Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
This album is a landmark in the history of the obsessive, alienating subgenre known as technical death metal. Musically breathtaking, it's even more astonishing when one learns that the whole thing was played (and, in the case of the drums, programmed) by one guy, Muhammed Suiçmez. In much the same way as electronic music composers like Squarepusher and Aphex Twin, Suiçmez composed his ultra-complex songs in solitude; consequently the album documents his singular obsessions. Lyrically, he stays within traditional death metal territory, grunting and roaring about violence, cannibalism, and horrifying bodily mutations, and his voice is the usual guttural growl. It's the guitar and bass riffs (there are a few solo bass breaks thrown in, as if to prove his mastery of the instrument is equal to his guitar skill) that make the album the landmark it is. They spiral and twist in every direction, repeated often enough to give each song a unique identity (something not every technical death metal band remembers to do) and perfectly setting up the solos, which are fluid and hyperbolic without being wanky or ridiculous -- at least, not by the standards of the genre. Indeed, the classically influenced guitar soloing on "Fermented Offal Discharge," the album's closing track, is quite beautiful in an Yngwie Malmsteen sort of way. The programmed drums never sound like a real human hitting things with sticks, but they're sufficiently complex and hammering that they don't let down the material, either. Two bonus tracks, culled from a 1995 demo recorded with actual backing musicians, offer a slightly looser but no less powerful vision of the band.
© Phil Freeman /TiVo
You are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
Listen to this playlist and more than 100 million songs with our unlimited streaming plans.
From €13,50/month
Unknown, Composer - Necrophagist, MainArtist
℗ 1900 Unknown At Takeon
Unknown, Composer - Necrophagist, MainArtist
℗ 1900 Unknown At Takeon
Unknown, Composer - Necrophagist, MainArtist
℗ 1900 Unknown At Takeon
Unknown, Composer - Necrophagist, MainArtist
℗ 1900 Unknown At Takeon
Unknown, Composer - Necrophagist, MainArtist
℗ 1900 Unknown At Takeon
Unknown, Composer - Necrophagist, MainArtist
℗ 1900 Unknown At Takeon
Unknown, Composer - Necrophagist, MainArtist
℗ 1900 Unknown At Takeon
Unknown, Composer - Necrophagist, MainArtist
℗ 1900 Unknown At Takeon
Unknown, Composer - Necrophagist, MainArtist
℗ 1900 Unknown At Takeon
Unknown, Composer - Necrophagist, MainArtist
℗ 1900 Unknown At Takeon
Album review
This album is a landmark in the history of the obsessive, alienating subgenre known as technical death metal. Musically breathtaking, it's even more astonishing when one learns that the whole thing was played (and, in the case of the drums, programmed) by one guy, Muhammed Suiçmez. In much the same way as electronic music composers like Squarepusher and Aphex Twin, Suiçmez composed his ultra-complex songs in solitude; consequently the album documents his singular obsessions. Lyrically, he stays within traditional death metal territory, grunting and roaring about violence, cannibalism, and horrifying bodily mutations, and his voice is the usual guttural growl. It's the guitar and bass riffs (there are a few solo bass breaks thrown in, as if to prove his mastery of the instrument is equal to his guitar skill) that make the album the landmark it is. They spiral and twist in every direction, repeated often enough to give each song a unique identity (something not every technical death metal band remembers to do) and perfectly setting up the solos, which are fluid and hyperbolic without being wanky or ridiculous -- at least, not by the standards of the genre. Indeed, the classically influenced guitar soloing on "Fermented Offal Discharge," the album's closing track, is quite beautiful in an Yngwie Malmsteen sort of way. The programmed drums never sound like a real human hitting things with sticks, but they're sufficiently complex and hammering that they don't let down the material, either. Two bonus tracks, culled from a 1995 demo recorded with actual backing musicians, offer a slightly looser but no less powerful vision of the band.
© Phil Freeman /TiVo
About the album
- 1 disc(s) - 10 track(s)
- Total length: 00:42:04
- Main artists: Necrophagist
- Composer: Unknown
- Label: WILLOWTIP INC. (WTP)
- Genre: Metal
© 2004 Willowtip Records ℗ 2004 Willowtip Records
Improve album informationWhy buy on Qobuz...
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.