Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
Since his first vinyl outings on Ipswich's Deep Red records Tommy Withers, the production force behind Klute, has remained at the very cutting-edge of drum and bass. His recordings for the Certificate 18 label however, were what brought Klute widespread attention; Withers' music moving with a liquid agility and abstract melodics blazing vapor trails above molten landscapes of percussion. Klute's first two albums for the label, Casual Bodies and 2000's Fear of People, successfully expanded upon this groundwork, shying away from any single subgenre in favor of throwing down a complex blend of sounds with intricate beat programming pushing against the gravitational draw of soaring orchestration. Having split from the label in 2000, Klute contributed to labels 31 Records, Hospital, Advanced, and Metalheadz, before Withers launched his own pessimistically monikered Commercial Suicide, with the bubbling synths of the initial single "Trance Format" providing the foundation for a barrage of well-received singles from the likes of John Tejada, Digital, Spirit, and lesser-known artists Illskillz and AI. Klute's first album for Commercial Suicide advances the amalgamation of electronic and drum and bass, with Lie Cheat and Steal: a fully fledged double album where the drum and bass master-class of Lie Cheat and Steal is countered with the second CD of pure techno, entitled You Should Be Ashamed. There are few producers with the ability to manage a cohesive flow throughout two such traditionally very separate genres, but Klute achieves this through a comprehensive understanding of both; demarcating the boundaries through the smoke of mirrors of a common library of sounds, and Withers' characteristic writing style. Of the two albums, the continuum rippling "Music for Doubles" takes the flag for the techno volume; its subtle shifts of programming evoking memories of golden era Underground Resistance; while the deceptively soulful undertow of "Song Seller" outmaneuvers all but the most agile of his drum and bass contemporaries.
© Kingsley Marshall /TiVo
You are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
Listen to this playlist and more than 100 million songs with our unlimited streaming plans.
From €13,50/month
Copyright Control, MusicPublisher - Klute, MainArtist
Commercial Suicide Commercial Suicide
Copyright Control, MusicPublisher - Klute, MainArtist
Commercial Suicide Commercial Suicide
Copyright Control, MusicPublisher - Klute, MainArtist
Commercial Suicide Commercial Suicide
Copyright Control, MusicPublisher - Klute, MainArtist
Commercial Suicide Commercial Suicide
Copyright Control, MusicPublisher - Klute, MainArtist
Commercial Suicide Commercial Suicide
Copyright Control, MusicPublisher - Klute, MainArtist
Commercial Suicide Commercial Suicide
Copyright Control, MusicPublisher - Klute, MainArtist
Commercial Suicide Commercial Suicide
Copyright Control, MusicPublisher - Klute, MainArtist
Commercial Suicide Commercial Suicide
Copyright Control, MusicPublisher - Klute, MainArtist
Commercial Suicide Commercial Suicide
Copyright Control, MusicPublisher - Klute, MainArtist
Commercial Suicide Commercial Suicide
Copyright Control, MusicPublisher - Klute, MainArtist
Commercial Suicide Commercial Suicide
Copyright Control, MusicPublisher - Klute, MainArtist
Commercial Suicide Commercial Suicide
Copyright Control, MusicPublisher - Klute, MainArtist
Commercial Suicide Commercial Suicide
Copyright Control, MusicPublisher - Klute, MainArtist
Commercial Suicide Commercial Suicide
Copyright Control, MusicPublisher - Klute, MainArtist
Commercial Suicide Commercial Suicide
Copyright Control, MusicPublisher - Klute, MainArtist
Commercial Suicide Commercial Suicide
Copyright Control, MusicPublisher - Klute, MainArtist
Commercial Suicide Commercial Suicide
Copyright Control, MusicPublisher - Klute, MainArtist
Commercial Suicide Commercial Suicide
Copyright Control, MusicPublisher - Klute, MainArtist
Commercial Suicide Commercial Suicide
Copyright Control, MusicPublisher - Klute, MainArtist
Commercial Suicide Commercial Suicide
Copyright Control, MusicPublisher - Klute, MainArtist
Commercial Suicide Commercial Suicide
Copyright Control, MusicPublisher - Klute, MainArtist
Commercial Suicide Commercial Suicide
Album review
Since his first vinyl outings on Ipswich's Deep Red records Tommy Withers, the production force behind Klute, has remained at the very cutting-edge of drum and bass. His recordings for the Certificate 18 label however, were what brought Klute widespread attention; Withers' music moving with a liquid agility and abstract melodics blazing vapor trails above molten landscapes of percussion. Klute's first two albums for the label, Casual Bodies and 2000's Fear of People, successfully expanded upon this groundwork, shying away from any single subgenre in favor of throwing down a complex blend of sounds with intricate beat programming pushing against the gravitational draw of soaring orchestration. Having split from the label in 2000, Klute contributed to labels 31 Records, Hospital, Advanced, and Metalheadz, before Withers launched his own pessimistically monikered Commercial Suicide, with the bubbling synths of the initial single "Trance Format" providing the foundation for a barrage of well-received singles from the likes of John Tejada, Digital, Spirit, and lesser-known artists Illskillz and AI. Klute's first album for Commercial Suicide advances the amalgamation of electronic and drum and bass, with Lie Cheat and Steal: a fully fledged double album where the drum and bass master-class of Lie Cheat and Steal is countered with the second CD of pure techno, entitled You Should Be Ashamed. There are few producers with the ability to manage a cohesive flow throughout two such traditionally very separate genres, but Klute achieves this through a comprehensive understanding of both; demarcating the boundaries through the smoke of mirrors of a common library of sounds, and Withers' characteristic writing style. Of the two albums, the continuum rippling "Music for Doubles" takes the flag for the techno volume; its subtle shifts of programming evoking memories of golden era Underground Resistance; while the deceptively soulful undertow of "Song Seller" outmaneuvers all but the most agile of his drum and bass contemporaries.
© Kingsley Marshall /TiVo
About the album
- 1 disc(s) - 22 track(s)
- Total length: 02:13:20
- Main artists: Klute
- Label: Commercial Suicide
- Genre: Electronic Drum & Bass
Commercial Suicide Commercial Suicide
Improve album informationWhy buy on Qobuz...
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.