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Matteo Cicchitti|Ricercare E Canzoni

Ricercare E Canzoni

Matteo Cicchitti

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The absolute protagonist of this recording is the solo viola da gamba which guides us on a musical journey from 1553 (Tratado de glosas by Diego Ortiz) to 1698/99 (Ricercare per diversi toni by Angelo Michele Bertalotti and The Complete Violist by Benjamin Hely). In so doing, it puts us in touch with a repertoire that may not be universally known, but still deserves to be discovered. Above all, it must be disclosed because it gives tangible testimonies that partially rectify some deep-rooted convictions about the viola da gamba. In fact, contrary to what is often believed, after blossoming in the Renaissance, this instrument did not leave the stage ex abrupto in the mid-17th century, crushed beneath the increasing weight of the cello. Instead, it continued to enjoy its own literature, certainly less striking but not less relevant. We are referring not only to the better-documented compositions for consort, but also to the solo repertoire which frequently had didactic and artistic value - often characterized by chamber allure due to its reserved nature. © Challenge Records

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Ricercare E Canzoni

Matteo Cicchitti

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1
Tratado del glosas, libro secondo (1553): Recercada Prima
00:02:30

Diego Ortiz, Composer - Matteo Cicchitti, MainArtist - Musica Elegentia, Orchestra

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

2
Tratado del glosas, libro secondo (1553): Recercada Segunda
00:02:14

Diego Ortiz, Composer - Matteo Cicchitti, MainArtist - Musica Elegentia, Orchestra

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

3
Tratado del glosas, libro secondo (1553): Recercada Tercera
00:02:04

Diego Ortiz, Composer - Matteo Cicchitti, MainArtist - Musica Elegentia, Orchestra

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

4
Tratado del glosas, libro secondo (1553): Recercada Quarta
00:01:57

Diego Ortiz, Composer - Matteo Cicchitti, MainArtist - Musica Elegentia, Orchestra

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

5
The First Part of Ayres, French, Pollish and others together … with Pavines, Galliards, and Almaines (1605): I. A Galiard
00:01:10

Tobias Hume, Composer - Matteo Cicchitti, MainArtist - Musica Elegentia, Orchestra

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

6
The First Part of Ayres, French, Pollish and others together … with Pavines, Galliards, and Almaines (1605): II. Love’s Almayne
00:02:36

Tobias Hume, Composer - Matteo Cicchitti, MainArtist - Musica Elegentia, Orchestra

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

7
The First Part of Ayres, French, Pollish and others together … with Pavines, Galliards, and Almaines (1605): III. A Toy
00:01:19

Tobias Hume, Composer - Matteo Cicchitti, MainArtist - Musica Elegentia, Orchestra

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

8
The First Part of Ayres, French, Pollish and others together … with Pavines, Galliards, and Almaines (1605): IV. A Merry Meeting
00:01:19

Tobias Hume, Composer - Matteo Cicchitti, MainArtist - Musica Elegentia, Orchestra

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

9
The First Part of Ayres, French, Pollish and others together … with Pavines, Galliards, and Almaines (1605): V. The Spirit of the Almayne
00:02:03

Tobias Hume, Composer - Matteo Cicchitti, MainArtist - Musica Elegentia, Orchestra

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

10
The First Part of Ayres, French, Pollish and others together … with Pavines, Galliards, and Almaines (1605): VI. My Mistresse Almaine
00:01:49

Tobias Hume, Composer - Matteo Cicchitti, MainArtist - Musica Elegentia, Orchestra

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

11
The Compleat Violist (1699): Psalm 100 & Psalm 92
00:01:30

Benjamin Hely, Composer - Matteo Cicchitti, MainArtist - Musica Elegentia, Orchestra

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

12
The Compleat Violist (1699): Minuet
00:01:10

Benjamin Hely, Composer - Matteo Cicchitti, MainArtist - Musica Elegentia, Orchestra

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

13
The Compleat Violist (1699): Ayre slowtime
00:01:31

Benjamin Hely, Composer - Matteo Cicchitti, MainArtist - Musica Elegentia, Orchestra

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

14
The Compleat Violist (1699): Bourrée
00:01:02

Benjamin Hely, Composer - Matteo Cicchitti, MainArtist - Musica Elegentia, Orchestra

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

15
Regole facilissime per apprendere con facilità e prestezza li canti fermo e figurato (1698): Ricercare Primo per contralto
00:00:49

Angelo Michele Bertalotti, Composer - Matteo Cicchitti, MainArtist - Musica Elegentia, Orchestra

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

16
Regole facilissime per apprendere con facilità e prestezza li canti fermo e figurato (1698): Ricercare Secondo per contralto
00:01:12

Angelo Michele Bertalotti, Composer - Matteo Cicchitti, MainArtist - Musica Elegentia, Orchestra

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

17
Regole facilissime per apprendere con facilità e prestezza li canti fermo e figurato (1698): Ricercare Terzo per contralto
00:01:30

Angelo Michele Bertalotti, Composer - Matteo Cicchitti, MainArtist - Musica Elegentia, Orchestra

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

18
Regole facilissime per apprendere con facilità e prestezza li canti fermo e figurato (1698): Ricercare Quarto per contralto
00:01:58

