Earl Hines
Once called "the first modern jazz pianist," Earl Hines differed from the stride pianists of the 1920s by breaking up the stride rhythms with unusual accents from his left hand. While his right hand often played octaves so as to ring clearly over ensembles, Hines had the trickiest left hand in the business, often suspending time recklessly but without ever losing the beat. One of the all-time great pianists, Hines was a major influence on Teddy Wilson, Jess Stacy, Joe Sullivan, Nat King Cole, and even to an extent on Art Tatum. He was also an underrated composer responsible for "Rosetta," "My Monday Date," and "You Can Depend on Me," among others.
Earl Hines played trumpet briefly as a youth before switching to piano. His first major job was accompanying vocalist Lois Deppe, and he made his first recordings with Deppe and his orchestra in 1922. The following year, Hines moved to Chicago where he worked with Sammy Stewart and Erskine Tate's Vendome Theatre Orchestra. He started teaming up with Louis Armstrong in 1926, and the two masterful musicians consistently inspired each other. Hines worked briefly in Armstrong's big band (formerly headed by Carroll Dickerson), and they unsuccessfully tried to manage their own club. 1928 was one of Hines' most significant years. He recorded his first ten piano solos, including versions of "A Monday Date," "Blues in Thirds," and "57 Varieties." Hines worked much of the year with Jimmy Noone's Apex Club Orchestra, and their recordings are also considered classic. Hines cut brilliant (and futuristic) sides with Louis Armstrong's Hot Five, resulting in such timeless gems as "West End Blues," "Fireworks," "Basin Street Blues," and their remarkable trumpet-piano duet "Weather Bird." And on his birthday on December 28, Hines debuted with his big band at Chicago's Grand Terrace.
A brilliant ensemble player as well as soloist, Earl Hines would lead big bands for the next 20 years. Among the key players in his band through the 1930s would be trumpeter/vocalist Walter Fuller, Ray Nance on trumpet and violin (prior to joining Duke Ellington), trombonist Trummy Young, tenor saxophonist Budd Johnson, Omer Simeon and Darnell Howard on reeds, and arranger Jimmy Mundy. In 1940, Billy Eckstine became the band's popular singer, and in 1943 (unfortunately during the musicians' recording strike), Hines welcomed such modernists as Charlie Parker (on tenor), trumpeter Dizzy Gillespie, and singer Sarah Vaughan in what was the first bebop orchestra. By the time the strike ended, Eckstine, Parker, Gillespie, and Vaughan were gone, but tenor Wardell Gray was still around to star with the group during 1945-1946.
In 1948, the economic situation forced Hines to break up his orchestra. He joined the Louis Armstrong All-Stars, but three years of playing second fiddle to his old friend were difficult to take. After leaving Armstrong in 1951, Hines moved to Los Angeles and later San Francisco, heading a Dixieland band. Although his style was much more modern, Hines kept the group working throughout the 1950s, at times featuring Muggsy Spanier, Jimmy Archey, and Darnell Howard. Hines did record on a few occasions, but was largely forgotten in the jazz world by the early '60s. Then, in 1964, jazz writer Stanley Dance arranged for him to play three concerts at New York's Little Theater, both solo and in a quartet with Budd Johnson. The New York critics were amazed by Hines' continuing creativity and vitality, and he had a major comeback that lasted through the rest of his career. Hines traveled the world with his quartet, recorded dozens of albums, and remained famous and renowned up until his death at the age of 79. Most of the many recordings from his career are currently available on CD.
© Scott Yanow /TiVo
Artistas similares
-
Earl Hines In New Orleans
Jazz - Editado por Saar srl el 31 jul. 2015
16-Bit CD Quality 44.1 kHz - Stereo -
Grand Reunion Recorded Live At The Village Vanguard (Live At The Village Vanguard/1965)
Earl Hines, The Earl Hines Trio, Roy Eldridge, Coleman Hawkins
Jazz - Editado por Verve Reissues el 14 mar. 1965
16-Bit CD Quality 44.1 kHz - Stereo -
Tour De Force (Earl Hines)
Jazz - Editado por 1201 MUSIC el 31 ago. 1986
16-Bit CD Quality 44.1 kHz - Stereo -
Earl Hines Plays George Gershwin
Jazz - Editado por Classic Jazz el 16 oct. 1973
16-Bit CD Quality 44.1 kHz - Stereo -
Earl Hines & Jimmy Rushing: Blues & Things
Jazz - Editado por New World Records el 19 jul. 1967
16-Bit CD Quality 44.1 kHz - Stereo -
"Livin' with the Blues". Barbara Dane with Earl Fatha Hines and His Orchestra Plus "On My Way" With Kenny Whitson Quartet
Earl Hines, Kenny Whitson, Barbara Dane
Jazz vocal - Editado por Fresh Sound Records el 19 abr. 2013
16-Bit CD Quality 44.1 kHz - Stereo -
Tour De Force (Earl Hines)
Jazz - Editado por 1201 MUSIC el 31 dic. 1987
16-Bit CD Quality 44.1 kHz - Stereo -
Earl "Fatha" Hines
Jazz - Editado por Archive of Folk & Jazz Music el 1 ene. 1970
24-Bit 96.0 kHz - Stereo -
100 Piano Jazz Classics
Jazz - Editado por Master Classics Records el 1 abr. 2011
16-Bit CD Quality 44.1 kHz - Stereo -
BECHET, Sidney: Shake It And Break It (1938-1941)
Sidney Bechet, Baby Dodds, Sidney Bechet Orchestra, Two Fishmongers, Earl Hines
Jazz tradicional & Nueva Orleans - Editado por Naxos el 30 jun. 2003
16-Bit CD Quality 44.1 kHz - Stereo -
The Incomparable Earl "Fatha" Hines (Remastered)
Jazz - Editado por Avid Entertainment el 11 feb. 2022
16-Bit CD Quality 44.1 kHz - Stereo -
The Duke Ellington Songbook
Jazz - Editado por Master Classics Records el 1 mar. 2011
16-Bit CD Quality 44.1 kHz - Stereo -
-
American Swinging In Paris
Jazz - Editado por Parlophone (France) el 1 ene. 2002
16-Bit CD Quality 44.1 kHz - Stereo -
One For My Baby (Earl Hines)
Jazz - Editado por 1201 MUSIC el 30 jun. 1991
16-Bit CD Quality 44.1 kHz - Stereo -
The Swing Big Band, Earl Hines 1932 - 1934
Jazz - Editado por SendDigital el 15 dic. 2016
16-Bit CD Quality 44.1 kHz - Stereo -
-
Complete Jazz Series 1949 - 1952
Jazz - Editado por Complete Jazz Series el 16 feb. 2009
16-Bit CD Quality 44.1 kHz - Stereo -
West Side Story (Earl Hines)
Jazz - Editado por 1201 MUSIC el 28 feb. 1989
16-Bit CD Quality 44.1 kHz - Stereo -
Live Aalborg, Denmark 1965
Jazz - Editado por Storyville el 20 jun. 1994
16-Bit CD Quality 44.1 kHz - Stereo -
A Monday Date (Remastered)
Jazz - Editado por Avid Entertainment el 11 feb. 2022
16-Bit CD Quality 44.1 kHz - Stereo