Categories:
Cart 0

Your cart is empty

Ana Popovic|Hush!

Hush!

Ana Popovic

Available in
16-Bit/44.1 kHz Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Subscribe

Enjoy this album on Qobuz apps with your subscription

Digital Download

Purchase and download this album in a wide variety of formats depending on your needs.

While the U.S., Britain, and to a lesser extent Canada don't have a stranglehold on the blues, these countries account for the majority of music being produced in that genre. Therefore, when someone from a different nationality releases a strong album in the States, it usually makes news, at least in the rarefied blues universe. Born and raised in Yugoslavia, Ana Popovic would seem to have been brought up in an unusual area to soak in the deep soul, robust swamp rock, and husky R&B she reveals on her first album. But music is a universal language, and Popovic, along with noted blues-rock producer Jim Gaines, has delivered a rugged, confident, and eclectic debut that showcases the artist's many strengths (especially on slide guitar) in songs that shift from jazz ("I Won't Let You Down," "Minute 'Til Dawn") to deep funk (an innovative cover of Tom Waits' "Downtown") and soulful pop ("How Lonely Can a Woman Get?"). With a husky, sensuous voice similar to the Pretenders' Chrissie Hynde, she digs into these tunes with authority, even if English isn't her first language. A duet (guitar and vocal) with Bernard Allison on Johnny Copeland's "Bring Your Fine Self Home" is both sexy and gritty, as the two trade verses and riffs with obvious excitement and mutual respect. A raging version of Buddy Guy's "A Man of Many Words" (here titled "Girl of Many Words") rescues that song from obscurity as Popovic whips out a slimy version with rollicking horns that updates the tune while making it her own. Her originals don't push the limits of the genre, yet they are compressed slices of blues-rock that are excellent showcases for Popovic's tough vocals, wiry, Hendrix-styled leads, and robust stance. The self-penned "Hometown," a greasy, slinky trip down to New Orleans with hypnotic tribal drums, is but one of the album's gripping centerpieces. Recorded in Memphis and sounding like it, Popovic has captured the city's evocative, unvarnished R&B charm on this polished but far-from-slick album. A welcome shot of sex and showmanship in the blues world, Ana Popovic's American debut is a tour de force for this newcomer brimming with sass, brains, and talent.

© Hal Horowitz /TiVo

More info

Hush!

Ana Popovic

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app

You are currently listening to samples.

Listen to over 100 million songs with an unlimited streaming plan.

Listen to this playlist and more than 100 million songs with our unlimited streaming plans.

