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Alma Cogan|The Magic Of Alma Cogan

The Magic Of Alma Cogan

Alma Cogan

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Twenty-five songs in Cogan's career, starting with her first hit, "Bell Bottom Blues," a Doris Day-style pop novelty number that got to number four in England in 1954, and ending with her last charting single, "Cowboy Jimmy Joe," six years later. Cogan had a big-voiced delivery that made her suitable for those kind of songs, as well as softer ballads like "Little Things Mean a Lot," which became her second hit in 1955, getting to number 11 in England. She sounded joyful and intense, always seemingly with a laugh in her voice (a notion that became part of her publicity), even when she sang quietly. Cogan's background was in '40s and '50s pop music, with no real feeling for early, R&B-based rock & roll, although she had a strong enough voice to make a convincing case for a pop music version of "Why Do Fools Fall in Love," which charted in the mid-'20s in England just at the time that the original by Frankie Lymon & the Teenagers was topping the charts. "Sugartime" and "Cheek to Cheek" are more Cogan's speed at this time in her career, and there is a beguiling cheerfulness in her singing that gets infectious as you listen to her. The sound is excellent on this 1997 edition, but the notes could have been more complete, and should have included recording dates, and session and chart information.

© Bruce Eder /TiVo

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The Magic Of Alma Cogan

Alma Cogan

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1
Bell Bottom Blues
00:02:34

Leon Carr, Composer - Hal David, Composer - Alma Cogan, MainArtist

© 1997 Parlophone Records Ltd, a Warner Music Group Company ℗ 1954 Parlophone Records Ltd, a Warner Music Group Company

2
This Ole House
00:02:22

Stuart Hamblen, Composer - Alma Cogan, MainArtist

© 1997 Parlophone Records Ltd, a Warner Music Group Company ℗ 1954 Parlophone Records Ltd, a Warner Music Group Company

3
Little Things Mean a Lot
00:03:18

Edith Lindeman, Composer - Carl Stutz, Composer - Alma Cogan, MainArtist

© 1997 Parlophone Records Ltd, a Warner Music Group Company ℗ 1954 Parlophone Records Ltd, a Warner Music Group Company

4
I Can't Tell a Waltz from a Tango
00:02:27

Al Hoffman, Composer - Dick Manning, Composer - Alma Cogan, MainArtist

© 1997 Parlophone Records Ltd, a Warner Music Group Company ℗ 1954 Parlophone Records Ltd, a Warner Music Group Company

5
Dreamboat
00:01:47

Alma Cogan, Vocals, MainArtist - Jack Hoffman, Composer

© 1997 Parlophone Records Ltd, a Warner Music Group Company ℗ 1955 Parlophone Records Ltd, a Warner Music Group Company

6
The Banjo's Back in Town
00:02:06

Alma Cogan, MainArtist - Marshall Brown, Composer - Earl Schuman, Composer - Alden Schuman, Composer

© 1997 Parlophone Records Ltd, a Warner Music Group Company ℗ 1955 Parlophone Records Ltd, a Warner Music Group Company

7
Go on By
00:02:26

Stuart Hamblen, Composer - Alma Cogan, MainArtist

© 1997 Parlophone Records Ltd, a Warner Music Group Company ℗ 1955 Parlophone Records Ltd, a Warner Music Group Company

8
Twenty Tiny Fingers
00:02:37

Roy Bennett, Composer - Sid Tepper, Composer - Alma Cogan, MainArtist

© 1997 Parlophone Records Ltd, a Warner Music Group Company ℗ 1955 Parlophone Records Ltd, a Warner Music Group Company

9
Never Do a Tango with an Eskimo
00:02:12

Connor, Composer - Alma Cogan, MainArtist

© 1997 Parlophone Records Ltd, a Warner Music Group Company ℗ 1955 Parlophone Records Ltd, a Warner Music Group Company

10
Willie Can
00:02:09

Felice Bryant, Composer - Boudleaux Bryant, Composer - Alma Cogan, MainArtist

© 1997 Parlophone Records Ltd, a Warner Music Group Company ℗ 1956 Parlophone Records Ltd, a Warner Music Group Company

11
The Birds and the Bees
00:02:13

Harry Warren, Composer - Mack David, Composer - Alma Cogan, MainArtist

© 1997 Parlophone Records Ltd, a Warner Music Group Company ℗ 1965 Parlophone Records Ltd, a Warner Music Group Company

12
Why Do Fools Fall in Love
00:02:17

Herman Santiago, Composer - Jimmy Merchant, Composer - Alma Cogan, MainArtist - Frankie Lymon, Composer

© 1997 Parlophone Records Ltd, a Warner Music Group Company ℗ 1956 Parlophone Records Ltd, a Warner Music Group Company

