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Colter Wall|Western Swing & Waltzes and Other Punchy Songs

Western Swing & Waltzes and Other Punchy Songs

Colter Wall

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Like Songs of the Plains before it, Western Swing & Waltzes and Other Punchy Songs bears a title that's a plain description of the content within. Call it Colter Wall's predilection for literalism: he's not comfortable with shades of grey, he likes things direct, since that's the way they did it in the old days. The old days he conjures on Western Swing & Waltzes and Other Punchy Songs go further back than the ones on Songs of the Plains. He covers such cowboy classics as "Big Iron" and "I Ride an Old Paint" then writes Western tunes and taking blues to match, creating a dusty fantasia conjuring a time and place before either the Nashville sound or its outlaw backlash. Conceptually, it's clean and tight. Wall doesn't deviate from his stated description at all, so cheers for truth in advertising. Sticking to the straight and narrow has its pitfalls, such as the fact that Western Swing & Waltzes and Other Punchy Songs winds up being a bit monochromatic. The songs stick to their chosen path, Wall doesn't deviate from his plaintive croon, and the stark setting starts to sound a little dull as the album lopes from one song to another.

© Stephen Thomas Erlewine /TiVo

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Western Swing & Waltzes and Other Punchy Songs

Colter Wall

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1
Western Swing & Waltzes
00:03:13

Eric Conn, Mastering Engineer - Doug Moreland, Fiddle - Patrick Lyons, Electric Guitar, Pedal Steel Guitar - Emily Gimble, Piano - Adam Odor, Mixing Engineer, Recording Engineer - Colter Wall, Composer, Lyricist, Producer, Acoustic Guitar, MainArtist, AssociatedPerformer, Vocal - Aaron Goodrich, Drums - Jason Simpson, Bass - Jake Groves, Harmonica

(P) 2020 Black Hole Music, Inc., under exclusive license to La Honda Records/RCA Records

2
I Ride an Old Paint / Leavin' Cheyenne
00:03:10

Traditional, Composer - Eric Conn, Mastering Engineer - Adam Odor, Mixing Engineer, Recording Engineer - Colter Wall, Producer, Acoustic Guitar, MainArtist, AssociatedPerformer, Vocal - Jake Groves, Harmonica

(P) 2020 Black Hole Music, Inc., under exclusive license to La Honda Records/RCA Records

3
Big Iron
00:04:24

Eric Conn, Mastering Engineer - Marty Robbins, Composer, Lyricist - Doug Moreland, Mandolin, Fiddle - Patrick Lyons, Acoustic Guitar, Electric Guitar, Pedal Steel Guitar, Dobro - Adam Odor, Mixing Engineer, Recording Engineer - Colter Wall, Producer, Acoustic Guitar, MainArtist, AssociatedPerformer, Vocal - Aaron Goodrich, Drums - Jason Simpson, Bass - Jake Groves, Harmonica

(P) 2020 Black Hole Music, Inc., under exclusive license to La Honda Records/RCA Records

4
Henry and Sam
00:02:42

Eric Conn, Mastering Engineer - Patrick Lyons, Guitar, Slide Guitar, Pedal Steel Guitar - Adam Odor, Mixing Engineer, Recording Engineer - Colter Wall, Composer, Lyricist, Producer, Acoustic Guitar, MainArtist, AssociatedPerformer, Vocal - Aaron Goodrich, Drums, Percussion - Jason Simpson, Bass - Jake Groves, Harmonica, Jaw Harp

(P) 2020 Black Hole Music, Inc., under exclusive license to La Honda Records/RCA Records

5
Diamond Joe
00:03:12

Traditional, Composer - Eric Conn, Mastering Engineer - Doug Moreland, Fiddle - Adam Odor, Mixing Engineer, Recording Engineer - Colter Wall, Producer, Acoustic Guitar, MainArtist, AssociatedPerformer, Vocal - Vincent Neil Emerson, Background Vocal

(P) 2020 Black Hole Music, Inc., under exclusive license to La Honda Records/RCA Records

6
High and Mighty
00:02:41

Eric Conn, Mastering Engineer - Patrick Lyons, Electric Guitar, Pedal Steel Guitar - Emily Gimble, Piano - Adam Odor, Mixing Engineer, Recording Engineer - Colter Wall, Producer, Acoustic Guitar, MainArtist, AssociatedPerformer, Background Vocal, Vocal - Aaron Goodrich, Drums, Percussion - Jason Simpson, Bass - Lewis Martin Pedersen III, Composer, Lyricist - Jake Groves, Harmonica

(P) 2020 Black Hole Music, Inc., under exclusive license to La Honda Records/RCA Records

7
Talkin' Prairie Boy
00:03:50

Eric Conn, Mastering Engineer - Adam Odor, Mixing Engineer, Recording Engineer - Colter Wall, Composer, Lyricist, Producer, Acoustic Guitar, MainArtist, AssociatedPerformer, Vocal - Blake Berglund, AssociatedPerformer

(P) 2020 Black Hole Music, Inc., under exclusive license to La Honda Records/RCA Records

8
Cowpoke
00:03:12

Stan Jones, Composer, Lyricist - Eric Conn, Mastering Engineer - Patrick Lyons, Mandolin, Pedal Steel Guitar - Adam Odor, Mixing Engineer, Recording Engineer - Colter Wall, Producer, Acoustic Guitar, MainArtist, AssociatedPerformer, Background Vocal, Vocal - Aaron Goodrich, Drums, Percussion - Jason Simpson, Bass - Jake Groves, Harmonica

(P) 2020 Black Hole Music, Inc., under exclusive license to La Honda Records/RCA Records

9
Rocky Mountain Rangers
00:02:08

Eric Conn, Mastering Engineer - Doug Moreland, Fiddle - Patrick Lyons, Mandolin, Dobro - Adam Odor, Mixing Engineer, Recording Engineer - Colter Wall, Composer, Lyricist, Producer, Acoustic Guitar, MainArtist, AssociatedPerformer, Background Vocal, Vocal - Aaron Goodrich, Drums, Percussion - Jason Simpson, Bass - Jake Groves, Harmonica

(P) 2020 Black Hole Music, Inc., under exclusive license to La Honda Records/RCA Records

10
Houlihans at the Holiday Inn
00:04:57

Eric Conn, Mastering Engineer - Patrick Lyons, Dobro - Adam Odor, Mixing Engineer, Recording Engineer - Colter Wall, Composer, Lyricist, Producer, Acoustic Guitar, MainArtist, AssociatedPerformer, Vocal

(P) 2020 Black Hole Music, Inc., under exclusive license to La Honda Records/RCA Records

Album review

Like Songs of the Plains before it, Western Swing & Waltzes and Other Punchy Songs bears a title that's a plain description of the content within. Call it Colter Wall's predilection for literalism: he's not comfortable with shades of grey, he likes things direct, since that's the way they did it in the old days. The old days he conjures on Western Swing & Waltzes and Other Punchy Songs go further back than the ones on Songs of the Plains. He covers such cowboy classics as "Big Iron" and "I Ride an Old Paint" then writes Western tunes and taking blues to match, creating a dusty fantasia conjuring a time and place before either the Nashville sound or its outlaw backlash. Conceptually, it's clean and tight. Wall doesn't deviate from his stated description at all, so cheers for truth in advertising. Sticking to the straight and narrow has its pitfalls, such as the fact that Western Swing & Waltzes and Other Punchy Songs winds up being a bit monochromatic. The songs stick to their chosen path, Wall doesn't deviate from his plaintive croon, and the stark setting starts to sound a little dull as the album lopes from one song to another.

© Stephen Thomas Erlewine /TiVo

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