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Joe Stampley|Good Ol' Boy: His Greatest Hits

Good Ol' Boy: His Greatest Hits

Joe Stampley

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Released the same year as Varese's The Best of Joe Stampley, Razor & Tie's Good Ol' Boy: His Greatest Hits compliments the other label's collection. Where Varese's 18-track disc focuses on Stampley's early-'70s recordings for Dot/ABC, this concentrates on his late-'70s/early-'80s work for Epic. The two discs share a mere four tracks -- the Dot singles "If You Touch Me (You've Got to Love Me)," "All These Things," and "Soul Song" and the Epic-era Moe Bandy duet "Just Good Ol' Boys" -- so they have considerably different feels, and ironically enough, the album covers do not offer a clear indication of which era is covered where, since the Varese features a contemporary photo and it's all old material, while Razor & Tie boasts an older photo and new recordings. Phew! The two taken together provide a full picture of Stampley's career as a hitmaker, but as individual collections they can be problematic, since the Varese doesn't have as many big hits but does have better music (and, unfortunately, is now out of print), while the Razor & Tie has the big hits (including four duets with Bandy) but runs out of musical steam about halfway through, as the '70s give way to the '80s and Stampley turns toward slicker, pop-inflected production. That most of the limp singles are in fact "CD bonus tracks" doesn't matter because they slow down the flow of the record and their overly polished, heavily synthesized productions undercut Stampley's vocals, which are still good, along with the memory of the strong honky tonk and country-soul that comprise the first ten songs or so -- and the Bandy duets that close the record hammer home that no matter how strongly Stampley started his stint at Epic, it ended up in a place that didn't showcase his talents. Nevertheless, those duets, combined with the first 11 tracks, help drive up the number of successful sides, and even if he slumped in the early '80s, his '70s Epic material -- including "Roll On, Big Mama," "Dear Woman," "Red Wine and Blue Memories," "If You've Got Ten Minutes, Let's Fall in Love," and "Put Your Clothes Back On" -- holds its own with the Dot recordings musically (plus, they were also bigger hits). Plus, that slump is an accurate reading of his career, as well, so Good Ol' Boy does its job well, summarizing the Epic recordings, warts and all.

© Stephen Thomas Erlewine /TiVo

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Good Ol' Boy: His Greatest Hits

Joe Stampley

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1
Roll On Big Mama
Joe Stampley
00:02:32

Norro Wilson, Producer - Joe Stampley, MainArtist, AssociatedPerformer - Daniel Darst, Composer, Lyricist

(P) 1975 Sony Music Entertainment

2
Dear Woman
Joe Stampley
00:03:05

Norro Wilson, Producer - Stephen Davis, Composer, Lyricist - Joe Stampley, MainArtist, AssociatedPerformer - M. SHERRILL, Composer, Lyricist - B. White, Arranger - J. Stampley, Composer, Lyricist

(P) 1975 Sony Music Entertainment

3
Everyday I Have to Cry Some
Joe Stampley
00:02:22

Norro Wilson, Producer - A. Alexander, Composer, Lyricist - Joe Stampley, MainArtist, AssociatedPerformer - Johnny Gimble, Fiddle - Murrey Harman, Drums - Kenneth Buttrey, Drums - The Nashville String Machine, Background Vocal - Reggie Young, Guitar - Hargus "Pig" Robbins, Piano - STEVE GIBSON, Guitar - Billy Sanford, Guitar - Henry Strzelecki, Bass Guitar - LOU BRADLEY, Engineer - Pete Drake, Steel Guitar - John C. Williams, Bass Guitar

(P) 1977 Sony Music Entertainment

4
Red Wine and Blue Memories
Joe Stampley
00:02:47

Carmol Taylor, Composer, Lyricist - Joe Stampley, MainArtist, AssociatedPerformer - MARK SHERRILL, Composer, Lyricist - Ray Baker, Producer - BILLY SHERRILL, Composer, Lyricist

(P) 1978 Sony Music Entertainment

5
If You've Got Ten Minutes (Let's Fall In Love)
Joe Stampley
00:03:15

Joe Stampley, MainArtist, AssociatedPerformer - Bill McElhiney, Arranger - The Nashville Edition, Background Vocal - BILLY SHERRILL, Producer, Engineer - Jerry Penrod, Composer, Lyricist - Michael Dukes, Composer, Lyricist

(P) 1978 Sony Music Entertainment

6
Do You Ever Fool Around
Joe Stampley
00:02:44

Joe Stampley, MainArtist, AssociatedPerformer - Don Griffin, Composer, Lyricist - Bill McElhiney, Arranger - The Nashville Edition, Background Vocal - BILLY SHERRILL, Producer - LOU BRADLEY, Engineer - Jerry Strickland, Composer, Lyricist