13
In the Middle of the House
00:02:09

Bob Hilliard, Composer - Alma Cogan, MainArtist

© 1997 Parlophone Records Ltd, a Warner Music Group Company ℗ 1956 The copyright in this sound recording is owned by Parlophone Records Ltd, a Warner Music Group Company

14
You Me and Us
00:02:14

Traditional, Composer - Jerome, Composer - Alma Cogan, MainArtist

© 1997 Parlophone Records Ltd, a Warner Music Group Company ℗ 1957 Parlophone Records Ltd, a Warner Music Group Company

15
Whatever Lola Wants (Lola Gets)
00:02:49

Richard Adler , Composer - JERRY ROSS, Composer - Alma Cogan, MainArtist

© 1997 Parlophone Records Ltd, a Warner Music Group Company ℗ 1957 Parlophone Records Ltd, a Warner Music Group Company

16
He Just Couldn't Resist Her with Her Pocket Transistor
00:02:27

Kolber, Composer - Keller, Composer - Alma Cogan, MainArtist

© 1997 Parlophone Records Ltd, a Warner Music Group Company ℗ 1960 Parlophone Records Ltd, a Warner Music Group Company

17
The Story of My Life
00:02:10

Burt Bacharach, Composer - Hal David, Composer - Alma Cogan, MainArtist

© 1997 Parlophone Records Ltd, a Warner Music Group Company ℗ 1957 Parlophone Records Ltd, a Warner Music Group Company

18
Sugartime
00:01:50

Alma Cogan, MainArtist - P Echols, Composer - C Phillips, Composer

© 1997 Parlophone Records Ltd, a Warner Music Group Company ℗ 1958 Parlophone Records Ltd, a Warner Music Group Company

19
Cheek to Cheek
00:02:56

Irving Berlin, Composer - Alma Cogan, MainArtist

© 1997 Parlophone Records Ltd, a Warner Music Group Company ℗ 1958 Parlophone Records Ltd, a Warner Music Group Company

20
Last Night on the Back Porch
00:02:22

Brown, Composer - Alma Cogan, MainArtist - Schraubstader, Composer

© 1997 Parlophone Records Ltd, a Warner Music Group Company ℗ 1958 Parlophone Records Ltd, a Warner Music Group Company

21
We Got Love
00:02:10

Bernie Lowe, Composer - Kal Mann, Composer - Alma Cogan, MainArtist

© 1997 Parlophone Records Ltd, a Warner Music Group Company ℗ 1959 Parlophone Records Ltd, a Warner Music Group Company

22
Dream Talk
00:02:53

Bower, Composer - Earl Shuman, Composer - Alma Cogan, MainArtist

© 1997 Parlophone Records Ltd, a Warner Music Group Company ℗ 1960 Parlophone Records Ltd, a Warner Music Group Company

23
The Train of Love
00:02:30

Paul Anka, Composer - Alma Cogan, MainArtist

© 1997 Parlophone Records Ltd, a Warner Music Group Company ℗ 1960 Parlophone Records Ltd, a Warner Music Group Company

24
Cowboy Jimmy Joe
00:02:29

Werner Scharfenberger, Composer - Fini Busch, Composer - Alma Cogan, MainArtist

© 1997 Parlophone Records Ltd, a Warner Music Group Company ℗ 1961 Parlophone Records Ltd, a Warner Music Group Company

25
When I Fall in Love
00:03:56

Victor Young, Composer - Edward Heyman, Composer - Alma Cogan, MainArtist

© 1997 Parlophone Records Ltd, a Warner Music Group Company ℗ 1961 Parlophone Records Ltd, a Warner Music Group Company

Album review

Twenty-five songs in Cogan's career, starting with her first hit, "Bell Bottom Blues," a Doris Day-style pop novelty number that got to number four in England in 1954, and ending with her last charting single, "Cowboy Jimmy Joe," six years later. Cogan had a big-voiced delivery that made her suitable for those kind of songs, as well as softer ballads like "Little Things Mean a Lot," which became her second hit in 1955, getting to number 11 in England. She sounded joyful and intense, always seemingly with a laugh in her voice (a notion that became part of her publicity), even when she sang quietly. Cogan's background was in '40s and '50s pop music, with no real feeling for early, R&B-based rock & roll, although she had a strong enough voice to make a convincing case for a pop music version of "Why Do Fools Fall in Love," which charted in the mid-'20s in England just at the time that the original by Frankie Lymon & the Teenagers was topping the charts. "Sugartime" and "Cheek to Cheek" are more Cogan's speed at this time in her career, and there is a beguiling cheerfulness in her singing that gets infectious as you listen to her. The sound is excellent on this 1997 edition, but the notes could have been more complete, and should have included recording dates, and session and chart information.

© Bruce Eder /TiVo

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