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Malinky|Flower & Iron

Flower & Iron

Malinky

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Most traditional Celtic bands focus on tunes first and songs second. Scotland's Malinky take the opposite tack with their fourth album, emphasizing songs over instrumentals and featuring rather unusual arrangements that sometimes pair male and female vocals together -- an approach that is somewhat unique among trad groups. The singing is excellent: Steve Byrne avoids the thin, weedy vocal style favored by so many of his compatriots, and instead sings in a richer, slightly chestier style that very nicely complements the flute-like voice of Fiona Hunter. Most of the songs on Flower & Iron are traditional, and some are quite familiar: "The Broomfield Hill" is very closely related to "The Bonnie Green Broom," and those familiar with the Child collection of ballads will likely recognize "Sweet Willie and Fair Annie" as well. But the arrangements are all new and quietly innovative, and when the band takes off on a sprightly set of reels or slip jigs, the effect is electrifying. The album's low point is a rather ham-fisted antiwar song called "When Margaret Was Eleven," but even that one's not bad.
© Rick Anderson /TiVo

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Flower & Iron

Malinky

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1
Pad The Road Wi Me
00:03:11

Malinky, MainArtist - Mike Vaas, Composer, Writer

2
The Broomfield Hill
00:04:08

Malinky, MainArtist

3
When Margaret Was Eleven
00:05:09

Malinky, MainArtist - Pete St John, Composer, Writer

4
Gan te the kye wi me/The Cottongrass
00:03:55

Malinky, MainArtist

5
Dark Horse on The Wind
00:05:49

Liam Weldon, Composer, Writer - Malinky, MainArtist

6
The Shipyard Apprentice
00:04:20

Bobby Campbell, Composer, Writer - Malinky, MainArtist

7
Sweet Willie and Fair Annie
00:07:35

Tim Eriksen, Composer, Writer - Malinky, MainArtist

8
The Drunken Duck/The Ronan Boys/The Chattering Magpie/The Famous Ballymote
00:04:53

trad, Composer, Writer - Liz Carroll, Composer, Writer - Malinky, MainArtist - Lillias Kinsman-Blake, Composer, Writer

9
The Ploughboy and The Maid/Give It a Wee Try
00:03:57

trad, Composer, Writer - Malinky, MainArtist - Mike Vaas, Composer, Writer

10
Janice Leask of Lerwick/Why Should I?/Jock Hosie's Fancy
00:03:53

trad, Composer, Writer - Malinky, MainArtist - Mark Dunlop, Composer, Writer - Lindsay Ross, Composer, Writer

11
Cavers of Kirkcudbright/Ruaraidh Mor's Lullaby
00:06:57

Malinky, MainArtist - Mke Vass, Composer, Writer - Duncan Johnstone, Composer, Writer

12
The Road Tae Drumleman
00:04:45

Malinky, MainArtist - Tony Cuffe, Composer, Writer

Album review

Most traditional Celtic bands focus on tunes first and songs second. Scotland's Malinky take the opposite tack with their fourth album, emphasizing songs over instrumentals and featuring rather unusual arrangements that sometimes pair male and female vocals together -- an approach that is somewhat unique among trad groups. The singing is excellent: Steve Byrne avoids the thin, weedy vocal style favored by so many of his compatriots, and instead sings in a richer, slightly chestier style that very nicely complements the flute-like voice of Fiona Hunter. Most of the songs on Flower & Iron are traditional, and some are quite familiar: "The Broomfield Hill" is very closely related to "The Bonnie Green Broom," and those familiar with the Child collection of ballads will likely recognize "Sweet Willie and Fair Annie" as well. But the arrangements are all new and quietly innovative, and when the band takes off on a sprightly set of reels or slip jigs, the effect is electrifying. The album's low point is a rather ham-fisted antiwar song called "When Margaret Was Eleven," but even that one's not bad.
© Rick Anderson /TiVo

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