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Louis Lortie|Louis Lortie Plays Chopin, Vol. 6

Louis Lortie Plays Chopin, Vol. 6

Louis Lortie

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For the sixth volume of his Chopin project, the Canadian pianist and exclusive Chandos Artist Louis Lortie has built a programme that includes works from the earliest to the latest periods in the composer’s life, all of which have connection with or focus on Chopin’s Polish identity.
The Hommage à Mozart, Op. 2 is a brilliant set of variations on "Là ci darem la mano" from Don Giovanni. Chopin composed it originally for piano and orchestra, in 1827, when he was just seventeen, and later made this arrangement for solo piano (a common practise at the time).
The two Polonaises, Op. 40 date from the late 1830s, and contain some of his most openly nationalistic writing. The first – nicknamed "Military" – evokes sentiments of national identity and pride, whilst the second, more melancholy work portrays feelings evoked by Poland’s vanished statehood. Lortie concludes the album with Chopin’s Fantaisie, Op. 49, from 1841. This work exemplifies the brilliant improvisatory style of Chopin’s writing for piano.
These works are interspersed with four sets of Mazurkas, Op. 6, Op. 24, Op. 41, and Op. 67. Chopin almost single-handedly introduced the Mazurka to Paris when he arrived there in the late 1820s, and continued to compose them throughout his life, transforming the Polish dance form into some of his most dazzling and memorable compositions. © Chandos

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Louis Lortie Plays Chopin, Vol. 6

Louis Lortie

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Four Mazurkas, Op. 6 (Frédéric Chopin)

1
I. Scherzando
00:03:10

Frederic Chopin, Composer - Louis Lortie, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

2
II. Gajo
00:02:32

Frederic Chopin, Composer - Louis Lortie, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

3
III. Vivace
00:02:01

Frederic Chopin, Composer - Louis Lortie, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

4
IV. Presto
00:01:14

Frederic Chopin, Composer - Louis Lortie, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

4 Mazurkas, Op. 24 (Frédéric Chopin)

5
I. Lento
00:02:27

Frederic Chopin, Composer - Louis Lortie, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

6
II. Allegro non troppo
00:02:14

Frederic Chopin, Composer - Louis Lortie, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

7
III. Moderato con anima
00:02:03

Frederic Chopin, Composer - Louis Lortie, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

8
IV. Moderato
00:04:27

Frederic Chopin, Composer - Louis Lortie, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

Hommage à Mozart, Op. 2 (Frédéric Chopin)

9
I. Introduzione
00:05:03

Frederic Chopin, Composer - Louis Lortie, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

10
II. Tema
00:01:28

Frederic Chopin, Composer - Louis Lortie, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

11
III. Variazione I
00:00:57

Frederic Chopin, Composer - Louis Lortie, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

12
IV. Variazione II
00:00:59

Frederic Chopin, Composer - Louis Lortie, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

13
V. Variazione III
00:01:32

Frederic Chopin, Composer - Louis Lortie, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

14
VI. Variazione IV
00:01:13

Frederic Chopin, Composer - Louis Lortie, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

15
VII. Variazione V
00:03:08

Frederic Chopin, Composer - Louis Lortie, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

16
VIII. Alla Polacca
00:03:43

Frederic Chopin, Composer - Louis Lortie, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

Quatre Mazurkas, Op. 67 post. (Frédéric Chopin)

17
I. Vivace
00:01:17

Frederic Chopin, Composer - Louis Lortie, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

18
II. Cantabile
00:01:54

Frederic Chopin, Composer - Louis Lortie, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

19
III. Allegretto
00:01:32

Frederic Chopin, Composer - Louis Lortie, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

20
IV. Moderato animato
00:03:20

Frederic Chopin, Composer - Louis Lortie, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

Deux polonaises, Op. 40 (Frédéric Chopin)

21
I. Military
00:05:47

Frederic Chopin, Composer - Louis Lortie, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

22
II. Allegro maestoso
00:08:38

Frederic Chopin, Composer - Louis Lortie, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

Four Mazurkas, Op. 41 (Frédéric Chopin)

23
I. Andantino
00:02:15

Frederic Chopin, Composer - Louis Lortie, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

24
II. Animato
00:01:24

Frederic Chopin, Composer - Louis Lortie, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

25
III. Allegretto
00:02:12

Frederic Chopin, Composer - Louis Lortie, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

26
IV. Maestoso
00:03:24

Frederic Chopin, Composer - Louis Lortie, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

27
Fantaisie, Op. 49
00:13:31

Frederic Chopin, Composer - Louis Lortie, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

Album review

For the sixth volume of his Chopin project, the Canadian pianist and exclusive Chandos Artist Louis Lortie has built a programme that includes works from the earliest to the latest periods in the composer’s life, all of which have connection with or focus on Chopin’s Polish identity.
The Hommage à Mozart, Op. 2 is a brilliant set of variations on "Là ci darem la mano" from Don Giovanni. Chopin composed it originally for piano and orchestra, in 1827, when he was just seventeen, and later made this arrangement for solo piano (a common practise at the time).
The two Polonaises, Op. 40 date from the late 1830s, and contain some of his most openly nationalistic writing. The first – nicknamed "Military" – evokes sentiments of national identity and pride, whilst the second, more melancholy work portrays feelings evoked by Poland’s vanished statehood. Lortie concludes the album with Chopin’s Fantaisie, Op. 49, from 1841. This work exemplifies the brilliant improvisatory style of Chopin’s writing for piano.
These works are interspersed with four sets of Mazurkas, Op. 6, Op. 24, Op. 41, and Op. 67. Chopin almost single-handedly introduced the Mazurka to Paris when he arrived there in the late 1820s, and continued to compose them throughout his life, transforming the Polish dance form into some of his most dazzling and memorable compositions. © Chandos

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