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サー・エイドリアン・ボールト|Prokofiev – The Decca Masters

Prokofiev – The Decca Masters

Eric Tuxen, Jean Martinon, Nikolai Malko, Sir Adrian Boult

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対応言語:英語

A kaleidoscopic collection of orchestral Prokofiev in the 1950s, as recorded by Decca engineers in London, Paris and Copenhagen, featuring both rarities and classics.
Once upon a time Peter and the Wolf was the best known of them, with six recordings to its credit in the days before LP. On this Kingsway Hall recording from 1949, the BBC announcer Frank Phillips told the story, with the experienced Prokofiev conductor Nikolai Malko making a rare appearance on Decca. Nowadays the Fifth Symphony is far more frequently heard in concert; this taut and thrilling 1952 account is the work of the Danish conductor Erik Tuxen, a legendary interpreter of Sibelius and his fellow countryman Nielsen.
Three years later in June 1955, Sir Adrian Boult made his first stereo recording, of the Love for Three Oranges Suite with the Paris Conservatoire Orchestra. This was originally issued in mono with the Lieutenant Kijé Suite played by the Philharmonia Orchestra because the latter recording was mono only – whereas the present reissue now presents Oranges in its stereo version. Boult’s dry wit points up the sardonic qualities of both suites.
Despite its title, Russian Overture from 1936 does not straightforwardly conform to principles of Soviet nationalism in music with its abrupt cuts from comic capers to sweeping Russian melody. Written like so much of Prokofiev’s music with tongue in cheek, it makes an apt companion on disc for his final symphony, the Seventh. These were recorded in November 1957 (and originally issued on the RCA ‘Living Stereo’ label) by the Paris Conservatoire Orchestra conducted by Jean Martinon, who had done much to promote the conductor’s music outside his Russian homeland. The Seventh is a deceptively simple work, imbued with a melancholy and nostalgia somewhat obscured by the ‘fake’ ending contrived to the symphony for it to win official approval (and which is played here). (© Decca Music Group Limited / Universal Music Australia Pty Ltd.)

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Prokofiev – The Decca Masters

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Peter and the Wolf, Op. 67 (セルゲイ・プロコフィエフ)

1
Peter and the Wolf, Op. 67
Frank Phillips
00:24:47

Frank Phillips, Narrator - London Philharmonic Orchestra - Nicolai Malko, Conductor - Sergei Prokofiev, Composer

℗ 1950 Decca Music Group Limited

Symphony No. 5 In B-flat Major, Op. 100 (セルゲイ・プロコフィエフ)

2
1. Andante
デンマーク放送交響楽団
00:12:13

Danish Radio Symphony Orchestra - Erik Tuxen, Conductor - Sergei Prokofiev, Composer

℗ 1952 Decca Music Group Limited

3
2. Allegro marcato
デンマーク放送交響楽団
00:07:54

Danish Radio Symphony Orchestra - Erik Tuxen, Conductor - Sergei Prokofiev, Composer

℗ 1952 Decca Music Group Limited

4
3. Adagio
デンマーク放送交響楽団
00:10:30

Danish Radio Symphony Orchestra - Erik Tuxen, Conductor - Sergei Prokofiev, Composer

℗ 1952 Decca Music Group Limited

5
4. Allegro giocoso
デンマーク放送交響楽団
00:09:21

Danish Radio Symphony Orchestra - Erik Tuxen, Conductor - Sergei Prokofiev, Composer

℗ 1952 Decca Music Group Limited

Lieutenant Kijé, Symphonic Suite, Op. 60 (セルゲイ・プロコフィエフ)

6
I. Naissance de Kijé
パリ音楽院管弦楽団
00:03:26

Paris Conservatoire Orchestra - Sir Adrian Boult, Conductor - Sergei Prokofiev, Composer - James Walker, Producer - Kenneth Wilkinson, Balance Engineer - Roy Wallace, Recording Engineer

