Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
The members of the Fernweh spent years playing in other people's bands -- Edgar Jones, Alessi's Ark, the Zutons, James Skelly and Candie Payne -- soaking up different styles and honing their skills so that when they were ready to strike out on their own they'd be able to make a record that was fully realized. Their self-titled 2018 debut is exactly that. It mixes together psychedelia, classic British folk-rock, soundtrack music, and jangly guitar pop into a heady mixture that's always surprising, always richly crafted, and always melodic, even when things get a little murky and strange. The trio of guitarist Jamie Blackhouse, bassist/vocalist Ned Crowther, and keyboardist Austin Murphy painstakingly assembled the songs, working together and separately to concoct tracks that are stuffed to the brim with sound and mystery. Also, with guest vocalists like Rozi Plain of This Is the Kit and Alessi Laurent-Marke of Alessi's Ark, Fairport Convention was a huge inspiration as they wrote and recorded, and much like that band, the Fernweh manage to get the recipe right when cooking up their magpie sound. They never go too far in any one sonic direction; every song forges an identity that is equal parts psych-, folk-, and widescreen cinema-friendly. Some tracks, like "The Liar" or "Brightening in the West," have a chiming West Coast psychedelic feel made stronger by Blackhouse's biting guitar lines and the swirling minor-key vocal harmonies. Others feel like excerpts from a spooky, late-'60s film ("Timepiece"), quite a few songs have major autumnal themes ("Hand Me Down," "New Brighton Sigh"), and some -- like "Little Monsters," which goes from a delicate folk song to a rippling freak out and then back again, or "A Leaf Didn't Move," which sounds like a reverse photocopy of a Motown song and comes complete with a throat-ripping sax solo -- can't be so easily pinned down. That's exactly the kind of idiosyncratic character that makes for a good band, the kind that can attempt any number of styles and moods and always end up sounding like themselves. Like their label bosses the Coral do, and like a few others (King Gizzard, Thee Oh Sees) have, too, the Fernweh have done that here, and if they keep on this track, they may just end up being a band with long, weird, and always compelling discography.
© Tim Sendra /TiVo
You are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
Listen to this playlist and more than 100 million songs with our unlimited streaming plans.
From €13,50/month
Ned Crowther, Writer - The Fernweh, MainArtist - JAMIE BACKHOUSE, Writer
© 2018 The Fernweh under exclusive licence to Skeleton Key Records ℗ 2018 The Fernweh under exclusive licence to Skeleton Key Records
Ned Crowther, Writer - The Fernweh, MainArtist - JAMIE BACKHOUSE, Writer
© 2018 The Fernweh under exclusive licence to Skeleton Key Records ℗ 2018 The Fernweh under exclusive licence to Skeleton Key Records
The Fernweh, MainArtist - JAMIE BACKHOUSE, Writer
© 2018 The Fernweh under exclusive licence to Skeleton Key Records ℗ 2018 The Fernweh under exclusive licence to Skeleton Key Records
Ned Crowther, Writer - The Fernweh, MainArtist - AUSTIN MURPHY, Writer - JAMIE BACKHOUSE, Writer
© 2018 The Fernweh under exclusive licence to Skeleton Key Records ℗ 2018 The Fernweh under exclusive licence to Skeleton Key Records
Ned Crowther, Writer - The Fernweh, MainArtist - JAMIE BACKHOUSE, Writer
© 2018 The Fernweh under exclusive licence to Skeleton Key Records ℗ 2018 The Fernweh under exclusive licence to Skeleton Key Records
Ned Crowther, Writer - The Fernweh, MainArtist - AUSTIN MURPHY, Writer - JAMIE BACKHOUSE, Writer
© 2018 The Fernweh under exclusive licence to Skeleton Key Records ℗ 2018 The Fernweh under exclusive licence to Skeleton Key Records
Ned Crowther, Writer - The Fernweh, MainArtist - AUSTIN MURPHY, Writer - JAMIE BACKHOUSE, Writer
© 2018 The Fernweh under exclusive licence to Skeleton Key Records ℗ 2018 The Fernweh under exclusive licence to Skeleton Key Records
Ned Crowther, Writer - The Fernweh, MainArtist - AUSTIN MURPHY, Writer - JAMIE BACKHOUSE, Writer
