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Richard H. Kirk|Time High Fiction

Time High Fiction

Richard H. Kirk

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Kirk's second solo album (though actually his first truly independent release, as the previous DISPOSABLE HALF-TRUTHS was a reissue of an obscure early cassette) operates across similar thresholds that Cabaret Voltaire were exploring around the same timeframe (early-'80s). At this juncture in their career, the Cabs were spearheading the radical dance movement that would come to be known as "industrial dance" or EBM (electronic body music), typified by hard funk sequencers and awry electronics. This double disc set continues Kirk's fascination with landscapes and concepts wrenched out of a Burroughsian universe: the morose synthfunk of "The Greedy Eye," the covert sonic neurons of "Wiretap," and the decadent atmospheres of "Shaking Down the Tower of Babel." Disc two is taken up with the two-part "Dead Relatives," a sinister trek through brokedown shortwave environments, dying sax squeals, cut-up rhythms and myriad noxious regions. Little did Kirk know how prescient these sonic squalls were in the burgeoning electronic pantheon.
© TiVo

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Time High Fiction

Richard H. Kirk

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1
The Greedy Eye
00:05:04

Richard H. Kirk, Composer, Producer, MainArtist, MixingEngineer

2016 Intone Production under exclusive License to Mute Artists Ltd 2016 Intone Production under exclusive License to Mute Artists Ltd

2
Shaking Down the Tower of Babel
00:03:15

Richard H. Kirk, Composer, Producer, MainArtist, MixingEngineer

2016 Intone Production under exclusive License to Mute Artists Ltd 2016 Intone Production under exclusive License to Mute Artists Ltd

3
Force of Habit
00:07:09

Richard H. Kirk, Composer, Producer, MainArtist, MixingEngineer

2016 Intone Production under exclusive License to Mute Artists Ltd 2016 Intone Production under exclusive License to Mute Artists Ltd

4
Day of Waiting
00:04:49

Richard H. Kirk, Composer, Producer, MainArtist, MixingEngineer

2016 Intone Production under exclusive License to Mute Artists Ltd 2016 Intone Production under exclusive License to Mute Artists Ltd

5
Black Honeymoon
00:05:34

Richard H. Kirk, Composer, Producer, MainArtist, MixingEngineer

2016 Intone Production under exclusive License to Mute Artists Ltd 2016 Intone Production under exclusive License to Mute Artists Ltd

6
Nocturnal Children
00:04:20

Richard H. Kirk, Composer, Producer, MainArtist, MixingEngineer

2016 Intone Production under exclusive License to Mute Artists Ltd 2016 Intone Production under exclusive License to Mute Artists Ltd

7
Wiretrap
00:06:31

Richard H. Kirk, Composer, Producer, MainArtist, MixingEngineer

2016 Intone Production under exclusive License to Mute Artists Ltd 2016 Intone Production under exclusive License to Mute Artists Ltd

8
The Power of Autosuggestion
00:04:57

Richard H. Kirk, Composer, Producer, MainArtist, MixingEngineer

2016 Intone Production under exclusive License to Mute Artists Ltd 2016 Intone Production under exclusive License to Mute Artists Ltd

9
Dead Relatives Pt. One
00:20:46

Richard H. Kirk, Composer, Producer, MainArtist, MixingEngineer

2016 Intone Production under exclusive License to Mute Artists Ltd 2016 Intone Production under exclusive License to Mute Artists Ltd

10
Dead Relatives Pt. Two
00:18:35

Richard H. Kirk, Composer, Producer, MainArtist, MixingEngineer

2016 Intone Production under exclusive License to Mute Artists Ltd 2016 Intone Production under exclusive License to Mute Artists Ltd

Album review

Kirk's second solo album (though actually his first truly independent release, as the previous DISPOSABLE HALF-TRUTHS was a reissue of an obscure early cassette) operates across similar thresholds that Cabaret Voltaire were exploring around the same timeframe (early-'80s). At this juncture in their career, the Cabs were spearheading the radical dance movement that would come to be known as "industrial dance" or EBM (electronic body music), typified by hard funk sequencers and awry electronics. This double disc set continues Kirk's fascination with landscapes and concepts wrenched out of a Burroughsian universe: the morose synthfunk of "The Greedy Eye," the covert sonic neurons of "Wiretap," and the decadent atmospheres of "Shaking Down the Tower of Babel." Disc two is taken up with the two-part "Dead Relatives," a sinister trek through brokedown shortwave environments, dying sax squeals, cut-up rhythms and myriad noxious regions. Little did Kirk know how prescient these sonic squalls were in the burgeoning electronic pantheon.
© TiVo

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