Lonnie Johnson
Blues guitar simply would not have developed in the manner that it did if not for Lonnie Johnson. He was there to help define the instrument's future within the genre and the genre's future itself at the very beginning, his melodic conception so far advanced from most of his prewar peers as to inhabit a plane all his own. For more than 40 years, Johnson played blues, jazz, and ballads his way; he was a true blues originator whose influence hung heavy on a host of subsequent blues immortals.
Johnson's extreme versatility doubtless stemmed in great part from growing up in the musically diverse Crescent City. Violin caught his ear initially, but he eventually made the guitar his passion, developing a style that was fluid and inexorably melodic. He signed up with OKeh Records in 1925 and commenced to record at an astonishing pace -- between 1925 and 1932, he cut an estimated 130 waxings. The red-hot duets he recorded with jazz guitarist Eddie Lang (masquerading as Blind Willie Dunn) in 1928 and 1929 were groundbreaking in their ceaseless invention. Johnson also recorded pioneering jazz efforts in 1927 with no less than Louis Armstrong's Hot Five and Duke Ellington's orchestra.
After enduring the Depression and moving to Chicago, Johnson came back to recording life with Bluebird for a five-year stint beginning in 1939. Under the ubiquitous Lester Melrose's supervision, Johnson picked up right where he left off, selling quite a few copies of "He's a Jelly Roll Baker" for old Nipper. Johnson went with Cincinnati-based King Records in 1947 and promptly enjoyed one of the biggest hits of his uncommonly long career with the mellow ballad "Tomorrow Night," which topped the R&B charts for seven weeks in 1948. More hits soon followed: "Pleasing You (As Long as I Live)," "So Tired," and "Confused."
Time seemed to have passed Johnson by during the late '50s; he was toiling as a hotel janitor in Philadelphia when banjo player Elmer Snowden alerted Chris Albertson to his whereabouts. That rekindled a major comeback, Johnson cutting a series of albums for Prestige's Bluesville subsidiary during the early '60s and venturing to Europe under the auspices of Horst Lippmann and Fritz Rau's American Folk Blues Festival banner in 1963. In 1969, Johnson was hit by a car in Toronto and died a year later from the effects of the accident.
Johnson's influence touched everyone from Robert Johnson, whose seminal approach bore a strong resemblance to that of his older namesake, to Elvis Presley and Jerry Lee Lewis, who each paid heartfelt tribute with versions of "Tomorrow Night" while at Sun.
© Bill Dahl /TiVo
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Lonnie Johnson Vol. 7 (1931 - 1932)
Blues - Editado por Document Records el 5 abr. 2005
16-Bit CD Quality 44.1 kHz - Stereo -
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1949-1952
Blues - Editado por Classics Blues & Rhythm Series el 4 ago. 2008
16-Bit CD Quality 44.1 kHz - Stereo -
Guitar Blues
Blues - Editado por Jukebox Entertainment el 7 dic. 2010
16-Bit CD Quality 44.1 kHz - Stereo -
My Sweet Home (Remastered)
Blues - Editado por That's What Records el 13 may. 2016
16-Bit CD Quality 44.1 kHz - Stereo -
Lonnie Johnson Selected Favorites, Vol. 1
Blues - Editado por Charly Records el 21 mar. 2011
16-Bit CD Quality 44.1 kHz - Stereo -
Lonnie Johnson Selected Favorites, Vol. 2
Blues - Editado por Charly Records el 21 mar. 2011
16-Bit CD Quality 44.1 kHz - Stereo -
Lonnie Johnson Vol. 6 (1930 - 1931)
Blues - Editado por Document Records el 5 abr. 2005
16-Bit CD Quality 44.1 kHz - Stereo -
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Blues Masters-Lonnie Johnson-Vol. 24
Blues - Editado por RP-DSP el 24 nov. 2011
16-Bit CD Quality 44.1 kHz - Stereo -
Lonnie Johnson's You Can't Buy Love
Blues - Editado por Charly Records el 25 jun. 2006
16-Bit CD Quality 44.1 kHz - Stereo -
Lonnie Johnson Selected Favorites Volume 1
Blues - Editado por Charly Records el 20 jun. 2006
16-Bit CD Quality 44.1 kHz - Stereo -
Anthology: The Deluxe Collection (Remastered)
Jazz - Editado por Master Tape Records el 3 oct. 2020
16-Bit CD Quality 44.1 kHz - Stereo -
Furniture Man Blues (Remastered)
Lonnie Johnson, Victoria Spivey
Blues - Editado por HOT BLOOD el 1 ene. 1961
16-Bit CD Quality 44.1 kHz - Stereo -
Death Valley Is Just Half Way to My Home
Blues - Editado por John Doe el 7 abr. 2015
16-Bit CD Quality 44.1 kHz - Stereo -
Play Those Strings!
Jazz - Editado por Reminisce Music el 29 may. 2023
16-Bit CD Quality 44.1 kHz - Stereo -
Abc of the Blues Vol. 19
Blues - Editado por Documents el 24 sep. 2010
16-Bit CD Quality 44.1 kHz - Stereo -
Eddie Lang - Lonnie Johnson
Jazz - Editado por Documents el 1 sep. 2009
16-Bit CD Quality 44.1 kHz - Stereo -
Brown Skin Girl - Treasury Of Jazz No. 61 (Recordings of 1928 - 1942)
Leroy Carr, Tampa Red, Lonnie Johnson
Jazz - Editado por Jazz Classics el 10 dic. 2022
16-Bit CD Quality 44.1 kHz - Stereo -
Lonnie Johnson Selected Favorites, Vol. 4
Blues - Editado por Charly Records el 21 mar. 2011
16-Bit CD Quality 44.1 kHz - Stereo