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Stephen Cleobury|1615 Gabrieli in Venice

1615 Gabrieli in Venice

Stephen Cleobury, Choir of King’s College, Cambridge and His Majestys Sagbutts and Cornetts

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This album stands out from the common run of Gabrieli releases in several ways. One is simply that the quintessentially British cathedral sound of the Choir of King's College, Cambridge, with its delicate boy sopranos, is not what most listeners will be expecting from music written for the sumptuous and complex sound environment of St. Mark's in Venice, with its big ensembles of multiple choruses and brass groups. Obviously your own reaction to hearing this music transplanted to pure English cathedral ground will be personal, but don't dismiss it out of hand; the choir at St. Mark's early in the 17th century was smaller than it became later on, and it is likely that it involved the participation of boys. The instrumental group, Her Majestys Sagbutts and Cornetts, may also be closer to what Gabrieli used than are the common glittery brass ensembles. Second, the album contains a reconstruction of the Christmas motet Quem vidistis pastores?, which has come down to us in a version from the 1615 Symphoniae Sacrae that the performers argue was much simplified. The new version is effective, breaking up the texture of the whole. Third, the SACD engineering work from the choir's own engineering staff is superb. This sounds like no other Gabrieli recording you've ever heard, with precise interactions and delicate boy solos replacing the usual wash of rich sound, and whatever you think of the whole interpretation, you're likely to find it impressive -- and the more impressive the better your equipment. You also get a Blu-ray disc of the performance for the full effect. A real engineering tour de force, this album represents something new for the Choir of King's College, and a new perspective on Gabrieli.
© TiVo

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1615 Gabrieli in Venice

Stephen Cleobury

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1
In ecclesiis (a 14), C78
His Majestys Sagbutts & Cornetts
00:07:44

Stephen Cleobury, Conductor, MainArtist - Giovanni Gabrieli, Composer - Copyright Control, MusicPublisher - His Majestys Sagbutts & Cornetts, Ensemble, MainArtist - Choir of King’s College, Cambridge, Ensemble, MainArtist

King's College, Cambridge King's College, Cambridge

2
Canzona Seconda (a 6), C196
His Majestys Sagbutts & Cornetts
00:04:06

Giovanni Gabrieli, Composer - Copyright Control, MusicPublisher - His Majestys Sagbutts & Cornetts, Ensemble, MainArtist

King's College, Cambridge King's College, Cambridge

3
Suscipe, clementissime Deus (a 12), C70
His Majestys Sagbutts & Cornetts
00:04:49

Stephen Cleobury, Conductor, MainArtist - Giovanni Gabrieli, Composer - Copyright Control, MusicPublisher - His Majestys Sagbutts & Cornetts, Ensemble, MainArtist - Choir of King’s College, Cambridge, Ensemble, MainArtist

King's College, Cambridge King's College, Cambridge

4
Hodie completi sunt dies Pentecostes (a 8), C57
Choir of King's College, Cambridge
00:04:03

Stephen Cleobury, Conductor, MainArtist - Giovanni Gabrieli, Composer - Copyright Control, MusicPublisher - Choir of King's College, Cambridge, Ensemble, MainArtist

King's College, Cambridge King's College, Cambridge

5
Jubilate Deo omnis terra (a 10), C65
His Majestys Sagbutts & Cornetts
00:05:17

Stephen Cleobury, Conductor, MainArtist - Giovanni Gabrieli, Composer - Copyright Control, MusicPublisher - His Majestys Sagbutts & Cornetts, Ensemble, MainArtist

King's College, Cambridge King's College, Cambridge

6
Canzona Terza (a 6), C197
His Majestys Sagbutts & Cornetts
00:03:27

Giovanni Gabrieli, Composer - Copyright Control, MusicPublisher - His Majestys Sagbutts & Cornetts, Ensemble, MainArtist

