無制限ストリーミング再生
このアルバムをアプリから高音質で聴く
無料体験をはじめる このアルバムを再生するこのアルバムはQobuzアプリのサブスクリプションでお楽しみ下さい
登録このアルバムはQobuzアプリのサブスクリプションでお楽しみ下さい
デジタルダウンロード
このアルバムはお客様のニーズに合わせて様々なフォーマットで購入やダウンロードすることができます
対応言語:英語
Richard Strauss' Symphonia Domestica was described by its composer this way: "My next tone poem will represent a day in my family life. It will be partly lyrical, partly humorous -- a triple fugue will bring together Papa, Mama, and Baby." This brings the whole picture, from screaming kids to striking clocks to marital disputes. While critics dithered over whether this was fit subject matter for symphonic music, especially when it came in the Adagio to a post-Wagnerian conjugal love scene that even today qualifies as pretty sexy, the work had its premiere in the U.S., and the great American public took to the symphony enthusiastically. The critics need not have worried, for the symphony's simplicity is deceptive, and in matters of orchestration and structure (the program constantly plays off more abstract ideas such as the above-mentioned fugue) it is actually among Strauss' most subtle works. Conductor Marek Janowski, leading the Berlin Radio Symphony Orchestra, offers a spacious, relaxed reading that picks up plenty of detail, sacrificing forward energy in the interest of wandering into the corners of the work's musical spaces, which are as large as those of the Alpine Symphony and Also Sprach Zarathustra. There's much to be recommended in Janowski's approach, but even if some don't buy it, the recording is a must-have for Strauss lovers for two other reasons. First is the presence of the four male chorus-and-orchestra songs collectively entitled Die Tageszeiten, Op. 76 (The Times of Day). Not only does this make an ideal thematic counterpart to the symphony; it begins to address a gaping lack of performances of male choral repertory, which any concertgoer of a century ago would have considered of vital importance. These late songs, settings of poems by Eichendorff, are luminously lyrical, and they're within the reach of good city choirs who could be pressed into service to perform them in symphonic concerts. Here's hoping they get heard more often, but it would be hard to imagine a more idiomatic performance than that given by the men of the Berlin Radio Chorus. The second strong feature is the studio engineering, from Berlin's Haus des Rundfunks, which will repay high stereo system expenses but is not well suited to the compression of common digital media. Highly recommended.
© TiVo
現在、試聴中です。
無制限ストリーミングプランで1億曲以上の楽曲を聴くことができます。
無制限のストリーミング プランで、このプレイリストと1億曲以上の楽曲を聴くことができます。
¥1,280/ 月から
Symphonia domestica, Op. 53, TrV 209 (Richard Strauss)
Richard Strauss, Composer - Marek Janowski, Conductor - Rundfunk-Sinfonieorchester Berlin, Orchestra, MainArtist
(C) 2015 PENTATONE (P) 2015 PENTATONE
Richard Strauss, Composer - Marek Janowski, Conductor - Rundfunk-Sinfonieorchester Berlin, Orchestra, MainArtist
(C) 2015 PENTATONE (P) 2015 PENTATONE
Richard Strauss, Composer - Marek Janowski, Conductor - Rundfunk-Sinfonieorchester Berlin, Orchestra, MainArtist
(C) 2015 PENTATONE (P) 2015 PENTATONE
Richard Strauss, Composer - Marek Janowski, Conductor - Rundfunk-Sinfonieorchester Berlin, Orchestra, MainArtist
(C) 2015 PENTATONE (P) 2015 PENTATONE
Die Tageszeiten, Op. 76, TrV 256 (Richard Strauss)
Richard Strauss, Composer - Rundfunkchor Berlin, Choir, MainArtist - Marek Janowski, Conductor - Rundfunk-Sinfonieorchester Berlin, Orchestra