(P) 1978 Sony Music Entertainment

7
I Don't Lie
Joe Stampley
00:02:57

Joe Stampley, MainArtist, AssociatedPerformer - Bill McElhiney, Arranger - The Nashville Edition, Background Vocal - BILLY SHERRILL, Producer - LOU BRADLEY, Engineer - D. Rosson, Composer, Lyricist - D. Puett, Composer, Lyricist

(P) 1979 Sony Music Entertainment

8
Put Your Clothes Back On
Joe Stampley
00:03:25

Stephen Davis, Composer, Lyricist - Joe Stampley, MainArtist, AssociatedPerformer - Bill McElhiney, Arranger - The Nashville Edition, Background Vocal - BILLY SHERRILL, Producer - B. Sherrill, Composer, Lyricist - LOU BRADLEY, Engineer

(P) 1979 Sony Music Entertainment

9
I'm Gonna Love You Back to Loving Me Again
Joe Stampley
00:02:13

Joe Stampley, MainArtist, AssociatedPerformer - The Nashville Edition, Background Vocal - Ray Baker, Producer - DAVID BRIGGS, AssociatedPerformer - Reggie Young, AssociatedPerformer - Terry McMillan, AssociatedPerformer - BILLY SHERRILL, Engineer - Larrie Londin, AssociatedPerformer - Billy Sanford, AssociatedPerformer - Mike Leech, AssociatedPerformer - Jimmy Capps, AssociatedPerformer - Pete Wade, AssociatedPerformer - LOU BRADLEY, Engineer - Weldon Myrick, AssociatedPerformer - Larry Cheshier, Composer, Lyricist - Murry Kellum, Composer, Lyricist - Ron Reynolds, Engineer - Les Ladd, Engineer - Leo Jackson, AssociatedPerformer

(P) 1981 Sony Music Entertainment

10
Whiskey Chasin'
Joe Stampley
00:02:47

B. Cannon, Composer, Lyricist - Joe Stampley, MainArtist, AssociatedPerformer - The Nashville Edition, Background Vocal - Ray Baker, Producer - DAVID BRIGGS, Arranger, AssociatedPerformer - Reggie Young, AssociatedPerformer - Terry McMillan, AssociatedPerformer - BILLY SHERRILL, Engineer - Larrie Londin, AssociatedPerformer - Billy Sanford, AssociatedPerformer - Mike Leech, AssociatedPerformer - Jimmy Capps, AssociatedPerformer - Pete Wade, AssociatedPerformer - LOU BRADLEY, Engineer - Weldon Myrick, AssociatedPerformer - Ron Reynolds, Engineer - Shelly Kurland Strings, Strings - Les Ladd, Engineer - Leo Jackson, AssociatedPerformer

(P) 1981 Sony Music Entertainment

11
I'm Goin' Hurtin'
Joe Stampley
00:02:03

Joe Stampley, MainArtist, AssociatedPerformer - Ray Baker, Producer - The Nashville String Machine, Strings - BERGEN WHITE, Arranger - DAVID BRIGGS, AssociatedPerformer - Reggie Young, AssociatedPerformer - Ray Edenton, AssociatedPerformer - The Jordanaires, Background Vocal - Kenny Malone, AssociatedPerformer - Shane Keister, AssociatedPerformer - Larrie Londin, AssociatedPerformer - Henry Strzelecki, AssociatedPerformer - Weldon Myrick, AssociatedPerformer - Laverna Moore, Background Vocal - Leo Jackson, AssociatedPerformer - Justin Dickens, Composer, Lyricist - Nashville Horn Works, Horn

(P) 1982 Sony Music Entertainment

12
Backslidin'
Joe Stampley
00:02:36

D. Bergen White, Arranger - Joe Stampley, MainArtist, AssociatedPerformer - Ray Baker, Producer - Leroy Anderson, Composer, Lyricist - P. Craft, Composer, Lyricist

(P) 1982 Sony Music Entertainment

13
Double Shot (Of My Baby's Love)
Joe Stampley
00:02:45

D. Smith, Composer, Lyricist - Joe Stampley, Producer, MainArtist, AssociatedPerformer, Background Vocal - Billy Burnette, Background Vocal - DAVID BRIGGS, Keyboards - Reggie Young, Electric Guitar - Ray Edenton, Acoustic Guitar - Hargus "Pig" Robbins, Piano - ANDY WILLIAMS, Assistant Engineer - BILLY SHERRILL, Engineer - Mike Johnson, Steel Guitar - Larrie Londin, Drums - Lobo, Producer, Acoustic Guitar, Electric Guitar, Organ - Harold Bradley, Steel Guitar - Henry Strzelecki, Bass - RON "SNAKE" REYNOLDS, Engineer - Roy Yeager, Drums - Gregg Galbraith, Electric Guitar - Ed Hudson, Assistant Engineer - Leo Jackson, Acoustic Guitar - C. Vetter, Composer, Lyricist - Roy Peterman, Steel Guitar