℗ 1956 Decca Music Group Limited

7
II. Romance
パリ音楽院管弦楽団
00:03:31

Paris Conservatoire Orchestra - Sir Adrian Boult, Conductor - Sergei Prokofiev, Composer - James Walker, Producer - Kenneth Wilkinson, Balance Engineer - Roy Wallace, Recording Engineer

℗ 1956 Decca Music Group Limited

8
III. Noces de Kijé
パリ音楽院管弦楽団
00:02:44

Paris Conservatoire Orchestra - Sir Adrian Boult, Conductor - Sergei Prokofiev, Composer - James Walker, Producer - Kenneth Wilkinson, Balance Engineer - Roy Wallace, Recording Engineer

℗ 1956 Decca Music Group Limited

9
IV. Troïka
パリ音楽院管弦楽団
00:02:35

Paris Conservatoire Orchestra - Sir Adrian Boult, Conductor - Sergei Prokofiev, Composer - James Walker, Producer - Kenneth Wilkinson, Balance Engineer - Roy Wallace, Recording Engineer

℗ 1956 Decca Music Group Limited

10
V. Enterrement de Kijé
パリ音楽院管弦楽団
00:05:13

Paris Conservatoire Orchestra - Sir Adrian Boult, Conductor - Sergei Prokofiev, Composer - James Walker, Producer - Kenneth Wilkinson, Balance Engineer - Roy Wallace, Recording Engineer

℗ 1956 Decca Music Group Limited

The Love for Three Oranges, Symphonic Suite, Op. 33bis (セルゲイ・プロコフィエフ)

11
I. The Ridiculous People
ロンドン・フィルハーモニー管弦楽団
00:03:20

London Philharmonic Orchestra - Sir Adrian Boult, Conductor - Sergei Prokofiev, Composer - James Walker, Recording Producer - Kenneth Wilkinson, Recording Engineer - Roy Wallace, Recording Engineer

℗ 1957 Decca Music Group Limited

12
II. Infernal Scene
ロンドン・フィルハーモニー管弦楽団
00:03:43

London Philharmonic Orchestra - Sir Adrian Boult, Conductor - Sergei Prokofiev, Composer - James Walker, Recording Producer - Kenneth Wilkinson, Recording Engineer - Roy Wallace, Recording Engineer

℗ 1957 Decca Music Group Limited

13
III. March
ロンドン・フィルハーモニー管弦楽団
00:01:41

London Philharmonic Orchestra - Sir Adrian Boult, Conductor - Sergei Prokofiev, Composer - James Walker, Recording Producer - Kenneth Wilkinson, Recording Engineer - Roy Wallace, Recording Engineer

℗ 1957 Decca Music Group Limited

14
IV. Scherzo
ロンドン・フィルハーモニー管弦楽団
00:01:27

London Philharmonic Orchestra - Sir Adrian Boult, Conductor - Sergei Prokofiev, Composer - James Walker, Recording Producer - Kenneth Wilkinson, Recording Engineer - Roy Wallace, Recording Engineer

℗ 1957 Decca Music Group Limited

15
V. The Prince and the Princess
ロンドン・フィルハーモニー管弦楽団
00:04:37

London Philharmonic Orchestra - Sir Adrian Boult, Conductor - Sergei Prokofiev, Composer - James Walker, Recording Producer - Kenneth Wilkinson, Recording Engineer - Roy Wallace, Recording Engineer

℗ 1957 Decca Music Group Limited

16
VI. The Escape
ロンドン・フィルハーモニー管弦楽団
00:02:20

London Philharmonic Orchestra - Sir Adrian Boult, Conductor - Sergei Prokofiev, Composer - James Walker, Recording Producer - Kenneth Wilkinson, Recording Engineer - Roy Wallace, Recording Engineer

℗ 1957 Decca Music Group Limited

Russian Overture, Op. 72 (セルゲイ・プロコフィエフ)

17
Russian Overture, Op. 72
パリ音楽院管弦楽団
00:12:52

Paris Conservatoire Orchestra - Jean Martinon, Conductor - Sergei Prokofiev, Composer - Michael Williamson, Producer - Kenneth Wilkinson, Recording Engineer - Ken Cress, Recording Engineer

