Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
At the hands of Donald Runnicles and the Atlanta Symphony Orchestra & Chorus, Beethoven's Symphony No. 9 receives a fairly conventional performance, competently played but neither inspired nor especially insightful. One might classify this as an old-school romantic interpretation, or perhaps a mannered imitation of that style since it sometimes strives for greatness through grandiosity, but without an emotional core. The first movement has some dramatic moments -- the recapitulation is particularly monumental -- but overall lacks tension and drive, flagging at several points for introspective musings. Runnicles lets what little energy he has built up dissipate through an exaggerated ritardando in the coda. The Scherzo is energetic and brisk, but somewhat mechanical and remote, more ice than fire, and there is a lack of warmth in the Trio, symptomatic of the hasty tempo that should have been tempered. The Adagio has fine coloration in the woodwinds and some expressive string playing, but too much rubato weakens the structure and makes the music episodic. Surprisingly, the choral finale comes off better than the previous movements, less distorted by whimsical tempi and given a boost from the quartet of vocalists and chorus. Released in 2003, the recording provides vivid sound when the orchestra obliges.
© TiVo
You are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
Listen to this playlist and more than 100 million songs with our unlimited streaming plans.
From kr133,33/month
Donald Runnicles, Conductor, MainArtist - Ludwig van Beethoven, Composer - Atlanta Symphony Orchestra, Orchestra, MainArtist - Michael Bishop, Recording Engineer, StudioPersonnel - Robert Woods, Producer, Recording Producer - Thomas C. Moore, Editor, StudioPersonnel
℗ 2003 Telarc International Corp.
Donald Runnicles, Conductor, MainArtist - Ludwig van Beethoven, Composer - Atlanta Symphony Orchestra, Orchestra, MainArtist - Michael Bishop, Recording Engineer, StudioPersonnel - Robert Woods, Producer, Recording Producer - Thomas C. Moore, Editor, StudioPersonnel
℗ 2003 Telarc International Corp.
Donald Runnicles, Conductor, MainArtist - Ludwig van Beethoven, Composer - Atlanta Symphony Orchestra, Orchestra, MainArtist - Michael Bishop, Recording Engineer, StudioPersonnel - Robert Woods, Producer, Recording Producer - Thomas C. Moore, Editor, StudioPersonnel
℗ 2003 Telarc International Corp.
Donald Runnicles, Conductor, MainArtist - Ludwig van Beethoven, Composer - Alastair Miles, MainArtist, AssociatedPerformer, Bass (Vocal) - Atlanta Symphony Orchestra, Orchestra, MainArtist - Norman Mackenzie, Chorus Master, MainArtist, AssociatedPerformer - Stephen Gould, Tenor, MainArtist, AssociatedPerformer - Michael Bishop, Recording Engineer, StudioPersonnel - Atlanta Symphony Orchestra Chorus, Chorus, MainArtist, AssociatedPerformer - Robert Woods, Producer, Recording Producer - Elizabeth Bishop, Mezzo-Soprano, MainArtist, AssociatedPerformer - Thomas C. Moore, Editor, StudioPersonnel - Mary Dunleavy, Soprano, MainArtist, AssociatedPerformer
℗ 2003 Telarc International Corp.
Album review
At the hands of Donald Runnicles and the Atlanta Symphony Orchestra & Chorus, Beethoven's Symphony No. 9 receives a fairly conventional performance, competently played but neither inspired nor especially insightful. One might classify this as an old-school romantic interpretation, or perhaps a mannered imitation of that style since it sometimes strives for greatness through grandiosity, but without an emotional core. The first movement has some dramatic moments -- the recapitulation is particularly monumental -- but overall lacks tension and drive, flagging at several points for introspective musings. Runnicles lets what little energy he has built up dissipate through an exaggerated ritardando in the coda. The Scherzo is energetic and brisk, but somewhat mechanical and remote, more ice than fire, and there is a lack of warmth in the Trio, symptomatic of the hasty tempo that should have been tempered. The Adagio has fine coloration in the woodwinds and some expressive string playing, but too much rubato weakens the structure and makes the music episodic. Surprisingly, the choral finale comes off better than the previous movements, less distorted by whimsical tempi and given a boost from the quartet of vocalists and chorus. Released in 2003, the recording provides vivid sound when the orchestra obliges.
© TiVo
About the album
- 1 disc(s) - 4 track(s)
- Total length: 01:08:42
- Main artists: Donald Runnicles Atlanta Symphony Orchestra Mary Dunleavy Elizabeth Bishop Stephen Gould Alastair Miles
- Composer: Ludwig van Beethoven
- Label: Telarc
- Genre: Classical
© 2003 Telarc International Corp. ℗ 2003 Telarc International Corp.
Improve album informationWhy buy on Qobuz...
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.