Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
Shannon Wright's debut album, Flightsafety, positioned her as a sensitive, talented purveyor of melancholy, Elliott Smith-styled indie folk. The quiet intensity underpinning Flightsafety bubbles to the surface on its follow-up, Maps of Tacit, a bold and startling leap into uncharted territory. Although the album begins in a relatively similar style, by the halfway point it's apparent that Wright is drawing just as much on the dissonant art-song of theatrical composer Kurt Weill and the minimalist instrumentation of latter-day Tom Waits (sans junkyard percussion); the more carnival-esque work of Lisa Germano is perhaps the best comparison, and the wilder moments might even recall German art rock chanteuse Dagmar Krause for some. The differences are apparent on the re-recording of Flightsafety's "Heavy Crown," now overtly rather than vaguely unsettling; where the original relied on its creeping chordal lines for impact, here Wright wails the chorus with a newfound power, climaxing in an apocalyptic scream that provides one of the record's most intense moments. Yet that shouldn't be taken to mean that Wright has thrown off all restraint or nuance; quite the contrary, she simply sounds more confident, her live performances having informed the sharper emotional contrasts in her music. The intensity of Maps of Tacit feels cathartic rather than tortured, and it makes Wright's experiments with sonic texture all the more exciting and fresh. That's especially true of the pieces utilizing harmonium or Wurlitzer organ; their frequently aggressive dissonance hangs in the air behind Wright with an eerie, almost spectral quality. If the album has a flaw, it's that the second half's shorter, sometimes instrumental pieces could perhaps have been fleshed out into something more complete-sounding; still, they at least fit the atmosphere well. Overall, Maps of Tacit finds Wright growing more adventurous both as a composer and performer; it's a dark and challenging work, yet it isn't off-putting or overly harrowing, and its bracing experimentalism and originality suggest even greater things to come.
© Steve Huey /TiVo
You are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
Listen to this playlist and more than 100 million songs with our unlimited streaming plans.
From €13,50/month
Shannon Wright, Artist, MainArtist - Tu-Tu 68 Music (BMI), MusicPublisher
2000 Quarterstick Records 2000 Quarterstick Records
Shannon Wright, Artist, MainArtist - Tu-Tu 68 Music (BMI), MusicPublisher
2000 Quarterstick Records 2000 Quarterstick Records
Shannon Wright, Artist, MainArtist - Tu-Tu 68 Music (BMI), MusicPublisher
2000 Quarterstick Records 2000 Quarterstick Records
Shannon Wright, Artist, MainArtist - Tu-Tu 68 Music (BMI), MusicPublisher
2000 Quarterstick Records 2000 Quarterstick Records
Shannon Wright, Artist, MainArtist - Tu-Tu 68 Music (BMI), MusicPublisher
2000 Quarterstick Records 2000 Quarterstick Records
Shannon Wright, Artist, MainArtist - Tu-Tu 68 Music (BMI), MusicPublisher
2000 Quarterstick Records 2000 Quarterstick Records
Shannon Wright, Artist, MainArtist - Tu-Tu 68 Music (BMI), MusicPublisher
2000 Quarterstick Records 2000 Quarterstick Records
Shannon Wright, Artist, MainArtist - Tu-Tu 68 Music (BMI), MusicPublisher
2000 Quarterstick Records 2000 Quarterstick Records
Shannon Wright, Artist, MainArtist - Tu-Tu 68 Music (BMI), MusicPublisher
2000 Quarterstick Records 2000 Quarterstick Records
Shannon Wright, Artist, MainArtist - Tu-Tu 68 Music (BMI), MusicPublisher
2000 Quarterstick Records 2000 Quarterstick Records
Shannon Wright, Artist, MainArtist - Tu-Tu 68 Music (BMI), MusicPublisher
2000 Quarterstick Records 2000 Quarterstick Records
Shannon Wright, Artist, MainArtist - Tu-Tu 68 Music (BMI), MusicPublisher
2000 Quarterstick Records 2000 Quarterstick Records
Album review
Shannon Wright's debut album, Flightsafety, positioned her as a sensitive, talented purveyor of melancholy, Elliott Smith-styled indie folk. The quiet intensity underpinning Flightsafety bubbles to the surface on its follow-up, Maps of Tacit, a bold and startling leap into uncharted territory. Although the album begins in a relatively similar style, by the halfway point it's apparent that Wright is drawing just as much on the dissonant art-song of theatrical composer Kurt Weill and the minimalist instrumentation of latter-day Tom Waits (sans junkyard percussion); the more carnival-esque work of Lisa Germano is perhaps the best comparison, and the wilder moments might even recall German art rock chanteuse Dagmar Krause for some. The differences are apparent on the re-recording of Flightsafety's "Heavy Crown," now overtly rather than vaguely unsettling; where the original relied on its creeping chordal lines for impact, here Wright wails the chorus with a newfound power, climaxing in an apocalyptic scream that provides one of the record's most intense moments. Yet that shouldn't be taken to mean that Wright has thrown off all restraint or nuance; quite the contrary, she simply sounds more confident, her live performances having informed the sharper emotional contrasts in her music. The intensity of Maps of Tacit feels cathartic rather than tortured, and it makes Wright's experiments with sonic texture all the more exciting and fresh. That's especially true of the pieces utilizing harmonium or Wurlitzer organ; their frequently aggressive dissonance hangs in the air behind Wright with an eerie, almost spectral quality. If the album has a flaw, it's that the second half's shorter, sometimes instrumental pieces could perhaps have been fleshed out into something more complete-sounding; still, they at least fit the atmosphere well. Overall, Maps of Tacit finds Wright growing more adventurous both as a composer and performer; it's a dark and challenging work, yet it isn't off-putting or overly harrowing, and its bracing experimentalism and originality suggest even greater things to come.
© Steve Huey /TiVo
About the album
- 1 disc(s) - 12 track(s)
- Total length: 00:32:20
- Main artists: Shannon Wright
- Label: Quarterstick Records
- Genre: Pop/Rock Rock Alternative & Indie
2000 Quarterstick Records 2000 Quarterstick Records
Improve album informationWhy buy on Qobuz...
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.