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Davell Crawford wore a variety of hats in the 1990s. While The B-3 and Me presented him as a soul-jazz organist in the Jimmy Smith/Jack McDuff vein, he was a New Orleans-type R&B/gospel pianist and vocalist on Let Them Talk. But on his equally decent third album, Love Like Yours and Mine, Crawford's primary role is that of a jazz singer/pianist with strong gospel and R&B sensibilities. Crawford's singing on Let Them Talk inspired comparisons to Fats Domino and Professor Longhair -- here, he comes across as an interesting mixture of Carmen McRae and Stevie Wonder. That might be hard to imagine, but on standards like "Everything Must Change," "Who Can I Turn To" and "Fly Me to the Moon," that combination of influences seems quite logical. One of the high points of the CD, however, is an instrumental version of Major Harris' "Love Won't Let Me Wait." While Harris and Luther Vandross approached the song as a Northern soul ballad, Crawford approaches it as a trio pianist and gives it a Gene Harris meets Ray Bryant type of ambiance. And he successfully changes the Beatles' "Let It Be" from pop-rock to gospel-drenched R&B. With Love Like Yours and Mine, Crawford's versatility continued to serve him well.
© Alex Henderson /TiVo
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Bart Howard, ComposerLyricist - Tom Coyne, Mastering Engineer, StudioPersonnel - Davell Crawford, Producer, Keyboards, Piano, Vocals, MainArtist, AssociatedPerformer - Jim Albert, Recording Engineer, Mix Engineer, StudioPersonnel - Mark Brooks, Upright Bass, Electric Bass, AssociatedPerformer - Scott Billington, Producer - Shannon Powell, Drums, AssociatedPerformer
℗ 1999 Rounder Records, a division of Concord Music Group, Inc.
Tom Coyne, Mastering Engineer, StudioPersonnel - Davell Crawford, Producer, Keyboards, Piano, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Jim Albert, Recording Engineer, Mix Engineer, StudioPersonnel - Mark Brooks, Upright Bass, Electric Bass, AssociatedPerformer - Scott Billington, Producer - Shannon Powell, Drums, AssociatedPerformer
℗ 1999 Rounder Records, a division of Concord Music Group, Inc.
Tom Coyne, Mastering Engineer, StudioPersonnel - Davell Crawford, Producer, Additional Keyboards, Piano, MainArtist, AssociatedPerformer, ComposerLyricist - Jim Albert, Recording Engineer, Mix Engineer, StudioPersonnel - Mark Brooks, Upright Bass, Electric Bass, AssociatedPerformer - Scott Billington, Producer - Shannon Powell, Drums, AssociatedPerformer - Thaddeus Richard, Flute, AssociatedPerformer
℗ 1999 Rounder Records, a division of Concord Music Group, Inc.
Tom Coyne, Mastering Engineer, StudioPersonnel - Herb Ellis, ComposerLyricist - Lou Carter, ComposerLyricist - Davell Crawford, Producer, Keyboards, Piano, Vocals, MainArtist, AssociatedPerformer - Jim Albert, Recording Engineer, Mix Engineer, StudioPersonnel - Mark Brooks, Upright Bass, Electric Bass, AssociatedPerformer - Henry Butler, Piano, AssociatedPerformer - Scott Billington, Producer - Shannon Powell, Drums, AssociatedPerformer - John Freigo, ComposerLyricist
℗ 1999 Rounder Records, a division of Concord Music Group, Inc.
Bernard Ighner, ComposerLyricist - Tom Coyne, Mastering Engineer, StudioPersonnel - Davell Crawford, Producer, Keyboards, Piano, Vocals, MainArtist, AssociatedPerformer - Jim Albert, Recording Engineer, Mix Engineer, StudioPersonnel - Scott Billington, Producer
℗ 1999 Rounder Records, a division of Concord Music Group, Inc.
Tom Coyne, Mastering Engineer, StudioPersonnel - Charles Smalls, ComposerLyricist - Davell Crawford, Producer, Keyboards, Piano, Vocals, MainArtist, AssociatedPerformer - Jim Albert, Recording Engineer, Mix Engineer, StudioPersonnel - Mark Brooks, Upright Bass, Electric Bass, AssociatedPerformer - Scott Billington, Producer - Shannon Powell, Drums, AssociatedPerformer
℗ 1999 Rounder Records, a division of Concord Music Group, Inc.
Vinnie Barrett, ComposerLyricist - Bobby Eli, ComposerLyricist - Tom Coyne, Mastering Engineer, StudioPersonnel - Davell Crawford, Producer, Keyboards, Piano, MainArtist, AssociatedPerformer - Jim Albert, Recording Engineer, Mix Engineer, StudioPersonnel - Mark Brooks, Upright Bass, Electric Bass, AssociatedPerformer - Scott Billington, Producer - Shannon Powell, Drums, AssociatedPerformer
℗ 1999 Rounder Records, a division of Concord Music Group, Inc.
Tom Coyne, Mastering Engineer, StudioPersonnel - Composer Unknown, ComposerLyricist - Davell Crawford, Producer, Keyboards, Piano, Vocals, MainArtist, AssociatedPerformer - Jim Albert, Recording Engineer, Mix Engineer, StudioPersonnel - Scott Billington, Producer
℗ 1999 Rounder Records, a division of Concord Music Group, Inc.
Tom Coyne, Mastering Engineer, StudioPersonnel - Davell Crawford, Producer, Keyboards, Piano, MainArtist, AssociatedPerformer, ComposerLyricist - Jim Albert, Recording Engineer, Mix Engineer, StudioPersonnel - Scott Billington, Producer
℗ 1999 Rounder Records, a division of Concord Music Group, Inc.
John Lennon, ComposerLyricist - Paul Mccartney, ComposerLyricist - Tom Coyne, Mastering Engineer, StudioPersonnel - Davell Crawford, Producer, Keyboards, Piano, Vocals, MainArtist, AssociatedPerformer - Jim Albert, Recording Engineer, Mix Engineer, StudioPersonnel - Scott Billington, Producer
℗ 1999 Rounder Records, a division of Concord Music Group, Inc.
Album review
Davell Crawford wore a variety of hats in the 1990s. While The B-3 and Me presented him as a soul-jazz organist in the Jimmy Smith/Jack McDuff vein, he was a New Orleans-type R&B/gospel pianist and vocalist on Let Them Talk. But on his equally decent third album, Love Like Yours and Mine, Crawford's primary role is that of a jazz singer/pianist with strong gospel and R&B sensibilities. Crawford's singing on Let Them Talk inspired comparisons to Fats Domino and Professor Longhair -- here, he comes across as an interesting mixture of Carmen McRae and Stevie Wonder. That might be hard to imagine, but on standards like "Everything Must Change," "Who Can I Turn To" and "Fly Me to the Moon," that combination of influences seems quite logical. One of the high points of the CD, however, is an instrumental version of Major Harris' "Love Won't Let Me Wait." While Harris and Luther Vandross approached the song as a Northern soul ballad, Crawford approaches it as a trio pianist and gives it a Gene Harris meets Ray Bryant type of ambiance. And he successfully changes the Beatles' "Let It Be" from pop-rock to gospel-drenched R&B. With Love Like Yours and Mine, Crawford's versatility continued to serve him well.
© Alex Henderson /TiVo
About the album
- 1 disc(s) - 10 track(s)
- Total length: 01:01:00
- Main artists: Davell Crawford
- Composer: Various Composers
- Label: Rounder Records
- Genre: Jazz
© 1999 Rounder Records, a division of Concord Music Group, Inc. ℗ 1999 Rounder Records, a division of Concord Music Group, Inc.
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