(P) 1983 Sony Music Entertainment

14
Honky Tonk Queen
Moe Bandy
00:02:43

Moe Bandy & Joe Stampley, AssociatedPerformer - Moe Bandy, MainArtist, AssociatedPerformer, Vocal - Joe Stampley, MainArtist, AssociatedPerformer, Vocal - Robby Hicks, Composer, Lyricist - Ray Baker, Producer - BILLY SHERRILL, Engineer - The Jordanaires, Background Vocal - LOU BRADLEY, Engineer - Ron Reynolds, Engineer - Laverna Moore, Background Vocal

(P) 1981 Columbia Records, a division of Sony Music Entertainment

15
Just Good Ol' Boys
Moe Bandy
00:02:33

Moe Bandy & Joe Stampley, AssociatedPerformer - Ansley Fleetwood, Composer, Lyricist - Moe Bandy, MainArtist, AssociatedPerformer - Joe Stampley, MainArtist, AssociatedPerformer - Ray Baker, Producer

(P)1979 Sony Music Entertainment

16
Holding the Bag
Moe Bandy
00:02:34

Pat Bunch, Composer, Lyricist - Moe Bandy & Joe Stampley, AssociatedPerformer - Moe Bandy, MainArtist, AssociatedPerformer - Joe Stampley, MainArtist, AssociatedPerformer - Ray Baker, Producer - BILLY SHERRILL, Engineer - The Jordanaires, Background Vocal - Buck Moore, Composer, Lyricist - Ron Reynolds, Engineer - Laverna Moore, AssociatedPerformer

(P)1979 Columbia Records, a division of Sony Music Entertainment

17
Where's the Dress
Moe Bandy
00:02:52

Moe Bandy & Joe Stampley, AssociatedPerformer - Moe Bandy, MainArtist, AssociatedPerformer - Joe Stampley, MainArtist, AssociatedPerformer - Hollis Flatt, Mastering Engineer - Blake Mevis, Producer - M.C. Rather, Mastering Engineer - T. Stampley, Composer, Lyricist - B. Lindsey, Composer, Lyricist - G. Cummings, Composer, Lyricist

(P) 1984 Sony Music Entertainment

Album review

Released the same year as Varese's The Best of Joe Stampley, Razor & Tie's Good Ol' Boy: His Greatest Hits compliments the other label's collection. Where Varese's 18-track disc focuses on Stampley's early-'70s recordings for Dot/ABC, this concentrates on his late-'70s/early-'80s work for Epic. The two discs share a mere four tracks -- the Dot singles "If You Touch Me (You've Got to Love Me)," "All These Things," and "Soul Song" and the Epic-era Moe Bandy duet "Just Good Ol' Boys" -- so they have considerably different feels, and ironically enough, the album covers do not offer a clear indication of which era is covered where, since the Varese features a contemporary photo and it's all old material, while Razor & Tie boasts an older photo and new recordings. Phew! The two taken together provide a full picture of Stampley's career as a hitmaker, but as individual collections they can be problematic, since the Varese doesn't have as many big hits but does have better music (and, unfortunately, is now out of print), while the Razor & Tie has the big hits (including four duets with Bandy) but runs out of musical steam about halfway through, as the '70s give way to the '80s and Stampley turns toward slicker, pop-inflected production. That most of the limp singles are in fact "CD bonus tracks" doesn't matter because they slow down the flow of the record and their overly polished, heavily synthesized productions undercut Stampley's vocals, which are still good, along with the memory of the strong honky tonk and country-soul that comprise the first ten songs or so -- and the Bandy duets that close the record hammer home that no matter how strongly Stampley started his stint at Epic, it ended up in a place that didn't showcase his talents. Nevertheless, those duets, combined with the first 11 tracks, help drive up the number of successful sides, and even if he slumped in the early '80s, his '70s Epic material -- including "Roll On, Big Mama," "Dear Woman," "Red Wine and Blue Memories," "If You've Got Ten Minutes, Let's Fall in Love," and "Put Your Clothes Back On" -- holds its own with the Dot recordings musically (plus, they were also bigger hits). Plus, that slump is an accurate reading of his career, as well, so Good Ol' Boy does its job well, summarizing the Epic recordings, warts and all.

© Stephen Thomas Erlewine /TiVo

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