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Danny Wilson|Meet Danny Wilson

Meet Danny Wilson

Danny Wilson
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There's a cult of Meet Danny Wilson lovers and if you ever ask them about the album, a Steely Dan comparison is bound to come up. It's not without merit, and considering that the other bands the album might remind you of -- Deacon Blue and Fairground Attraction -- aren't on the tip of much of anyone's tongue, Steely Dan is at close as it comes. But the Dan never sounded this lively, this exuberant, this finger-snapping. If that makes them sound light as feather, keep in mind that Lloyd Cole loves this record. Head songwriter Gary Clark shares some of Cole's love of literate and clever lyrics that fit just right with the notes they land on, but he prefers a horn-section blast to Cole's guitar jangle (plus Clark has more Jimmy Van Heusen records than Cole does, no doubt). The sweet "Mary's Prayer" is the almost-hit, barely making enough impact to call the band a one-hit wonder. It's only part of the story for an album that effortlessly hurls clever arrangements and lyrical stingers out of the speakers. Opening with the syncopated and humble "Davy" and then switching to the Vegas hipster, Bobby Darin-for-the-'80s "Aberdeen" makes for a killer opening, and the album keeps minding the pace. The transition from the dreamy "Steamtrains to the Milky Way" to the intentionally clunky instrumental "Spencer-Tracey" might remind you of the old A-side/B-side record/tape flip, and "Ruby's Golden Wedding" is prime Salvation Army band material. The shuffling "A Girl I Used to Know" -- all standup bass and brushes on the drums -- should've been as big as "Mary's Prayer," but apparently American radio only had so much tolerance for a brainy Swing Out Sister. The ending of the album leaves the listener hanging and hungry for more as the last meandering piano fades, but Danny Wilson were hit hard by the sophomore jinx and never recovered. If anyone ever reissues the album with the band's wonderful live version of ABBA's "Knowing Me, Knowing You," it'll be perfect. Sophisti-pop's Sgt. Pepper's; believe it.

© David Jeffries /TiVo

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Meet Danny Wilson

Danny Wilson

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1
Davy
00:03:29

GARY CLARK, Composer, Vocalist, AssociatedPerformer - Dick Beetham, Engineer, StudioPersonnel - Stephen Chase, Engineer, StudioPersonnel - Jeremy Allom, Engineer, StudioPersonnel - Danny Wilson, MainArtist - Allan McGlone, Engineer, StudioPersonnel - Ged Grimes, AssociatedPerformer, Bass (Vocal) - Kit Clark, Keyboards, AssociatedPerformer - Akili Walker, Engineer, StudioPersonnel - Dace Bascombe, Producer

(C) 1987 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1987 Virgin Records Ltd ℗ 1987 Virgin Records Limited

2
Aberdeen
00:02:26

Howard Gray, Producer - GARY CLARK, Composer - Dick Beetham, Engineer, StudioPersonnel - Stephen Chase, Engineer, StudioPersonnel - Jeremy Allom, Engineer, StudioPersonnel - Danny Wilson, MainArtist - Allan McGlone, Engineer, StudioPersonnel - Akili Walker, Engineer, StudioPersonnel

(C) 1987 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1987 Virgin Records Ltd ℗ 1987 Virgin Records Limited

3
Mary's Prayer
00:03:54

Dave Bascombe, Producer - GARY CLARK, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Peter Cobbin, Mixer, Engineer, StudioPersonnel - Geoff Dugmore, Drums, AssociatedPerformer - Danny Wilson, MainArtist - Kit Clark, Guitar, Vocals, AssociatedPerformer - Gerard Grimes, Bass Guitar, Vocals, AssociatedPerformer

(C) 1987 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1987 Virgin Records Ltd ℗ 1987 Virgin Records Limited

4
Lorraine Parade
00:03:43

Dave Bascombe, Producer - GARY CLARK, Composer - Dick Beetham, Engineer, StudioPersonnel - Stephen Chase, Engineer, StudioPersonnel - Jeremy Allom, Engineer, StudioPersonnel - Danny Wilson, MainArtist - Allan McGlone, Engineer, StudioPersonnel - Akili Walker, Engineer, StudioPersonnel

(C) 1987 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1987 Virgin Records Ltd ℗ 1987 Virgin Records Limited

5
Nothing Ever Goes To Plan
00:03:48

Howard Gray, Producer - GARY CLARK, Composer, Vocalist, AssociatedPerformer - Danny Wilson, MainArtist - Ged Grimes, Bass Guitar, AssociatedPerformer - Kit Clark, Keyboards, AssociatedPerformer

(C) 1987 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1987 Virgin Records Ltd ℗ 1987 Virgin Records Limited

6
Broken China
00:04:26

Howard Gray, Producer - GARY CLARK, Composer - Dick Beetham, Engineer, StudioPersonnel - Stephen Chase, Engineer, StudioPersonnel - Jeremy Allom, Engineer, StudioPersonnel - Danny Wilson, MainArtist - Allan McGlone, Engineer, StudioPersonnel - Akili Walker, Engineer, StudioPersonnel

(C) 1987 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1987 Virgin Records Ltd ℗ 1987 Virgin Records Limited

7
Steamtrains To The Milky Way
00:04:30

Dave Bascombe, Producer - GARY CLARK, Composer - Dick Beetham, Engineer, StudioPersonnel - Stephen Chase, Engineer, StudioPersonnel - Jeremy Allom, Engineer, StudioPersonnel - Danny Wilson, MainArtist - Allan McGlone, Engineer, StudioPersonnel - Akili Walker, Engineer, StudioPersonnel

