Two Of Everything

Album review

On his second solo album, former Greenhornes and Soledad Brothers guitarist Brian Olive once again offers an eclectic variety of R&B-based sounds, but his approach has changed just a bit. For Two of Everything, Olive enlisted the production expertise of Dan Auerbach from the Black Keys, and while the album still has a solid, bluesy foundation, the songs here sound cooler and slinkier, with echoes of vintage funk and groove jazz cropping up in the mix, and a good bit more refinement audible in the melodies and performances compared to his self-titled debut. Two of Everything doesn't sound like Olive has turned his back on his blues-based earlier work, but he is veering in a different direction; the results sometimes suggest a Midwestern take on Northern soul as Olive and Auerbach throw just a little pop polish on Olive's vocals and let the pianos and saxophones give the music a subtle but distinct retro feel, even as the steady pulse of several tunes nods politely to hip-hop. But even as Two of Everything travels down a smoother road than its precursor, it still sounds organic, committed, and heartfelt, and Olive sure knows how to write a memorable tune; "Strange Attracter" faces a chunky, T. Rex-style guitar figure against an insistent piano-and-drum pattern that fills up the dancefloor; "Black Sliding Soul" suggests an unlikely but effective collaboration between NRBQ and Mark Ronson; "Left Side Rock" bounces hard Southern funk rhythms off aggressive horn samples, and "Lost in Dreams" is a beautifully languid bit of stoned soul love pleading. With Two of Everything, Brian Olive is two for two in making smart, distinctive albums that push his blues and R&B influences in unexpected, compelling directions, matching and building on the strength of his debut.

© Mark Deming /TiVo