From €13,50/month

1
Love Fever
00:04:29

Ana Popovic, MainArtist

(C) 2006 Ruf Records (P) 2006 Ruf Records

2
Mended
00:04:23

Ana Popovic, MainArtist - bad love music / bmi, MusicPublisher

(C) 2006 Ruf Records (P) 2006 Ruf Records

3
Hometown
00:07:09

Ana Popovic, MainArtist - bad love music / bmi, MusicPublisher

(C) 2006 Ruf Records (P) 2006 Ruf Records

4
I Won't Let You Down
00:04:22

Ana Popovic, MainArtist - bad love music / bmi, MusicPublisher

(C) 2006 Ruf Records (P) 2006 Ruf Records

5
The Hustle Is On
00:02:43

Ana Popovic, MainArtist

(C) 2006 Ruf Records (P) 2006 Ruf Records

6
Downtown
00:04:24

Ana Popovic, MainArtist

(C) 2006 Ruf Records (P) 2006 Ruf Records

7
How Lonely Can A Woman Get
00:03:59

Ana Popovic, MainArtist - bad love music / bmi, MusicPublisher

(C) 2006 Ruf Records (P) 2006 Ruf Records

8
Walk Away
00:03:22

Ana Popovic, MainArtist - bad love music / bmi, MusicPublisher

(C) 2006 Ruf Records (P) 2006 Ruf Records

9
Girl Of Many Words
00:03:54

Ana Popovic, MainArtist

(C) 2006 Ruf Records (P) 2006 Ruf Records

10
Minute 'Till Dawn
00:05:14

Ana Popovic, MainArtist - bad love music / bmi, MusicPublisher

(C) 2006 Ruf Records (P) 2006 Ruf Records

11
Bring Your Fine Self Home
00:05:12

Ana Popovic, MainArtist

(C) 2006 Ruf Records (P) 2006 Ruf Records

12
How The Mighty Have Fallen
00:04:39

Ana Popovic, MainArtist

(C) 2006 Ruf Records (P) 2006 Ruf Records

Album review

While the U.S., Britain, and to a lesser extent Canada don't have a stranglehold on the blues, these countries account for the majority of music being produced in that genre. Therefore, when someone from a different nationality releases a strong album in the States, it usually makes news, at least in the rarefied blues universe. Born and raised in Yugoslavia, Ana Popovic would seem to have been brought up in an unusual area to soak in the deep soul, robust swamp rock, and husky R&B she reveals on her first album. But music is a universal language, and Popovic, along with noted blues-rock producer Jim Gaines, has delivered a rugged, confident, and eclectic debut that showcases the artist's many strengths (especially on slide guitar) in songs that shift from jazz ("I Won't Let You Down," "Minute 'Til Dawn") to deep funk (an innovative cover of Tom Waits' "Downtown") and soulful pop ("How Lonely Can a Woman Get?"). With a husky, sensuous voice similar to the Pretenders' Chrissie Hynde, she digs into these tunes with authority, even if English isn't her first language. A duet (guitar and vocal) with Bernard Allison on Johnny Copeland's "Bring Your Fine Self Home" is both sexy and gritty, as the two trade verses and riffs with obvious excitement and mutual respect. A raging version of Buddy Guy's "A Man of Many Words" (here titled "Girl of Many Words") rescues that song from obscurity as Popovic whips out a slimy version with rollicking horns that updates the tune while making it her own. Her originals don't push the limits of the genre, yet they are compressed slices of blues-rock that are excellent showcases for Popovic's tough vocals, wiry, Hendrix-styled leads, and robust stance. The self-penned "Hometown," a greasy, slinky trip down to New Orleans with hypnotic tribal drums, is but one of the album's gripping centerpieces. Recorded in Memphis and sounding like it, Popovic has captured the city's evocative, unvarnished R&B charm on this polished but far-from-slick album. A welcome shot of sex and showmanship in the blues world, Ana Popovic's American debut is a tour de force for this newcomer brimming with sass, brains, and talent.

© Hal Horowitz /TiVo

About the album

Improve album information

Qobuz logo Why buy on Qobuz...

On sale now...

Getz/Gilberto

Stan Getz

Getz/Gilberto Stan Getz

Moanin'

Art Blakey & The Jazz Messengers

Moanin' Art Blakey & The Jazz Messengers

Blue Train

John Coltrane

Blue Train John Coltrane

Speak No Evil

Wayne Shorter

Speak No Evil Wayne Shorter
More on Qobuz
By Ana Popovic

Tears In Heaven (Instrumental)

Ana Popovic

Unconditional

Ana Popovic

Unconditional Ana Popovic

Power

Ana Popovic

Power Ana Popovic

Live for Live

Ana Popovic

Live for Live Ana Popovic

Queen of the Pack

Ana Popovic

Queen of the Pack Ana Popovic

Playlists

You may also like...

At Last!

Etta James

At Last! Etta James

Blues Deluxe Vol. 2

Joe Bonamassa

Blues Deluxe Vol. 2 Joe Bonamassa

Couldn't Stand The Weather

Stevie Ray Vaughan

Couldn't Stand The Weather Stevie Ray Vaughan

The Lady In The Balcony: Lockdown Sessions

Eric Clapton

Finyl Vinyl

Canned Heat

Finyl Vinyl Canned Heat