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Gary Allan|It Would Be You

It Would Be You

Gary Allan

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Gary Allan's sophomore effort shows considerable growth since the release of his 1996 debut project, Used Heart for Sale, which seemingly filed away Allan's sharp honky tonk edge. This time out, some of the material reflects the soft pop fluff manufactured and sold as country music by Factory Music City, which don't necessarily show Allan in the best light. There are also moments when Allan sounds too much like fellow honky tonker Mark Chesnutt for his own good. Chalk this up to the Nashville production style. Allan's musical vision has always been firmly rooted in the work of George Jones, Buck Owens, Ernest Tubb, and Merle Haggard. These influences are evident in his cover of Conway Twitty's "She Loves Me, She Don't Love You" and the Marty Stuart/Kostas co-write "Don't Leave Her Lonely Too Long." Just as listenable are "I've Got a Quarter in My Pocket," "Red Lips, Blue Eyes, Little White Lies," and the only tune on the project that Allan had a hand in writing, "Baby I Will." Although Allan suffers in the face of the marketing blitz that surrounds his young career, this latter material makes up for it.
© Jana Pendragon /TiVo

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It Would Be You

Gary Allan

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1
It Would Be You (Album Version)
00:02:54

Kent M. Robbins, ComposerLyricist - Mark Wright, Producer - Jerry Flowers, Background Vocalist, AssociatedPerformer - Byron Hill, Producer, Associate Producer - Michael Rhodes, Bass Guitar, AssociatedPerformer - Hank Williams, Mastering Engineer, StudioPersonnel - Kenny Greenberg, Electric Guitar, AssociatedPerformer - Steve Nathan, Piano, AssociatedPerformer - Chad Cromwell, Drums, AssociatedPerformer - Tony Brown, Producer - John Willis, Acoustic Guitar, AssociatedPerformer - Eric Darken, Percussion, AssociatedPerformer - Brent Rowan, Electric Guitar, AssociatedPerformer - Steve Beers, Asst. Recording Engineer, StudioPersonnel - Greg Droman, Mixer, Recording Engineer, StudioPersonnel - Ben Terry, Asst. Recording Engineer, StudioPersonnel - Sang Park, Additional Mixer, StudioPersonnel - Heather Sturm, Assistant Mixer, StudioPersonnel - Dana Hunt Oglesby, ComposerLyricist - Gary Allan, Producer, MainArtist - Carie Higdon, Unknown, Other - Craig Allen, GraphicArtist

℗ 1998 MCA Nashville

2
No Man In His Wrong Heart (Album Version)
00:04:13

Trey Bruce, ComposerLyricist - Ronnie Rogers, ComposerLyricist - Mark Wright, Producer - Byron Hill, Producer - Greg Droman, Mixer, StudioPersonnel - Gary Allan, MainArtist

℗ 1998 UMG Recordings, Inc.

3
Don't Leave Her Lonely Too Long (Album Version)
00:03:35

Mark Wright, Producer - Byron Hill, Producer - MARTY STUART, ComposerLyricist - Kostas, ComposerLyricist - Greg Droman, Mixer, StudioPersonnel - Kostas Lazarides, ComposerLyricist - Gary Allan, MainArtist

℗ 1998 UMG Recordings, Inc.

4
I'll Take Today (Album Version)
00:02:56

Will Robinson, ComposerLyricist - Kent M. Robbins, ComposerLyricist - Mark Wright, Producer - Byron Hill, Producer - Greg Droman, Mixer, StudioPersonnel - Gary Allan, MainArtist

℗ 1998 UMG Recordings, Inc.

5
I Ain't Runnin Yet (Album Version)
00:04:27

Jamie O'Hara, ComposerLyricist - Mark Wright, Producer - Byron Hill, Producer - Gary Nicholson, ComposerLyricist - Greg Droman, Mixer, StudioPersonnel - Gary Allan, MainArtist

℗ 1998 UMG Recordings, Inc.

6
She Loves Me (She Don't Love You) (Album Version)
00:03:22

Mark Wright, Producer - Byron Hill, Producer - CONWAY TWITTY, ComposerLyricist - Greg Droman, Mixer, StudioPersonnel - Gary Allan, MainArtist

℗ 1998 UMG Recordings, Inc.

7
I've Got A Quarter In My Pocket (Album Version)
00:02:34

Billy Yates, ComposerLyricist - Mark Wright, Producer - Byron Hill, Producer - Greg Droman, Mixer, StudioPersonnel - Gary Allan, MainArtist - Jake Kelly, ComposerLyricist

℗ 1998 UMG Recordings, Inc.

8
Baby I Will (Album Version)
00:03:12

Mark Wright, Producer - Odie Blackmon, ComposerLyricist - Byron Hill, Producer - Greg Droman, Mixer, StudioPersonnel - Gary Allan, MainArtist, ComposerLyricist - Jake Kelly, ComposerLyricist

℗ 1998 UMG Recordings, Inc.

9
Red Lips, Blue Eyes, Little White Lies (Album Version)
00:03:00

Mark Wright, Producer - Byron Hill, Producer - Kostas, ComposerLyricist - Greg Droman, Mixer, StudioPersonnel - Kostas Lazarides, ComposerLyricist - Gary Allan, MainArtist - Brent Moyer, ComposerLyricist

℗ 1998 UMG Recordings, Inc.

10
It Took Us All Night Long To Say Goodbye (Album Version)
00:03:02

Mark Wright, Producer - Byron Hill, Producer - Bob McDill, ComposerLyricist - Greg Droman, Mixer, StudioPersonnel - Wayland D. Holyfield, ComposerLyricist - Gary Allan, MainArtist

℗ 1998 UMG Recordings, Inc.

11
Forgotten, But Not Gone
00:03:14

Buzz Cason, ComposerLyricist - Johnny MacRae, ComposerLyricist - Mark Wright, Producer - Byron Hill, Producer - Greg Droman, Mixer, StudioPersonnel - Gary Allan, MainArtist

℗ 1998 MCA Nashville, a Division of UMG Recordings, Inc.

12
No Judgement Day
00:04:53

Allen Shamblin, ComposerLyricist - Mark Wright, Producer - Byron Hill, Producer - Greg Droman, Mixer, StudioPersonnel - Gary Allan, MainArtist

℗ 1998 UMG Recordings, Inc.

Album review

Gary Allan's sophomore effort shows considerable growth since the release of his 1996 debut project, Used Heart for Sale, which seemingly filed away Allan's sharp honky tonk edge. This time out, some of the material reflects the soft pop fluff manufactured and sold as country music by Factory Music City, which don't necessarily show Allan in the best light. There are also moments when Allan sounds too much like fellow honky tonker Mark Chesnutt for his own good. Chalk this up to the Nashville production style. Allan's musical vision has always been firmly rooted in the work of George Jones, Buck Owens, Ernest Tubb, and Merle Haggard. These influences are evident in his cover of Conway Twitty's "She Loves Me, She Don't Love You" and the Marty Stuart/Kostas co-write "Don't Leave Her Lonely Too Long." Just as listenable are "I've Got a Quarter in My Pocket," "Red Lips, Blue Eyes, Little White Lies," and the only tune on the project that Allan had a hand in writing, "Baby I Will." Although Allan suffers in the face of the marketing blitz that surrounds his young career, this latter material makes up for it.
© Jana Pendragon /TiVo

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