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Simon Keenlyside|Tales Of Opera

Tales Of Opera

Simon Keenlyside

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Baritone Simon Keenlyside is a rarity in an era of focus on specific repertoires: a real operatic generalist whose interests and expertise range from the very earliest -- L'Orfeo -- to the newest -- premieres of Adès' The Tempest and Maazel's 1984. Tales of Opera is limited to just a fraction of that span, from the late eighteenth to the very early twentieth centuries. The album's focus on the standard repertoire seems geared to bringing Keenlyside, whose discography, which, with a few exceptions, is weighted toward less familiar works, to the attention of the traditional opera lover. (This is supported by the tone of the program notes, which consist of Keenlyside's personal reflections on these arias, assuming the listeners' prior familiarity with them.) That's a highly appropriate goal for this old-fashioned recital, because Keenlyside's mastery of this stylistically diverse music ought to have strong appeal to the audience, as well as anyone who loves lyrical bel canto singing, and vivid, intelligent dramatic characterizations.
The album includes many of the standard baritone showpieces, and Keenlyside doesn't disappoint in his delivery. The most striking thing about his voice is the way he uses the arsenal of tonal colors at his disposal in the service of creating dramatically delineated characters. His versatile instrument can be warmly enveloping, piercingly incisive, or charmingly silly. The expansiveness and depth of Oh, du mein holder Abendstern is breathtaking; Keenlyside (with Wagner's help) transports the listener into the solitude of a starlit night as surely as a visual image could. With the first notes of the Prologue to I Pagliacci, he is fully convincing in establishing his identity as a small-time, regional theater director peeking around the curtain. His gift of musical humor pops out in Largo al factotum and in Papageno's aria, Ein Mädchen oder Weibchen. In Di provenza il mar, he's meltingly lyrical and achingly poignant. The diversity of roles on the CD leaves the listener eager to hear Keenlyside in a wider variety of complete operas. Ulf Schirmer leads the Münchner Rundfunkorchester in a fully responsive accompaniment. Sony's sound is clean and vibrant, with good balance.

© TiVo

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Tales Of Opera

Simon Keenlyside

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Il barbiere di Siviglia (Gioachino Rossini)

1
Il barbiere di Siviglia: Largo al factotum
00:04:55

Gioacchino Rossini, Composer - Münchner Rundfunkorchester, Performer - Simon Keenlyside, Baritone - Ulf Schirmer, Conductor

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

Guillaume Tell (Gioachino Rossini)

2
Guillaume Tell: Mon fils, que je t'embrasse... Sois immobile
00:02:25

Gioacchino Rossini, Composer - Münchner Rundfunkorchester, Performer - Simon Keenlyside, Baritone - Ulf Schirmer, Conductor

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

Hérodiade (Jules Massenet)

3
Hérodiade: Vision fugitive
00:04:22

Jules Massenet, Composer - Münchner Rundfunkorchester, Performer - Simon Keenlyside, Baritone - Ulf Schirmer, Conductor

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

Don Carlo (Giuseppe Verdi)

4
Don Carlo: Per me giunto è il dì supremo
00:08:16

Giuseppe Verdi, Composer - Münchner Rundfunkorchester, Performer - Simon Keenlyside, Baritone - Ulf Schirmer, Conductor

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

Un ballo in maschera (Giuseppe Verdi)

5
Un ballo in maschera: Alzati... Eri tu che macchiavi quell' anima
00:05:59

Giuseppe Verdi, Composer - Münchner Rundfunkorchester, Performer - Simon Keenlyside, Baritone - Ulf Schirmer, Conductor

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

La traviata (Giuseppe Verdi)

6
La Traviata: Di provenza il mar
00:04:15

Giuseppe Verdi, Composer - Münchner Rundfunkorchester, Performer - Simon Keenlyside, Baritone - Ulf Schirmer, Conductor

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

Hamlet (Ambroise Thomas)

7
Hamlet: O vin, dissipe la tristesse
00:03:52

Ambroise Thomas, Composer - Münchner Rundfunkorchester, Performer - Simon Keenlyside, Baritone - Ulf Schirmer, Conductor

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

I puritani (Vincenzo Bellini)

8
I puritani: Ah! Per sempre io ti perdei
00:05:21

Münchner Rundfunkorchester, Performer - Simon Keenlyside, Baritone - Ulf Schirmer, Conductor - Vincenzo Bellini, Composer

