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Tinariwen|The Radio Tisdas Sessions (Remastered)

The Radio Tisdas Sessions (Remastered)

Tinariwen

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This is the real desert blues, played by Tuareg tribesmen who live it every day, making their home on the edge of the Sahara desert in Mali. Born in Libyan refugee camps after severe drought blighted the region, it's authentic, spare, and haunting, its rhythms echoing the miles of space and the languid pace of their desert surroundings. Played mostly on guitars -- there are six guitarists in the band -- with vocals, some female backing vocals, and touches of percussion, and recorded at Radio Tisdas studios (hence the title) in Kidal, capital of the stark Iforas region, with the facility only available between 7 p.m. and midnight because those were the only hours the electricity was on. This can also be a celebration, as on "Zin Es Gourmeden," where the voices come together over heavily reverbed guitar that would have delighted Jimi Hendrix. These tribesmen might be considered primitive by Western standards, but their music is anything but. The guitar playing might not include flashy solos, but it's as deep as anything to come out of the Delta and as electrifying as Chicago -- just hear the opening to "Afours Afours." The final cut, "Tin-Essako," recorded live at Mali's Festival of the Desert in January 2001, epitomizes their raw sound, with the guitar offering backing to the voices as well as an elaborate riff, the voices intertwining over clattering percussion. It's brief, but still glorious, a transport to another world that touches ours through its use of the blues progressions (admittedly mostly monochordal) and pentatonic scale. Familiar and yet so distant, this album opens a window on desert life.
© Chris Nickson /TiVo

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The Radio Tisdas Sessions (Remastered)

Tinariwen

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1
Le Chant Des Fauves
00:07:33

Jean-Paul Romann, Engineer - Justin Adams, Producer, Mixer - Tinariwen, MainArtist - Ben Findlay, Mixer - Ibrahim Ag Alhabib, Composer, Lyricist - Mohammed, Engineer - WARP MUSIC LIMITED, MusicPublisher - Lo’Jo, Producer - Alkhamiss, Engineer

2022 Wedge 2022 Wedge

2
Nar Djenetbouba
00:04:46

Jean-Paul Romann, Engineer - Justin Adams, Producer, Mixer - Tinariwen, MainArtist - Ben Findlay, Mixer - Ibrahim Ag Alhabib, Composer, Lyricist - Mohammed, Engineer - WARP MUSIC LIMITED, MusicPublisher - Lo’Jo, Producer - Alkhamiss, Engineer

2022 Wedge 2022 Wedge

3
Imidiwaren
00:06:26

Jean-Paul Romann, Engineer - Justin Adams, Producer, Mixer - Tinariwen, MainArtist - Ben Findlay, Mixer - Kedou Ag Ossad, Composer, Lyricist - Mohammed, Engineer - WARP MUSIC LIMITED, MusicPublisher - Lo’Jo, Producer - Alkhamiss, Engineer

2022 Wedge 2022 Wedge

4
Zin Es Gourmeden
00:05:22

Jean-Paul Romann, Engineer - Justin Adams, Producer, Mixer - Tinariwen, MainArtist - Ben Findlay, Mixer - Ibrahim Ag Alhabib, Composer, Lyricist - Mohammed, Engineer - WARP MUSIC LIMITED, MusicPublisher - Lo’Jo, Producer - Alkhamiss, Engineer

2022 Wedge 2022 Wedge

5
Afours Afours
00:05:27

Jean-Paul Romann, Engineer - Justin Adams, Producer, Mixer - Tinariwen, MainArtist - Ben Findlay, Mixer - Mohammed, Engineer - WARP MUSIC LIMITED, MusicPublisher - Mohamed Ag Itlal, Composer - Lo’Jo, Producer - Alkhamiss, Engineer - Mohamed Ag Itlal Aka Japonais, Composer, Lyricist

