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The name of the composer Jan Dismas Zelenka (1679-1745) was nothing more than a footnote in a few scholarly dictionaries, before the great oboist Heinz Holliger discovered – and in 1972, along with Maurice Bourgue, recorded – all his sonatas in trios for two oboes and continuo. A great composer who had been swallowed up over the years was suddenly revealed. Following this discovery, many musicians and musicologists have been working steadily to excavate the music of an author who became the most important Czech composer of the baroque period.
As was often the case with composers of his time, Zelenka's catalogue runs to a considerable size, consisting mainly of religious music, with twenty-three Masses and three Requiems. Bach knew his peer and respected him, although their music is very different: one with its Lutheran origins and the other with a fervent Catholicism which brings the Czech's work a passionate charge and a more emotional expression than the austerity of the Leipzig master.
At the head of his Collegium Vocale 1704, Václav Luks is continuing his work around Zelenka, this time bringing us an imaginary mass based on various psalms composed around the year 1724. It is a showcase for works which are original both in terms of their expressive power (with bold chromatisms) and their varied instrumentation featuring trombones and a rich continuo. © François Hudry/Qobuz
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Kyrie, Sanctus & Agnus Dei, ZWV 26 (Jan Dismas Zelenka)
Jan Dismas Zelenka, Composer - Collegium Vocale 1704, Ensemble - Vaclav Luks, Conductor - Collegium 1704, Ensemble, MainArtist
(C) 2020 Accent (P) 2020 Accent
Jan Dismas Zelenka, Composer - Aldona Bartnik, Artist, MainArtist - Collegium Vocale 1704, Ensemble - Vaclav Luks, Conductor - Collegium 1704, Ensemble - Václav Čížek, Artist - Tomáš Šelc, Artist - Kamila Mazalová, Artist
(C) 2020 Accent (P) 2020 Accent
Jan Dismas Zelenka, Composer - Collegium Vocale 1704, Ensemble - Vaclav Luks, Conductor - Collegium 1704, Ensemble, MainArtist
(C) 2020 Accent (P) 2020 Accent
Gloria, ZWV 30 (Jan Dismas Zelenka)
Jan Dismas Zelenka, Composer - Collegium Vocale 1704, Ensemble - Vaclav Luks, Conductor - Collegium 1704, Ensemble - Kamila Mazalová, Artist - Lucía Caihuela, Artist, MainArtist
(C) 2020 Accent (P) 2020 Accent
Jan Dismas Zelenka, Composer - Vaclav Luks, Conductor - Collegium 1704, Ensemble - Václav Čížek, Artist, MainArtist
(C) 2020 Accent (P) 2020 Accent
Jan Dismas Zelenka, Composer - Collegium Vocale 1704, Ensemble - Vaclav Luks, Conductor - Collegium 1704, Ensemble - Jeanne Mendoche, Artist, MainArtist
(C) 2020 Accent (P) 2020 Accent
Jan Dismas Zelenka, Composer - Vaclav Luks, Conductor - Collegium 1704, Ensemble - Aneta Petrasová, Artist - Jeanne Mendoche, Artist, MainArtist
(C) 2020 Accent (P) 2020 Accent
Jan Dismas Zelenka, Composer - Collegium Vocale 1704, Ensemble - Vaclav Luks, Conductor - Collegium 1704, Ensemble, MainArtist
(C) 2020 Accent (P) 2020 Accent
Jan Dismas Zelenka, Composer - Vaclav Luks, Conductor - Collegium 1704, Ensemble - Tomáš Šelc, Artist, MainArtist
(C) 2020 Accent (P) 2020 Accent
Jan Dismas Zelenka, Composer - Collegium Vocale 1704, Ensemble - Vaclav Luks, Conductor - Collegium 1704, Ensemble, MainArtist
(C) 2020 Accent (P) 2020 Accent
Credo, ZWV 32 (Jan Dismas Zelenka)
Jan Dismas Zelenka, Composer - Collegium Vocale 1704, Ensemble - Vaclav Luks, Conductor - Collegium 1704, Ensemble, MainArtist