(C) 2015 PENTATONE (P) 2015 PENTATONE
Richard Strauss, Composer - Rundfunkchor Berlin, Choir, MainArtist - Marek Janowski, Conductor - Rundfunk-Sinfonieorchester Berlin, Orchestra
(C) 2015 PENTATONE (P) 2015 PENTATONE
Richard Strauss, Composer - Rundfunkchor Berlin, Choir, MainArtist - Marek Janowski, Conductor - Rundfunk-Sinfonieorchester Berlin, Orchestra
(C) 2015 PENTATONE (P) 2015 PENTATONE
Richard Strauss, Composer - Rundfunkchor Berlin, Choir, MainArtist - Marek Janowski, Conductor - Rundfunk-Sinfonieorchester Berlin, Orchestra
(C) 2015 PENTATONE (P) 2015 PENTATONE
アルバム·レビュー
Richard Strauss' Symphonia Domestica was described by its composer this way: "My next tone poem will represent a day in my family life. It will be partly lyrical, partly humorous -- a triple fugue will bring together Papa, Mama, and Baby." This brings the whole picture, from screaming kids to striking clocks to marital disputes. While critics dithered over whether this was fit subject matter for symphonic music, especially when it came in the Adagio to a post-Wagnerian conjugal love scene that even today qualifies as pretty sexy, the work had its premiere in the U.S., and the great American public took to the symphony enthusiastically. The critics need not have worried, for the symphony's simplicity is deceptive, and in matters of orchestration and structure (the program constantly plays off more abstract ideas such as the above-mentioned fugue) it is actually among Strauss' most subtle works. Conductor Marek Janowski, leading the Berlin Radio Symphony Orchestra, offers a spacious, relaxed reading that picks up plenty of detail, sacrificing forward energy in the interest of wandering into the corners of the work's musical spaces, which are as large as those of the Alpine Symphony and Also Sprach Zarathustra. There's much to be recommended in Janowski's approach, but even if some don't buy it, the recording is a must-have for Strauss lovers for two other reasons. First is the presence of the four male chorus-and-orchestra songs collectively entitled Die Tageszeiten, Op. 76 (The Times of Day). Not only does this make an ideal thematic counterpart to the symphony; it begins to address a gaping lack of performances of male choral repertory, which any concertgoer of a century ago would have considered of vital importance. These late songs, settings of poems by Eichendorff, are luminously lyrical, and they're within the reach of good city choirs who could be pressed into service to perform them in symphonic concerts. Here's hoping they get heard more often, but it would be hard to imagine a more idiomatic performance than that given by the men of the Berlin Radio Chorus. The second strong feature is the studio engineering, from Berlin's Haus des Rundfunks, which will repay high stereo system expenses but is not well suited to the compression of common digital media. Highly recommended.
© TiVo
アルバムについて
- 組み枚数 : 1ディスク - 収録数 : 8曲
- 合計収録時間 : 01:07:43
- 1 デジタルブックレット
- メインアーティスト : ベルリン放送交響楽団 ベルリン放送合唱団 マレク・ヤノフスキ
- 作曲家 : Richard Strauss
- レーベル : PentaTone
- エリア: Allemagne
- ジャンル: クラシック
- 期間: 後期ロマン派音楽
(C) 2015 PENTATONE (P) 2015 PENTATONE
Qobuzで購入する理由...
-
音楽をダウンロードする
ハイレゾを含むアルバムや楽曲を1曲ずつ購入できます。
-
DRMフリー
ダウンロードしたファイルは使用回数の制限なく、あなたのものです。 何度でもダウンロードすることができます。
-
自分に最適なフォーマットを選ぶ
購入した楽曲は、ニーズに応じて様々なフォーマット(FLAC, ALAC, WAV, AIFF...)でダウンロードすることができます。
-
購入した音楽をアプリで聴く
スマートフォン、タブレット、パソコンでも、各デバイス向けのQobuzアプリをダウンロードすれば、購入した音楽をどこでも聴くことができます。