Angelo Michele Bertalotti, Composer - Matteo Cicchitti, MainArtist - Musica Elegentia, Orchestra

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

19
Regole facilissime per apprendere con facilità e prestezza li canti fermo e figurato (1698): Ricercare Quinto per contralto
00:01:31

Angelo Michele Bertalotti, Composer - Matteo Cicchitti, MainArtist - Musica Elegentia, Orchestra

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

20
Regole facilissime per apprendere con facilità e prestezza li canti fermo e figurato (1698): Ricercare Sesto per contralto
00:01:09

Angelo Michele Bertalotti, Composer - Matteo Cicchitti, MainArtist - Musica Elegentia, Orchestra

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

21
Regole facilissime per apprendere con facilità e prestezza li canti fermo e figurato (1698): Ricercare Settimo per contralto
00:00:53

Angelo Michele Bertalotti, Composer - Matteo Cicchitti, MainArtist - Musica Elegentia, Orchestra

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

22
Regole facilissime per apprendere con facilità e prestezza li canti fermo e figurato (1698): Ricercare Ottavo per contralto
00:01:24

Angelo Michele Bertalotti, Composer - Matteo Cicchitti, MainArtist - Musica Elegentia, Orchestra

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

23
Regole facilissime per apprendere con facilità e prestezza li canti fermo e figurato (1698): Ricercare Nono per contralto
00:01:21

Angelo Michele Bertalotti, Composer - Matteo Cicchitti, MainArtist - Musica Elegentia, Orchestra

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

24
Regole facilissime per apprendere con facilità e prestezza li canti fermo e figurato (1698): Ricercare Decimo per contralto
00:01:14

Angelo Michele Bertalotti, Composer - Matteo Cicchitti, MainArtist - Musica Elegentia, Orchestra

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

25
Regole facilissime per apprendere con facilità e prestezza li canti fermo e figurato (1698): Ricercare Primo per soprano
00:01:41

Angelo Michele Bertalotti, Composer - Matteo Cicchitti, MainArtist - Musica Elegentia, Orchestra

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

26
Regole facilissime per apprendere con facilità e prestezza li canti fermo e figurato (1698): Ricercare Terzo per soprano
00:01:43

Angelo Michele Bertalotti, Composer - Matteo Cicchitti, MainArtist - Musica Elegentia, Orchestra

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

27
Regole facilissime per apprendere con facilità e prestezza li canti fermo e figurato (1698): Ricercare Quarto per soprano
00:01:28

Angelo Michele Bertalotti, Composer - Matteo Cicchitti, MainArtist - Musica Elegentia, Orchestra

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

28
Regole facilissime per apprendere con facilità e prestezza li canti fermo e figurato (1698): Ricercare Sesto per soprano
00:01:48

Angelo Michele Bertalotti, Composer - Matteo Cicchitti, MainArtist - Musica Elegentia, Orchestra

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

29
Regole facilissime per apprendere con facilità e prestezza li canti fermo e figurato (1698): Ricercare Settimo per soprano
00:01:18

Angelo Michele Bertalotti, Composer - Matteo Cicchitti, MainArtist - Musica Elegentia, Orchestra

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

30
Regole facilissime per apprendere con facilità e prestezza li canti fermo e figurato (1698): Ricercare Ottavo per soprano
00:01:31

Angelo Michele Bertalotti, Composer - Matteo Cicchitti, MainArtist - Musica Elegentia, Orchestra

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

31
Regole facilissime per apprendere con facilità e prestezza li canti fermo e figurato (1698): Ricercare Nono per soprano
00:01:30

Angelo Michele Bertalotti, Composer - Matteo Cicchitti, MainArtist - Musica Elegentia, Orchestra

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

32
Regole facilissime per apprendere con facilità e prestezza li canti fermo e figurato (1698): Ricercare Decimo per soprano
00:01:18

Angelo Michele Bertalotti, Composer - Matteo Cicchitti, MainArtist - Musica Elegentia, Orchestra

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

33
Regole facilissime per apprendere con facilità e prestezza li canti fermo e figurato (1698): Ricercare Undecimo per soprano
00:01:27

Angelo Michele Bertalotti, Composer - Matteo Cicchitti, MainArtist - Musica Elegentia, Orchestra

(C) 2022 Challenge Classics (P) 2022 Challenge Classics

Album review

The absolute protagonist of this recording is the solo viola da gamba which guides us on a musical journey from 1553 (Tratado de glosas by Diego Ortiz) to 1698/99 (Ricercare per diversi toni by Angelo Michele Bertalotti and The Complete Violist by Benjamin Hely). In so doing, it puts us in touch with a repertoire that may not be universally known, but still deserves to be discovered. Above all, it must be disclosed because it gives tangible testimonies that partially rectify some deep-rooted convictions about the viola da gamba. In fact, contrary to what is often believed, after blossoming in the Renaissance, this instrument did not leave the stage ex abrupto in the mid-17th century, crushed beneath the increasing weight of the cello. Instead, it continued to enjoy its own literature, certainly less striking but not less relevant. We are referring not only to the better-documented compositions for consort, but also to the solo repertoire which frequently had didactic and artistic value - often characterized by chamber allure due to its reserved nature. © Challenge Records

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(C) 2022 Challenge Classics (P) 2022 Challenge Classics

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