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VANILLA FUDGE|Live: The Best Of Vanilla Fudge (Live Version)

Live: The Best Of Vanilla Fudge (Live Version)

VANILLA FUDGE

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The 1967 debut album by New York quartet Vanilla Fudge may not have remained in the pantheon of all-time greatest '60s rock albums, but it's of huge historical importance. With its unprecedented combination of psychedelia (itself still a new commodity), hard rock, soul, and classical motifs, it prefigured everything from heavy metal to prog rock. The band's modus operandi was to take pop, rock, and R&B hits of the era and extend them to the breaking point, adding raga-like guitar lines, overdriven Hammond organ, screaming feedback, gargantuan distorted riffs, mountainous drumbeats, and impassioned vocals. Most often the original tempo of the song was slowed down drastically for maximum dramatic effect. In this manner, everything from Motown hit "You Keep Me Hangin' On" to the Zombies' "She's Not There" becomes a haunting, pathos-filled set piece alternately haunting and driving. Somewhere in England, the young men who would become known as Yes, Deep Purple, and numerous other bands, were listening with rapt attention.


© TiVo

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Live: The Best Of Vanilla Fudge (Live Version)

VANILLA FUDGE

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1
My World Is Empty (Live Version)
00:05:26

Spencer Proffer, Producer, Arranger, Sound Engineer - Tim Bogert, Arranger, Bass Guitar, Vocals - Carmine Appice, Arranger, Drums, Percussion, Vocals - Jean Ristori, Masterer - Lamont Dozier, Writer - Eddie Holland, Writer - Brian Holland, Writer - Mark Stein, Arranger, Keyboards, Vocals - Vinnie Martell, Guitar, Vocals - Vanilla Fudge, MainArtist - Hanspeter Huber, AssistantEngineer - J. Toad, Guitar - Karen Chamberlain, AssistantEngineer - Mickey Davis, AdditionalEngineer - Patty Stein, Production - Ron Mancuso, Guitar

© 2005 Warner Strategic Marketing ℗ 1965 Atco Records

2
You Keep Me Hangin' On (Live Version)
00:06:47

Lamont Dozier, Composer, Writer - Eddie Holland, Composer, Writer - Brian Holland, Composer, Writer - Vanilla Fudge, Performance, MainArtist

© 2005 Warner Strategic Marketing ℗ 1965 Atlantic Recording Corporation

3
Take Me For A Little While (Live Version)
00:03:37

Martin, Writer - Trade Martin, Composer, Writer - Vanilla Fudge, Performance, MainArtist

© 2005 Warner Strategic Marketing ℗ 1990 Atlantic Recording Corp.

4
Shotgun (Live Version)
00:05:09

Tim Bogert, Bass Guitar, Vocals - Carmine Appice, Drums, Vocals - Bill Stahl, Engineer - Joe Veneri, Engineer - Mark Stein, Keyboards, Lead Vocals - Vinnie Martell, Guitar, Vocals - Vanilla Fudge, Producer, MainArtist - A. Dewalt, Writer - Dewalt, Writer

© 2005 Warner Strategic Marketing ℗ 1969 Atlantic Recording Corporation.

5
a) Eleanor Rigby b) ELDS (Live Version)
00:08:20

Tim Bogert, Bass Guitar, Vocals - Carmine Appice, Drums, Vocals - John Lennon, Writer - Paul Mccartney, Writer - Bill Stahl, Engineer - Joe Veneri, Engineer - Mark Stein, Keyboards, Lead Vocals - Shadow Morton, Producer, Director - Vinnie Martell, Guitar, Vocals - Vanilla Fudge, MainArtist

© 2005 Warner Strategic Marketing ℗ 1967 Atlantic Recording Corporation.

6
Ticket To Ride (Live Version)
00:05:59

Tim Bogert, Bass Guitar, Vocals - Carmine Appice, Drums, Vocals - John Lennon, Writer - Paul Mccartney, Writer - Bill Stahl, Engineer - Joe Veneri, Engineer - Mark Stein, Keyboards, Lead Vocals - Shadow Morton, Producer, Director - Vinnie Martell, Guitar, Vocals - Vanilla Fudge, MainArtist

© 2005 Warner Strategic Marketing ℗ 1967 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

7
People Get Ready (Live Version)
00:06:03

Tim Bogert, Bass Guitar, Vocals - Carmine Appice, Drums, Vocals - Curtis Mayfield, Writer - Bill Stahl, Engineer - Joe Veneri, Engineer - Mark Stein, Keyboards, Lead Vocals - Shadow Morton, Producer, Director - Vinnie Martell, Guitar, Vocals - Vanilla Fudge, MainArtist

© 2005 Warner Strategic Marketing ℗ 1967 Atlantic Recording Corporation.

8
Golden Age Dreams (Live Version)
00:04:45

Spencer Proffer, Producer, Arranger, Sound Engineer - Tim Bogert, Arranger, Bass Guitar, Vocals - Carmine Appice, Arranger, Drums, Percussion, Vocals, Writer - Duane Hitchings, Writer - Jean Ristori, Masterer - Mark Stein, Arranger, Keyboards, Vocals, Writer - Vinnie Martell, Guitar, Vocals - Vanilla Fudge, MainArtist - Hanspeter Huber, AssistantEngineer - J. Toad, Guitar - Karen Chamberlain, AssistantEngineer - Mickey Davis, AdditionalEngineer - Patty Stein, Production - Ron Mancuso, Guitar - Randy Bishop, Writer

© 2005 Warner Strategic Marketing ℗ 1983 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

Album review

The 1967 debut album by New York quartet Vanilla Fudge may not have remained in the pantheon of all-time greatest '60s rock albums, but it's of huge historical importance. With its unprecedented combination of psychedelia (itself still a new commodity), hard rock, soul, and classical motifs, it prefigured everything from heavy metal to prog rock. The band's modus operandi was to take pop, rock, and R&B hits of the era and extend them to the breaking point, adding raga-like guitar lines, overdriven Hammond organ, screaming feedback, gargantuan distorted riffs, mountainous drumbeats, and impassioned vocals. Most often the original tempo of the song was slowed down drastically for maximum dramatic effect. In this manner, everything from Motown hit "You Keep Me Hangin' On" to the Zombies' "She's Not There" becomes a haunting, pathos-filled set piece alternately haunting and driving. Somewhere in England, the young men who would become known as Yes, Deep Purple, and numerous other bands, were listening with rapt attention.


© TiVo

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