℗ 1959 Decca Music Group Limited

Symphony No. 7 in C-Sharp Minor, Op. 131 (セルゲイ・プロコフィエフ)

18
1. Moderato
パリ音楽院管弦楽団
00:09:46

Paris Conservatoire Orchestra - Jean Martinon, Conductor - Sergei Prokofiev, Composer - Michael Williamson, Producer - Kenneth Wilkinson, Recording Engineer - Ken Cress, Recording Engineer

℗ 1959 Decca Music Group Limited

19
2. Allegretto
パリ音楽院管弦楽団
00:07:25

Paris Conservatoire Orchestra - Jean Martinon, Conductor - Sergei Prokofiev, Composer - Michael Williamson, Producer - Kenneth Wilkinson, Recording Engineer - Ken Cress, Recording Engineer

℗ 1959 Decca Music Group Limited

20
3. Andante espressivo
パリ音楽院管弦楽団
00:05:44

Paris Conservatoire Orchestra - Jean Martinon, Conductor - Sergei Prokofiev, Composer - Michael Williamson, Producer - Kenneth Wilkinson, Recording Engineer - Ken Cress, Recording Engineer

℗ 1959 Decca Music Group Limited

21
4. Vivace
パリ音楽院管弦楽団
00:08:02

Paris Conservatoire Orchestra - Jean Martinon, Conductor - Sergei Prokofiev, Composer - Michael Williamson, Producer - Kenneth Wilkinson, Recording Engineer - Ken Cress, Recording Engineer

℗ 1959 Decca Music Group Limited

アルバム·レビュー

A kaleidoscopic collection of orchestral Prokofiev in the 1950s, as recorded by Decca engineers in London, Paris and Copenhagen, featuring both rarities and classics.
Once upon a time Peter and the Wolf was the best known of them, with six recordings to its credit in the days before LP. On this Kingsway Hall recording from 1949, the BBC announcer Frank Phillips told the story, with the experienced Prokofiev conductor Nikolai Malko making a rare appearance on Decca. Nowadays the Fifth Symphony is far more frequently heard in concert; this taut and thrilling 1952 account is the work of the Danish conductor Erik Tuxen, a legendary interpreter of Sibelius and his fellow countryman Nielsen.
Three years later in June 1955, Sir Adrian Boult made his first stereo recording, of the Love for Three Oranges Suite with the Paris Conservatoire Orchestra. This was originally issued in mono with the Lieutenant Kijé Suite played by the Philharmonia Orchestra because the latter recording was mono only – whereas the present reissue now presents Oranges in its stereo version. Boult’s dry wit points up the sardonic qualities of both suites.
Despite its title, Russian Overture from 1936 does not straightforwardly conform to principles of Soviet nationalism in music with its abrupt cuts from comic capers to sweeping Russian melody. Written like so much of Prokofiev’s music with tongue in cheek, it makes an apt companion on disc for his final symphony, the Seventh. These were recorded in November 1957 (and originally issued on the RCA ‘Living Stereo’ label) by the Paris Conservatoire Orchestra conducted by Jean Martinon, who had done much to promote the conductor’s music outside his Russian homeland. The Seventh is a deceptively simple work, imbued with a melancholy and nostalgia somewhat obscured by the ‘fake’ ending contrived to the symphony for it to win official approval (and which is played here). (© Decca Music Group Limited / Universal Music Australia Pty Ltd.)

オリジナル音源の詳細 : Kingsway Hall, London, UK, 6 December 1949 (Peter and the Wolf); 27–29 June 1955 (The Love for Three Oranges); La Maison de la Mutualité, Paris, France, 9 June 1955 (Lieutenant Kijé), 29, 30 October & 2 November 1957 (Symphony No.7, Russian Overture); Danish Radio Concert Hall, Copenhagen, Denmark, 9 October 1952 (Symphony No.5)

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