© 2018 The Fernweh under exclusive licence to Skeleton Key Records ℗ 2018 The Fernweh under exclusive licence to Skeleton Key Records
Ned Crowther, Writer - The Fernweh, MainArtist - AUSTIN MURPHY, Writer
© 2018 The Fernweh under exclusive licence to Skeleton Key Records ℗ 2018 The Fernweh under exclusive licence to Skeleton Key Records
Ned Crowther, Writer - The Fernweh, MainArtist - JAMIE BACKHOUSE, Writer
© 2018 The Fernweh under exclusive licence to Skeleton Key Records ℗ 2018 The Fernweh under exclusive licence to Skeleton Key Records
Ned Crowther, Writer - The Fernweh, MainArtist
© 2018 The Fernweh under exclusive licence to Skeleton Key Records ℗ 2018 The Fernweh under exclusive licence to Skeleton Key Records
Rob Stringer, Writer - Ned Crowther, Writer - The Fernweh, MainArtist - JAMIE BACKHOUSE, Writer
© 2018 The Fernweh under exclusive licence to Skeleton Key Records ℗ 2018 The Fernweh under exclusive licence to Skeleton Key Records
Ned Crowther, Writer - The Fernweh, MainArtist - JAMIE BACKHOUSE, Writer
© 2018 The Fernweh under exclusive licence to Skeleton Key Records ℗ 2018 The Fernweh under exclusive licence to Skeleton Key Records
The Fernweh, MainArtist - JAMIE BACKHOUSE, Writer
© 2018 The Fernweh under exclusive licence to Skeleton Key Records ℗ 2018 The Fernweh under exclusive licence to Skeleton Key Records
Album review
The members of the Fernweh spent years playing in other people's bands -- Edgar Jones, Alessi's Ark, the Zutons, James Skelly and Candie Payne -- soaking up different styles and honing their skills so that when they were ready to strike out on their own they'd be able to make a record that was fully realized. Their self-titled 2018 debut is exactly that. It mixes together psychedelia, classic British folk-rock, soundtrack music, and jangly guitar pop into a heady mixture that's always surprising, always richly crafted, and always melodic, even when things get a little murky and strange. The trio of guitarist Jamie Blackhouse, bassist/vocalist Ned Crowther, and keyboardist Austin Murphy painstakingly assembled the songs, working together and separately to concoct tracks that are stuffed to the brim with sound and mystery. Also, with guest vocalists like Rozi Plain of This Is the Kit and Alessi Laurent-Marke of Alessi's Ark, Fairport Convention was a huge inspiration as they wrote and recorded, and much like that band, the Fernweh manage to get the recipe right when cooking up their magpie sound. They never go too far in any one sonic direction; every song forges an identity that is equal parts psych-, folk-, and widescreen cinema-friendly. Some tracks, like "The Liar" or "Brightening in the West," have a chiming West Coast psychedelic feel made stronger by Blackhouse's biting guitar lines and the swirling minor-key vocal harmonies. Others feel like excerpts from a spooky, late-'60s film ("Timepiece"), quite a few songs have major autumnal themes ("Hand Me Down," "New Brighton Sigh"), and some -- like "Little Monsters," which goes from a delicate folk song to a rippling freak out and then back again, or "A Leaf Didn't Move," which sounds like a reverse photocopy of a Motown song and comes complete with a throat-ripping sax solo -- can't be so easily pinned down. That's exactly the kind of idiosyncratic character that makes for a good band, the kind that can attempt any number of styles and moods and always end up sounding like themselves. Like their label bosses the Coral do, and like a few others (King Gizzard, Thee Oh Sees) have, too, the Fernweh have done that here, and if they keep on this track, they may just end up being a band with long, weird, and always compelling discography.
© Tim Sendra /TiVo
About the album
- 1 disc(s) - 14 track(s)
- Total length: 00:47:13
- Main artists: The Fernweh
- Label: Skeleton Key
- Genre: Pop/Rock Pop
© 2018 The Fernweh under exclusive licence to Skeleton Key Records ℗ 2018 The Fernweh under exclusive licence to Skeleton Key Records
Improve album informationWhy buy on Qobuz...
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.