King's College, Cambridge King's College, Cambridge

7
Quem vidistis pastores? (a 14), C77
His Majestys Sagbutts & Cornetts
00:08:40

Stephen Cleobury, Conductor, MainArtist - Giovanni Gabrieli, Composer - Copyright Control, MusicPublisher - His Majestys Sagbutts & Cornetts, Ensemble, MainArtist - Choir of King’s College, Cambridge, Ensemble, MainArtist

King's College, Cambridge King's College, Cambridge

8
Sonata XXI, 'con tre violini' (a 4), C214
His Majestys Sagbutts & Cornetts
00:04:27

Giovanni Gabrieli, Composer - Copyright Control, MusicPublisher - His Majestys Sagbutts & Cornetts, Ensemble, MainArtist

King's College, Cambridge King's College, Cambridge

9
Exultavit cor meum in Domino (a 6), C53
Choir of King's College, Cambridge
00:04:33

Stephen Cleobury, Conductor, MainArtist - Giovanni Gabrieli, Composer - Copyright Control, MusicPublisher - Choir of King's College, Cambridge, Ensemble, MainArtist

King's College, Cambridge King's College, Cambridge

10
Surrexit Christus (a 11), C66
His Majestys Sagbutts & Cornetts
00:04:11

Stephen Cleobury, Conductor, MainArtist - Giovanni Gabrieli, Composer - Copyright Control, MusicPublisher - His Majestys Sagbutts & Cornetts, Ensemble, MainArtist - Choir of King’s College, Cambridge, Ensemble, MainArtist

King's College, Cambridge King's College, Cambridge

11
Canzona Prima (a 5), C195
His Majestys Sagbutts & Cornetts
00:03:34

Giovanni Gabrieli, Composer - Copyright Control, MusicPublisher - His Majestys Sagbutts & Cornetts, Ensemble, MainArtist

King's College, Cambridge King's College, Cambridge

12
Litaniae Beatae Mariae Virginis (a 8), C63
Choir of King's College, Cambridge
00:11:42

Stephen Cleobury, Conductor, MainArtist - Giovanni Gabrieli, Composer - Copyright Control, MusicPublisher - Choir of King's College, Cambridge, Ensemble, MainArtist

King's College, Cambridge King's College, Cambridge

13
Magnificat (a 14), C79
His Majestys Sagbutts & Cornetts
00:06:28

Stephen Cleobury, Conductor, MainArtist - Giovanni Gabrieli, Composer - Copyright Control, MusicPublisher - His Majestys Sagbutts & Cornetts, Ensemble, MainArtist - Choir of King’s College, Cambridge, Ensemble, MainArtist

King's College, Cambridge King's College, Cambridge

Album review

This album stands out from the common run of Gabrieli releases in several ways. One is simply that the quintessentially British cathedral sound of the Choir of King's College, Cambridge, with its delicate boy sopranos, is not what most listeners will be expecting from music written for the sumptuous and complex sound environment of St. Mark's in Venice, with its big ensembles of multiple choruses and brass groups. Obviously your own reaction to hearing this music transplanted to pure English cathedral ground will be personal, but don't dismiss it out of hand; the choir at St. Mark's early in the 17th century was smaller than it became later on, and it is likely that it involved the participation of boys. The instrumental group, Her Majestys Sagbutts and Cornetts, may also be closer to what Gabrieli used than are the common glittery brass ensembles. Second, the album contains a reconstruction of the Christmas motet Quem vidistis pastores?, which has come down to us in a version from the 1615 Symphoniae Sacrae that the performers argue was much simplified. The new version is effective, breaking up the texture of the whole. Third, the SACD engineering work from the choir's own engineering staff is superb. This sounds like no other Gabrieli recording you've ever heard, with precise interactions and delicate boy solos replacing the usual wash of rich sound, and whatever you think of the whole interpretation, you're likely to find it impressive -- and the more impressive the better your equipment. You also get a Blu-ray disc of the performance for the full effect. A real engineering tour de force, this album represents something new for the Choir of King's College, and a new perspective on Gabrieli.
© TiVo

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