Lionel Hampton
Lionel Hampton was the first jazz vibraphonist and was one of the jazz giants beginning in the mid-'30s. He has achieved the difficult feat of being musically open-minded (even recording "Giant Steps") without changing his basic swing style. Hamp started out as a drummer, playing with the Chicago Defender Newsboys' Band as a youth. His original idol was Jimmy Bertrand, a '20s drummer who occasionally played xylophone. Hampton played on the West Coast with such groups as Curtis Mosby's Blue Blowers, Reb Spikes, and Paul Howard's Quality Serenaders (with whom he made his recording debut in 1929) before joining Les Hite's band, which for a period accompanied Louis Armstrong. At a recording session in 1930, a vibraphone happened to be in the studio, and Armstrong asked Hampton (who had practiced on one previously) if he could play a little bit behind him and on "Memories of You" and "Shine"; Hamp became the first jazz improviser to record on vibes.
It would be another six years before he found fame. Lionel Hampton, after leaving Hite, had his own band in Los Angeles' Paradise Cafe, until one night in 1936 when Benny Goodman came into the club and discovered him. Soon, Hampton recorded with B.G., Teddy Wilson, and Gene Krupa as the Benny Goodman Quartet, and six weeks later he officially joined Goodman. An exciting soloist whose enthusiasm even caused B.G. to smile, Hampton became one of the stars of his organization, appearing in films with Goodman, at the famous 1938 Carnegie Hall concert, and nightly on the radio. In 1937, he started recording regularly as a leader for Victor with specially assembled all-star groups that formed a who's who of swing; all of these timeless performances (1937-1941) were reissued by Bluebird on a six-LP set, although in piecemeal fashion on CD.
Hampton stayed with Goodman until 1940, sometimes substituting on drums and taking vocals. In 1940, Lionel Hampton formed his first big band, and in 1942 had a huge hit with "Flying Home," featuring a classic Illinois Jacquet tenor spot (one of the first R&B solos). During the remainder of the decade, Hampton's extroverted orchestra was a big favorite, leaning toward R&B, showing the influence of bebop after 1944, and sometimes getting pretty exhibitionistic. Among his sidemen, in addition to Jacquet, were Arnett Cobb, Dinah Washington (who Hampton helped discover), Cat Anderson, Marshall Royal, Dexter Gordon, Milt Buckner, Earl Bostic, Snooky Young, Johnny Griffin, Joe Wilder, Benny Bailey, Charles Mingus, Fats Navarro, Al Gray, and even Wes Montgomery and Betty Carter. Hampton's popularity allowed him to continue leading big bands off and on into the mid-'90s, and the 1953 edition that visited Paris (with Clifford Brown, Art Farmer, Quincy Jones, Jimmy Cleveland, Gigi Gryce, George Wallington, and Annie Ross) would be difficult to top, although fights over money and the right of the sideman to record led to its breakup. Hampton appeared and recorded with many all-star groups in the 1950s including reunions with Benny Goodman, meetings with the Oscar Peterson Trio, Stan Getz, Buddy DeFranco, and as part of a trio with Art Tatum and Buddy Rich. He also was featured in The Benny Goodman Story (1956).
Since the 1950s, Lionel Hampton has mostly repeated past triumphs, always playing "Hamp's Boogie Woogie" (which features his very rapid two-finger piano playing), "Hey Ba-Ba-Re-Bop," and "Flying Home." However, his enthusiasm still causes excitement and he remains a household name. Hampton has recorded through the years for nearly every label, including two of his own (Glad Hamp and Who's Who). Despite strokes and the ravages of age, Lionel Hampton remained a vital force into the 1990s. In January 2001, a vibraphone he had played for 15 years was put into the National Museum of American History. On August 31, 2002, at age 94, Lionel Hampton suffered major heart failure and passed away.
© Scott Yanow /TiVo
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Saga Jazz: Goodman Days
Jazz - Editado por SAGA el 27 ene. 2003
16-Bit CD Quality 44.1 kHz - Stereo -
The Complete Victor Lionel Hampton Sessions, Vol. 1
Jazz - Editado por Bluebird - Legacy el 7 abr. 2007
16-Bit CD Quality 44.1 kHz - Stereo -
The Complete Lionel Hampton Quartets And Quintets With Oscar Peterson
Jazz - Editado por Verve el 1 ene. 1999
16-Bit CD Quality 44.1 kHz - Stereo -
Hamp The Legendary Decca Recordings Of Lionel Hampton
Jazz - Editado por Verve Reissues el 27 feb. 1996
16-Bit CD Quality 44.1 kHz - Stereo -
The Complete Victor Lionel Hampton Sessions, Vol. 2
Jazz - Editado por Bluebird - Legacy el 14 abr. 2007
16-Bit CD Quality 44.1 kHz - Stereo -
Three Classic Albums Plus (Gene Krupa, Lionel Hampton, Teddy Wilson / Lionel Hampton & His Giants / 1954 Apollo Hall Concert)
Jazz - Editado por Avid Entertainment el 2 nov. 2009
16-Bit CD Quality 44.1 kHz - Stereo -
Three Classic Albums Plus (Hamp's Big Band / Lionel Plays Drums, Vibes, Piano / Lionel Hampton with the Just Jazz All Stars) [Remastered]
Jazz - Editado por Avid Entertainment el 14 jul. 2013
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The Complete Albums Collection: 1951-1958
Jazz - Editado por ENLIGHTENMENT el 6 jul. 2018
16-Bit CD Quality 44.1 kHz - Stereo -
Flying Home (UK Live Recording)
Jazz - Editado por Delta Records el 6 abr. 2020
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Vintage Jazz Nº10 - EPs Collectors
Jazz - Editado por Vintage Music el 22 ago. 1958
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Live in Paris, Concert Olympia 1961
Jazz - Editado por Stardust Records el 1 jun. 2012
16-Bit CD Quality 44.1 kHz - Stereo -
The Essential Lionel Hampton
Jazz - Editado por RCA - Legacy el 7 mar. 2014
16-Bit CD Quality 44.1 kHz - Stereo -
Jazz Masters 26: Lionel Hampton With Oscar Peterson
Jazz - Editado por Verve el 1 ene. 1994
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Exposition
Lionel Hampton, Coleman Hawkins, JJ Johnson
Jazz - Editado por Synergie OMP el 1 oct. 2007
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Live At The Blue Note (Live At The Blue Note, New York City, NY / June 11-13, 1991)
Lionel Hampton, The Golden Men Of Jazz
Jazz - Editado por Telarc el 1 ene. 1991
16-Bit CD Quality 44.1 kHz - Stereo -
Just Jazz: Live At The Blue Note (Live At The Blue Note, New York City, NY / June 11-13, 1991)
Lionel Hampton, The Golden Men Of Jazz
Jazz - Editado por Telarc el 17 nov. 1992
16-Bit CD Quality 44.1 kHz - Stereo -
Jukebox Hits 1943-1950
Jazz - Editado por Acrobat Music el 29 mar. 2005
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