(C) 1987 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1987 Virgin Records Ltd ℗ 1987 Virgin Records Limited

8
Spencer-Tracey
00:01:32

Howard Gray, Producer - GARY CLARK, Composer - Dick Beetham, Engineer, StudioPersonnel - Stephen Chase, Engineer, StudioPersonnel - Jeremy Allom, Engineer, StudioPersonnel - Danny Wilson, MainArtist - Allan McGlone, Engineer, StudioPersonnel - Akili Walker, Engineer, StudioPersonnel

(C) 1987 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1987 Virgin Records Ltd ℗ 1987 Virgin Records Limited

9
You Remain An Angel
00:04:52

Howard Gray, Producer - GARY CLARK, Composer - Dick Beetham, Engineer, StudioPersonnel - Stephen Chase, Engineer, StudioPersonnel - Jeremy Allom, Engineer, StudioPersonnel - Danny Wilson, MainArtist - Allan McGlone, Engineer, StudioPersonnel - Akili Walker, Engineer, StudioPersonnel

(C) 1987 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1987 Virgin Records Ltd ℗ 1987 Virgin Records Limited

10
Ruby's Golden Wedding
00:03:11

Howard Gray, Producer - GARY CLARK, Composer - Dick Beetham, Engineer, StudioPersonnel - Stephen Chase, Engineer, StudioPersonnel - Jeremy Allom, Engineer, StudioPersonnel - Danny Wilson, MainArtist - Allan McGlone, Engineer, StudioPersonnel - Akili Walker, Engineer, StudioPersonnel

(C) 1987 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1987 Virgin Records Ltd ℗ 1987 Virgin Records Limited

11
A Girl I Used To Know
00:03:50

GARY CLARK, Composer, Vocalist, AssociatedPerformer - Dick Beetham, Engineer, StudioPersonnel - Stephen Chase, Engineer, StudioPersonnel - Jeremy Allom, Engineer, StudioPersonnel - Danny Wilson, MainArtist - Glen Skinner, Producer - Allan McGlone, Engineer, StudioPersonnel - Ged Grimes, AssociatedPerformer, Bass (Vocal) - Kit Clark, Keyboards, AssociatedPerformer - Akili Walker, Engineer, StudioPersonnel

(C) 1987 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1987 Virgin Records Ltd ℗ 1987 Virgin Records Limited

12
Five Friendly Aliens
00:04:59

Howard Gray, Producer - GARY CLARK, Composer - Dick Beetham, Engineer, StudioPersonnel - Stephen Chase, Engineer, StudioPersonnel - Jeremy Allom, Engineer, StudioPersonnel - Danny Wilson, MainArtist - Allan McGlone, Engineer, StudioPersonnel - Akili Walker, Engineer, StudioPersonnel

(C) 1987 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1987 Virgin Records Ltd ℗ 1987 Virgin Records Limited

13
I Won't Be Here When You Get Home
00:04:04

Howard Gray, Producer - GARY CLARK, Composer - Dick Beetham, Engineer, StudioPersonnel - Stephen Chase, Engineer, StudioPersonnel - Jeremy Allom, Engineer, StudioPersonnel - Danny Wilson, MainArtist - Allan McGlone, Engineer, StudioPersonnel - Akili Walker, Engineer, StudioPersonnel

(C) 1987 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1987 Virgin Records Ltd ℗ 1987 Virgin Records Limited

Album review

There's a cult of Meet Danny Wilson lovers and if you ever ask them about the album, a Steely Dan comparison is bound to come up. It's not without merit, and considering that the other bands the album might remind you of -- Deacon Blue and Fairground Attraction -- aren't on the tip of much of anyone's tongue, Steely Dan is at close as it comes. But the Dan never sounded this lively, this exuberant, this finger-snapping. If that makes them sound light as feather, keep in mind that Lloyd Cole loves this record. Head songwriter Gary Clark shares some of Cole's love of literate and clever lyrics that fit just right with the notes they land on, but he prefers a horn-section blast to Cole's guitar jangle (plus Clark has more Jimmy Van Heusen records than Cole does, no doubt). The sweet "Mary's Prayer" is the almost-hit, barely making enough impact to call the band a one-hit wonder. It's only part of the story for an album that effortlessly hurls clever arrangements and lyrical stingers out of the speakers. Opening with the syncopated and humble "Davy" and then switching to the Vegas hipster, Bobby Darin-for-the-'80s "Aberdeen" makes for a killer opening, and the album keeps minding the pace. The transition from the dreamy "Steamtrains to the Milky Way" to the intentionally clunky instrumental "Spencer-Tracey" might remind you of the old A-side/B-side record/tape flip, and "Ruby's Golden Wedding" is prime Salvation Army band material. The shuffling "A Girl I Used to Know" -- all standup bass and brushes on the drums -- should've been as big as "Mary's Prayer," but apparently American radio only had so much tolerance for a brainy Swing Out Sister. The ending of the album leaves the listener hanging and hungry for more as the last meandering piano fades, but Danny Wilson were hit hard by the sophomore jinx and never recovered. If anyone ever reissues the album with the band's wonderful live version of ABBA's "Knowing Me, Knowing You," it'll be perfect. Sophisti-pop's Sgt. Pepper's; believe it.

© David Jeffries /TiVo

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