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Jay McShann|The Last Of The Blue Devils

The Last Of The Blue Devils

Jay McShann

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When Charlie Parker first came to New York in 1942, he was a sideman in Jay McShann's big band. Every jazz fan knows what happened after that -- Parker changed the world and McShann became a footnote in Parker's biography. That's too bad, and not just for him; if the 1978 session remastered and reissued on this disc is anything to go by, McShann had much more to offer the world than his role as caregiver to the inventor of bebop. Leading an all-star cast that includes saxophonist Paul Quinichette, the ubiquitous Milt Hinton on bass, and a young, up-and-coming guitarist named John Scofield, McShann teaches an entire course on the history of blues-based jazz, going from his own "Confessin' the Blues" through "Hootie Blues" (which he co-wrote with Parker and Walter Brown) and an intensely swinging version of Count Basie's "Jumpin' at the Woodside." He goes off on a welcome tangent with Pete Johnson's sweet stride ballad "Just for You" and comes on home with the boogie-woogie composition "'Fore Day Rider" and Leiber and Stoller's "Kansas City." Highly recommended.

© Rick Anderson /TiVo

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The Last Of The Blue Devils

Jay McShann

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1
Confessin' the Blues (LP Version)
00:04:45

JAY MCSHANN, Composer, Writer, Performance, MainArtist - Walter Brown, Writer

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1977 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

2
'Tain't Nobody's Biz'ness If I Do (LP Version)
00:07:01

Joe Newman, Trumpet - Milt Hinton, Bass Guitar - Paul Quinichette, Saxophone - John Scofield, Guitar - JAY MCSHANN, Composer, Piano, Vocals, MainArtist - Ilhan Mimaroglu, Producer - Porter Grainger, Writer - Buddy Tate, Saxophone - Jackie Williams, Drums - Everett Robbins, Writer

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1977 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

3
Hootie Blues (LP Version)
00:04:32

Joe Newman, Trumpet - Milt Hinton, Bass Guitar - Charlie Parker, Writer - Paul Quinichette, Saxophone - John Scofield, Guitar - JAY MCSHANN, Composer, Piano, Vocals, Writer, MainArtist - Ilhan Mimaroglu, Producer - Buddy Tate, Saxophone - Walter Brown, Writer - Jackie Williams, Drums

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1977 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

4
Blue Devil Jump (LP Version)
00:03:27

Paul Quinichette, Writer - JAY MCSHANN, MainArtist - P. Quinichette, Writer

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1978 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

5
My Chile (LP Version)
00:04:17

Joe Newman, Trumpet - Milt Hinton, Bass Guitar - Paul Quinichette, Saxophone - John Scofield, Guitar - JAY MCSHANN, Composer, Piano, Vocals, MainArtist - Ilhan Mimaroglu, Producer - Buddy Tate, Saxophone - Jackie Williams, Drums

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1977 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

6
Jumpin' at the Woodside (LP Version)
00:04:39

J. Hendricks, Writer - JAY MCSHANN, Performance, MainArtist - C. Basie, Writer

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1977 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

7
Just for You (LP Version)
00:05:39

Corday, Writer - Joe Newman, Trumpet - Milt Hinton, Bass Guitar - Johnson, Writer - Paul Quinichette, Saxophone - John Scofield, Guitar - Washington, Writer - JAY MCSHANN, Composer, Piano, Vocals, Writer, MainArtist - Ilhan Mimaroglu, Producer - Buddy Tate, Saxophone - Walter, Writer - Jackie Williams, Drums

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1977 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

8
Hot Biscuits (LP Version)
00:03:29

J. MCSHANN, Writer - JAY MCSHANN, MainArtist

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1978 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

9
'Fore Day Rider (LP Version)
00:04:09

Joe Newman, Trumpet - Milt Hinton, Bass Guitar - Paul Quinichette, Saxophone - John Scofield, Guitar - JAY MCSHANN, Composer, Piano, Vocals, MainArtist - Ilhan Mimaroglu, Producer - Buddy Tate, Saxophone - Walter Brown, Composer - Jackie Williams, Drums

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1977 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

10
Kansas City (LP Version)
00:04:53

J Leiber, Writer - M. STOLLER, Writer - JAY MCSHANN, MainArtist

© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1978 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

Album review

When Charlie Parker first came to New York in 1942, he was a sideman in Jay McShann's big band. Every jazz fan knows what happened after that -- Parker changed the world and McShann became a footnote in Parker's biography. That's too bad, and not just for him; if the 1978 session remastered and reissued on this disc is anything to go by, McShann had much more to offer the world than his role as caregiver to the inventor of bebop. Leading an all-star cast that includes saxophonist Paul Quinichette, the ubiquitous Milt Hinton on bass, and a young, up-and-coming guitarist named John Scofield, McShann teaches an entire course on the history of blues-based jazz, going from his own "Confessin' the Blues" through "Hootie Blues" (which he co-wrote with Parker and Walter Brown) and an intensely swinging version of Count Basie's "Jumpin' at the Woodside." He goes off on a welcome tangent with Pete Johnson's sweet stride ballad "Just for You" and comes on home with the boogie-woogie composition "'Fore Day Rider" and Leiber and Stoller's "Kansas City." Highly recommended.

© Rick Anderson /TiVo

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