Strain (Album Version)
00:03:51

W. Vinson, Composer - W. Vinson, Lyricist - Mike Johnson, Engineer - Alvin Youngblood Hart, Vocal - Alvin Youngblood Hart, Guitar - Alvin Youngblood Hart, Performer - Alvin Youngblood Hart, Lyricist - Alvin Youngblood Hart, Composer - Dan Alexander, Engineer - Joe Gastwirt, Mastering Engineer - Michael Nash, Producer

1996 Sony Music Entertainment Inc.

14
That Kate Adams Jive (Album Version)
00:01:33

Taj Mahal, Guitar - Mike Johnson, Engineer - Alvin Youngblood Hart, Guitar - Alvin Youngblood Hart, Composer - Alvin Youngblood Hart, Lyricist - Alvin Youngblood Hart, Performer - Dan Alexander, Engineer - Chris Siebert, Piano - Joe Gastwirt, Mastering Engineer - Michael Nash, Producer

1996 Sony Music Entertainment Inc.

Album review

The debut recording of 33-year-old Hart is extraordinarily simple and simply extraordinary. Except for three cuts on which he's joined by Taj Mahal, Big Mama's Door is just Hart on acoustic guitar and vocals, and he's not doing anything fancy -- just playing prewar-style blues, mostly in a percussive Delta manner, recorded live to two-track. Yet he succeeds so well in blending technique and feeling, structure and spontaneity, tradition and freshness that he produces a minor gem of a blues record, evocative of the blues masters of the 1920s and '30s. He covers Leadbelly, Blind Willie McTell, Charley Patton, and the Mississippi Sheiks and does originals that replicate older blues idioms, not just in the notes but in the nuances, and in the personal commitment he brings to the material.

© Steve Hoffman /TiVo

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