2022 Wedge 2022 Wedge

6
Tessalit
00:03:58

Jean-Paul Romann, Engineer - Justin Adams, Producer, Mixer - Tinariwen, MainArtist - Ben Findlay, Mixer - Mohammed, Engineer - WARP MUSIC LIMITED, MusicPublisher - Foy Foy, Composer, Lyricist - Lo’Jo, Producer - Alkhamiss, Engineer

2022 Wedge 2022 Wedge

7
Khedou Khedou
00:06:12

Jean-Paul Romann, Engineer - Justin Adams, Producer, Mixer - Tinariwen, MainArtist - Ben Findlay, Mixer - Kedou Ag Ossad, Composer, Lyricist - Mohammed, Engineer - WARP MUSIC LIMITED, MusicPublisher - Lo’Jo, Producer - Alkhamiss, Engineer

2022 Wedge 2022 Wedge

8
Mataraden Anexan
00:05:47

Jean-Paul Romann, Engineer - Justin Adams, Producer, Mixer - Tinariwen, MainArtist - Ben Findlay, Mixer - Ibrahim Ag Alhabib, Composer, Lyricist - Mohammed, Engineer - WARP MUSIC LIMITED, MusicPublisher - Lo’Jo, Producer - Alkhamiss, Engineer

2022 Wedge 2022 Wedge

9
Bismillah
00:04:22

Jean-Paul Romann, Engineer - Justin Adams, Producer, Mixer - Tinariwen, MainArtist - Ben Findlay, Mixer - Kedou Ag Ossad, Composer, Lyricist - Mohammed, Engineer - WARP MUSIC LIMITED, MusicPublisher - Lo’Jo, Producer - Alkhamiss, Engineer

2022 Wedge 2022 Wedge

10
Tin-Essako (Live)
00:02:12

Jean-Paul Romann, Engineer - Justin Adams, Producer, Mixer - Tinariwen, MainArtist - Ben Findlay, Mixer - Kedou Ag Ossad, Composer, Lyricist - Mohammed, Engineer - WARP MUSIC LIMITED, MusicPublisher - Lo’Jo, Producer - Alkhamiss, Engineer

2022 Wedge 2022 Wedge

11
Ham Tinahghin Ane Yallah (Unreleased Bonus Track)
00:04:51

Jean-Paul Romann, Engineer - Justin Adams, Producer - Tinariwen, MainArtist - Kedou Ag Ossad, Composer, Lyricist - Mohammed, Engineer - WARP MUSIC LIMITED, MusicPublisher - David Cukier, Mixer - Lo’Jo, Producer - Alkhamiss, Engineer

2022 Wedge 2022 Wedge

Presentación del Álbum

This is the real desert blues, played by Tuareg tribesmen who live it every day, making their home on the edge of the Sahara desert in Mali. Born in Libyan refugee camps after severe drought blighted the region, it's authentic, spare, and haunting, its rhythms echoing the miles of space and the languid pace of their desert surroundings. Played mostly on guitars -- there are six guitarists in the band -- with vocals, some female backing vocals, and touches of percussion, and recorded at Radio Tisdas studios (hence the title) in Kidal, capital of the stark Iforas region, with the facility only available between 7 p.m. and midnight because those were the only hours the electricity was on. This can also be a celebration, as on "Zin Es Gourmeden," where the voices come together over heavily reverbed guitar that would have delighted Jimi Hendrix. These tribesmen might be considered primitive by Western standards, but their music is anything but. The guitar playing might not include flashy solos, but it's as deep as anything to come out of the Delta and as electrifying as Chicago -- just hear the opening to "Afours Afours." The final cut, "Tin-Essako," recorded live at Mali's Festival of the Desert in January 2001, epitomizes their raw sound, with the guitar offering backing to the voices as well as an elaborate riff, the voices intertwining over clattering percussion. It's brief, but still glorious, a transport to another world that touches ours through its use of the blues progressions (admittedly mostly monochordal) and pentatonic scale. Familiar and yet so distant, this album opens a window on desert life.
© Chris Nickson /TiVo

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