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

Die Zauberflöte (Wolfgang Amadeus Mozart)

9
Die Zauberflöte: Ein Mädchen oder Weibchen
00:04:06

Münchner Rundfunkorchester, Performer - Simon Keenlyside, Baritone - Ulf Schirmer, Conductor - Wolfgang Amadeus Mozart, Composer

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

Pagliacci (Ruggero Leoncavallo)

10
Pagliacci: Si può, si può
00:05:23

Münchner Rundfunkorchester, Performer - Ruggero Leoncavallo, Composer - Simon Keenlyside, Baritone - Ulf Schirmer, Conductor

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

L'Arlesiana (Francesco Cilèa)

11
L'Arlesiana: Come due tizzi accesi
00:03:35

Francesco Cilea, Composer - Münchner Rundfunkorchester, Performer - Simon Keenlyside, Baritone - Ulf Schirmer, Conductor

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

Pique Dame (Pyotr Illitch Tchaïkovski)

12
Pique Dame: Ya vas lyublyu (Als deine Liebe du mir schenktest)
00:04:49

Münchner Rundfunkorchester, Performer - Piotr Ilich Tchaikovsky, Composer - Simon Keenlyside, Baritone - Ulf Schirmer, Conductor

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

Don Giovanni (Wolfgang Amadeus Mozart)

13
Don Giovanni: Deh vieni alla finestra
00:02:08

Münchner Rundfunkorchester, Performer - Simon Keenlyside, Baritone - Ulf Schirmer, Conductor - Wolfgang Amadeus Mozart, Composer

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

Zaide (Wolfgang Amadeus Mozart)

14
Zaide: Nur mutig, mein Herze, versuche dein Glück
00:05:21

Münchner Rundfunkorchester, Performer - Simon Keenlyside, Baritone - Ulf Schirmer, Conductor - Wolfgang Amadeus Mozart, Composer

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

Tannhäuser (Richard Wagner)

15
Tannhäuser: Wie Todesahnung Dämmrung deckt die Lande... O du mein holder Abendstern
00:05:13

Münchner Rundfunkorchester, Performer - Richard Wagner, Composer - Simon Keenlyside, Baritone - Ulf Schirmer, Conductor

(P) 2006 SONY BMG MUSIC ENTERTAINMENT (GERMANY) GmbH

Album review

Baritone Simon Keenlyside is a rarity in an era of focus on specific repertoires: a real operatic generalist whose interests and expertise range from the very earliest -- L'Orfeo -- to the newest -- premieres of Adès' The Tempest and Maazel's 1984. Tales of Opera is limited to just a fraction of that span, from the late eighteenth to the very early twentieth centuries. The album's focus on the standard repertoire seems geared to bringing Keenlyside, whose discography, which, with a few exceptions, is weighted toward less familiar works, to the attention of the traditional opera lover. (This is supported by the tone of the program notes, which consist of Keenlyside's personal reflections on these arias, assuming the listeners' prior familiarity with them.) That's a highly appropriate goal for this old-fashioned recital, because Keenlyside's mastery of this stylistically diverse music ought to have strong appeal to the audience, as well as anyone who loves lyrical bel canto singing, and vivid, intelligent dramatic characterizations.
The album includes many of the standard baritone showpieces, and Keenlyside doesn't disappoint in his delivery. The most striking thing about his voice is the way he uses the arsenal of tonal colors at his disposal in the service of creating dramatically delineated characters. His versatile instrument can be warmly enveloping, piercingly incisive, or charmingly silly. The expansiveness and depth of Oh, du mein holder Abendstern is breathtaking; Keenlyside (with Wagner's help) transports the listener into the solitude of a starlit night as surely as a visual image could. With the first notes of the Prologue to I Pagliacci, he is fully convincing in establishing his identity as a small-time, regional theater director peeking around the curtain. His gift of musical humor pops out in Largo al factotum and in Papageno's aria, Ein Mädchen oder Weibchen. In Di provenza il mar, he's meltingly lyrical and achingly poignant. The diversity of roles on the CD leaves the listener eager to hear Keenlyside in a wider variety of complete operas. Ulf Schirmer leads the Münchner Rundfunkorchester in a fully responsive accompaniment. Sony's sound is clean and vibrant, with good balance.

© TiVo

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