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Marvin Sease|Marvin Sease

Marvin Sease

Marvin Sease

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Marvin Sease hadn't quite perfected his vulgar soul on his eponymous debut album, but he certainly hinted at his new direction with the epic "Candy Licker." That final number pointed the way to the sex-drenched future, but the remainder of the album was relatively tame, as Sease just concentrated on sweaty Southern soul. He may not have found his gimmick, but he was nevertheless a good singer, and since it shies away from carnality, the album may actually be preferable to his later work for more conservative soul fans.

© Thom Owens /TiVo

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Marvin Sease

Marvin Sease

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1
Double Crosser (Album Version)
00:04:47

Marvin Sease, Producer, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1987 UMG Recordings, Inc.

2
Let's Get Married Today
00:05:51

Marvin Sease, Producer, MainArtist, ComposerLyricist

℗ 1987 The Island Def Jam Music Group

3
Love Me Or Leave Me
00:04:27

Marvin Sease, Producer, MainArtist, ComposerLyricist

℗ 1987 The Island Def Jam Music Group

4
Ghetto Man
00:06:23

Marvin Sease, Producer, MainArtist, ComposerLyricist

℗ 1986 The Island Def Jam Music Group

5
You're Number One
00:05:18

Marvin Sease, Producer, MainArtist, ComposerLyricist

℗ 1987 The Island Def Jam Music Group

6
Dreaming
00:04:18

Marvin Sease, Producer, MainArtist, ComposerLyricist

℗ 1987 The Island Def Jam Music Group

7
Candy Licker (Album Version) Explicit
00:09:59

Marvin Sease, Producer, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1986 UMG Recordings, Inc.

Album review

Marvin Sease hadn't quite perfected his vulgar soul on his eponymous debut album, but he certainly hinted at his new direction with the epic "Candy Licker." That final number pointed the way to the sex-drenched future, but the remainder of the album was relatively tame, as Sease just concentrated on sweaty Southern soul. He may not have found his gimmick, but he was nevertheless a good singer, and since it shies away from carnality, the album may actually be preferable to his later work for more conservative soul fans.

© Thom Owens /TiVo

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