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Dakota Staton|In The Night

In The Night

The George Shearing Quintet with Dakota Staton

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With its progressive-leaning jazz and modernist blues vocals, In the Night was the prototype for the piano-vocals collaboration record that George Shearing would remake with Peggy Lee, Nat King Cole, and Nancy Wilson while at Capitol (and many others afterwards). In July 1957, just after Dakota Staton's immense success with "The Late, Late Show," Capitol recorded two of its biggest jazz stars together for what would turn out to be one of the finest teamings in either's career. Staton appears on every other song, lending her blend of post-bop vocal prowess and late-night melodrama to a set of well-chosen songs including "In the Night" and "I Hear Music." (Ironically, the version of "The Late, Late Show" heard here is an instrumental.) Shearing and Staton are joined by the pianist's group at the time, including Emil Richards on vibes, the splendid Toots Thielemans on guitar, and a few features for Latin percussionist Armando Peraza. The group's finest features are the opener, "From Rags to Richards," a fine Shearing original with excellent solos from Richards and Shearing, and Ray Bryant's "Pawn Ticket," with fine work from Thielemans and Richards.
© John Bush /TiVo

More info

In The Night

Dakota Staton

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1
From Rags To Richards (2003 Digital Remaster)
George Shearing
00:03:15

Dakota Staton, MainArtist - George Shearing, Composer, MainArtist

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 2003 Capitol Records, Inc. ℗ 2003 Blue Note Records

2
(I'm Left With The) Blues In My Heart (2003 Digital Remaster)
George Shearing
00:02:58

K. Carter, Composer - Dakota Staton, MainArtist - George Shearing, MainArtist - I. Mills, Composer

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 2003 Capitol Records, Inc. ℗ 2003 Blue Note Records

3
Pawn Ticket (Remastered)
George Shearing
00:02:22

Dakota Staton, MainArtist - George Shearing, MainArtist - Ray Bryant, Composer

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 2003 Capitol Records, Inc. ℗ 2003 Blue Note Records

4
In The Night (2003 Digital Remaster)
George Shearing
00:02:03

Dakota Staton, MainArtist - George Shearing, MainArtist - Norman Mapp, Composer

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 2003 Capitol Records, Inc. ℗ 2003 Blue Note Records

5
Easy (2003 Digital Remaster)
George Shearing
00:02:43

Dakota Staton, MainArtist - George Shearing, Composer, MainArtist

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 2003 Capitol Records, Inc. ℗ 2003 Blue Note Records

6
I Hear Music (Remastered)
George Shearing Quintet
00:02:32

FRANK LOESSER, Composer - Dakota Staton, MainArtist - Burton Lane, Composer - George Shearing Quintet, MainArtist

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 2003 Capitol Records, Inc. ℗ 1996 Capitol Records, LLC

7
Señor Blues
George Shearing
00:03:49

Armando Peraza, Percussion, AssociatedPerformer - Horace Silver, ComposerLyricist - Emil Richards, Vibraphone, AssociatedPerformer - Dakota Staton, Vocalist, AssociatedPerformer - George Shearing, MainArtist - Toots Thielemans, Guitar, AssociatedPerformer - Al McKibbon, Double Bass, AssociatedPerformer - José Enrique Fernández Cordero, ComposerLyricist - Greg Landau, ComposerLyricist - Percy Brice, Drums, AssociatedPerformer

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 2003 Capitol Records, Inc. ℗ 2002 Capitol Records, Inc.

8
Confessin' The Blues (2003 Digital Remaster)
George Shearing
00:02:46

Dakota Staton, MainArtist - George Shearing, MainArtist - JAY MCSHANN, Composer - Walter Brown, Composer

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 2003 Capitol Records, Inc. ℗ 2003 Blue Note Records

9
Later
George Shearing
00:02:20

Emil Richards, Vibraphone, AssociatedPerformer - Dakota Staton, MainArtist - George Shearing, MainArtist - Ray Bryant, Composer - Toots Thielemans, Guitar, AssociatedPerformer - Al McKibbon, AssociatedPerformer, Bass (Vocal) - Percy Brice, Drums, AssociatedPerformer

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 2003 Capitol Records, Inc. ℗ 1957 Capitol Records Inc.

10
The Thrill Is Gone (2003 Digital Remaster)
George Shearing
00:03:10

Ray Henderson, Composer - Lew Brown, Author - Dakota Staton, MainArtist - George Shearing, MainArtist

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 2003 Capitol Records, Inc. ℗ 2003 Blue Note Records

11
The Late, Late Show (2003 Digital Remaster)
Dakota Staton
00:02:34

Murray Berlin, Composer - Emil Richards, Vibraphone, AssociatedPerformer - Dakota Staton, Vocals, MainArtist, AssociatedPerformer - George Shearing, Piano, AssociatedPerformer - Toots Thielemans, Guitar, AssociatedPerformer - Al McKibbon, AssociatedPerformer, Bass (Vocal) - George Shearing Quintet, MainArtist - Percy Brice, Drums, AssociatedPerformer - Alfred Roy, Composer

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 2003 Capitol Records, Inc. ℗ 2003 Blue Note Records

12
I'd Love To Make Love To You (2003 Digital Remaster)
George Shearing
00:02:44

Bob Emmerich, Composer - Dakota Staton, MainArtist - George Shearing, MainArtist - Ruth Poll, Composer

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 2003 Capitol Records, Inc. ℗ 2003 Blue Note Records

Album review

With its progressive-leaning jazz and modernist blues vocals, In the Night was the prototype for the piano-vocals collaboration record that George Shearing would remake with Peggy Lee, Nat King Cole, and Nancy Wilson while at Capitol (and many others afterwards). In July 1957, just after Dakota Staton's immense success with "The Late, Late Show," Capitol recorded two of its biggest jazz stars together for what would turn out to be one of the finest teamings in either's career. Staton appears on every other song, lending her blend of post-bop vocal prowess and late-night melodrama to a set of well-chosen songs including "In the Night" and "I Hear Music." (Ironically, the version of "The Late, Late Show" heard here is an instrumental.) Shearing and Staton are joined by the pianist's group at the time, including Emil Richards on vibes, the splendid Toots Thielemans on guitar, and a few features for Latin percussionist Armando Peraza. The group's finest features are the opener, "From Rags to Richards," a fine Shearing original with excellent solos from Richards and Shearing, and Ray Bryant's "Pawn Ticket," with fine work from Thielemans and Richards.
© John Bush /TiVo

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