(C) 2020 Accent (P) 2020 Accent
Jan Dismas Zelenka, Composer - Collegium Vocale 1704, Ensemble - Vaclav Luks, Conductor - Collegium 1704, Ensemble, MainArtist
(C) 2020 Accent (P) 2020 Accent
Jan Dismas Zelenka, Composer - Collegium Vocale 1704, Ensemble - Vaclav Luks, Conductor - Collegium 1704, Ensemble, MainArtist
(C) 2020 Accent (P) 2020 Accent
Jan Dismas Zelenka, Composer - Collegium Vocale 1704, Ensemble - Vaclav Luks, Conductor - Collegium 1704, Ensemble, MainArtist
(C) 2020 Accent (P) 2020 Accent
Kyrie, Sanctus & Agnus Dei, ZWV 26 (Jan Dismas Zelenka)
Jan Dismas Zelenka, Composer - Collegium Vocale 1704, Ensemble - Vaclav Luks, Conductor - Collegium 1704, Ensemble, MainArtist
(C) 2020 Accent (P) 2020 Accent
Jan Dismas Zelenka, Composer - Collegium Vocale 1704, Ensemble - Vaclav Luks, Conductor - Collegium 1704, Ensemble, MainArtist
(C) 2020 Accent (P) 2020 Accent
Jan Dismas Zelenka, Composer - Collegium Vocale 1704, Ensemble - Vaclav Luks, Conductor - Collegium 1704, Ensemble, MainArtist
(C) 2020 Accent (P) 2020 Accent
Jan Dismas Zelenka, Composer - Unknown Artist, Artist - Collegium Vocale 1704, Ensemble - Vaclav Luks, Conductor - Collegium 1704, Ensemble, MainArtist
(C) 2020 Accent (P) 2020 Accent
Jan Dismas Zelenka, Composer - Collegium Vocale 1704, Ensemble - Vaclav Luks, Conductor - Collegium 1704, Ensemble, MainArtist
(C) 2020 Accent (P) 2020 Accent
Salve Regina, ZWV 137 (Jan Dismas Zelenka)
Jan Dismas Zelenka, Composer - Collegium Vocale 1704, Ensemble - Vaclav Luks, Conductor - Collegium 1704, Ensemble - Benjamin Glaubitz, Artist - Tomáš Šelc, Artist - Aneta Petrasová, Artist - Lucía Caihuela, Artist, MainArtist
(C) 2020 Accent (P) 2020 Accent
Album review
The name of the composer Jan Dismas Zelenka (1679-1745) was nothing more than a footnote in a few scholarly dictionaries, before the great oboist Heinz Holliger discovered – and in 1972, along with Maurice Bourgue, recorded – all his sonatas in trios for two oboes and continuo. A great composer who had been swallowed up over the years was suddenly revealed. Following this discovery, many musicians and musicologists have been working steadily to excavate the music of an author who became the most important Czech composer of the baroque period.
As was often the case with composers of his time, Zelenka's catalogue runs to a considerable size, consisting mainly of religious music, with twenty-three Masses and three Requiems. Bach knew his peer and respected him, although their music is very different: one with its Lutheran origins and the other with a fervent Catholicism which brings the Czech's work a passionate charge and a more emotional expression than the austerity of the Leipzig master.
At the head of his Collegium Vocale 1704, Václav Luks is continuing his work around Zelenka, this time bringing us an imaginary mass based on various psalms composed around the year 1724. It is a showcase for works which are original both in terms of their expressive power (with bold chromatisms) and their varied instrumentation featuring trombones and a rich continuo. © François Hudry/Qobuz
About the album
- 1 disc(s) - 20 track(s)
- Total length: 00:54:01
- 1 Digital booklet
- Main artists: Collegium 1704
- Composer: Jan Dismas Zelenka
- Label: Accent
- Genre: Classical Vocal Music (Secular and Sacred) Choral Music (Choirs)
(C) 2020 Accent (P) 2020 Accent
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