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Dan Laurin|Early Italian Chamber Music - Works for Recorder and Basso Continuo

Early Italian Chamber Music - Works for Recorder and Basso Continuo

Dan Laurin and Masaaki Suzuki

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Bis' Early Italian Chamber Music is a collection of early chamber sonatas for recorder and continuo played by Dan Laurin accompanied by Masaaki Suzuki. It consists of 14 pieces, mostly single-movement sonatas, canzone, a couple of works referred to as "Sinfonias," and one Ricercar dating from 1585 that at least predate and in some cases prefigure the multi-movement sonata form associated with the Baroque. The most "modern" piece here, the Sonata La Bernabea of Giovanni Antonio Pandolfi Mealli, dates from 1660.
The playing is very good -- Laurin is certainly facile on the recorder and Suzuki provides a low-key accompaniment on harpsichord and organ that is tasteful and does not dominate. However, the recorder has a tendency to be a very bright instrument, and here Bis seems to have picked Laurin's playing up in a way that makes it rather shrill sounding for much of the disc. This does not hold true for every selection, as in the Giovanni Paolo Cima Sonata Seconda the recorder sounds fine and does not distort or prove piercing in tone. Why Bis, whose recordings are generally among the best being made these days, was unable to maintain a consistent, and comfortable, volume level for the recorder here is an absolute mystery.
It is very nice to have these sonatas recorded, and Early Italian Chamber Music does provide some insight into the chamber music of the early Baroque. Nevertheless, be prepared to jockey the treble knob on your amplifier or the higher sliders on your EQ, as the recording overall is a little too bright.

© TiVo

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Early Italian Chamber Music - Works for Recorder and Basso Continuo

Dan Laurin

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Sonata No. 1 (Dario Castello)

1
Sonata Prima, for recorder and basso continuo
Dan Laurin
00:05:29

Dario Castello, Composer - Dan Laurin, MainArtist, AssociatedPerformer - Masaaki Suzuki, MainArtist, AssociatedPerformer

2005 BIS 2005 (P) BIS

2
Sonata Seconda, for recorder and basso continuo
Dan Laurin
00:06:50

Giovanni Battista Fontana, Composer - Dan Laurin, MainArtist, AssociatedPerformer - Masaaki Suzuki, MainArtist, AssociatedPerformer

2005 BIS 2005 (P) BIS

Sinfonia No. 1 (Bartolomeo Montalbano)

3
Sinfonia Prima: Arezzo, for recorder and harpsichord
Dan Laurin
00:02:37

Dan Laurin, MainArtist, AssociatedPerformer - Masaaki Suzuki, MainArtist, AssociatedPerformer - Bartolomeo Montalbano, Composer

2005 BIS 2005 (P) BIS

4
Sonata Seconda, for recorder and basso continuo
Dan Laurin
00:04:21

Giovanni Paolo Cima, Composer - Dan Laurin, MainArtist, AssociatedPerformer - Masaaki Suzuki, MainArtist, AssociatedPerformer

2005 BIS 2005 (P) BIS

Recorder Sonata No. 1 (Tarquinio Merula)

5
Sonata Prima, for recorder and basso continuo
Dan Laurin
00:05:33

Tarquinio Merula, Composer - Dan Laurin, MainArtist, AssociatedPerformer - Masaaki Suzuki, MainArtist, AssociatedPerformer

2005 BIS 2005 (P) BIS

6
Ricercata Ottava, for recorder
Dan Laurin
00:02:49

Giovanni Bassano, Composer - Dan Laurin, MainArtist, AssociatedPerformer

2005 BIS 2005 (P) BIS

7
Canzone Sesta, for recorder and basso continuo
Dan Laurin
00:08:42

Angelo Berardi, Composer - Dan Laurin, MainArtist, AssociatedPerformer - Masaaki Suzuki, MainArtist, AssociatedPerformer

2005 BIS 2005 (P) BIS

Sinfonia No. 4, Op. 1 (Bartolomeo Montalbano)

8
Sinfonia Quarta: Geloso, for recorder and harpsichord
Dan Laurin
00:02:46

Dan Laurin, MainArtist, AssociatedPerformer - Masaaki Suzuki, MainArtist, AssociatedPerformer - Bartolomeo Montalbano, Composer

2005 BIS 2005 (P) BIS

Laudate Pueri for Recorder and Basso Continuo (Giovanni Luca Conforti)

9
Laudate Pueri, for recorder and basso continuo
Dan Laurin
00:06:00

Dan Laurin, MainArtist, AssociatedPerformer - Masaaki Suzuki, MainArtist, AssociatedPerformer - Giovanni Luca Conforti, Composer

2005 BIS 2005 (P) BIS

10
Sonata Prima, for recorder and basso continuo
Dan Laurin
00:04:10

Giovanni Paolo Cima, Composer - Dan Laurin, MainArtist, AssociatedPerformer - Masaaki Suzuki, MainArtist, AssociatedPerformer

2005 BIS 2005 (P) BIS

11
Canzona Terza, for organ
Masaaki Suzuki
00:04:03

Masaaki Suzuki, MainArtist, AssociatedPerformer - Girolamo Alessandro Frescobaldi, Composer

2005 BIS 2005 (P) BIS

2 Canzoni for Recorder and Basso Continuo (Girolamo Frescobaldi)

12
Canzona prima, "La Bonuisia"
Dan Laurin
00:03:39

Dan Laurin, MainArtist, AssociatedPerformer - Masaaki Suzuki, MainArtist, AssociatedPerformer - Girolamo Alessandro Frescobaldi, Composer

2005 BIS 2005 (P) BIS

13
Canzona seconda, "La Bernardina"
Dan Laurin
00:03:26

Dan Laurin, MainArtist, AssociatedPerformer - Masaaki Suzuki, MainArtist, AssociatedPerformer - Girolamo Alessandro Frescobaldi, Composer

2005 BIS 2005 (P) BIS

Sonata for Recorder and Basso Continuo (Giovanni Antonio Pandolfi Mealli)

14
Sonata, "La Bernabea", for recorder and basso continuo
Dan Laurin
00:07:50

Giovanni Antonio Pandolfi Mealli, Composer - Dan Laurin, MainArtist, AssociatedPerformer - Masaaki Suzuki, MainArtist, AssociatedPerformer

2005 BIS 2005 (P) BIS

Album review

Bis' Early Italian Chamber Music is a collection of early chamber sonatas for recorder and continuo played by Dan Laurin accompanied by Masaaki Suzuki. It consists of 14 pieces, mostly single-movement sonatas, canzone, a couple of works referred to as "Sinfonias," and one Ricercar dating from 1585 that at least predate and in some cases prefigure the multi-movement sonata form associated with the Baroque. The most "modern" piece here, the Sonata La Bernabea of Giovanni Antonio Pandolfi Mealli, dates from 1660.
The playing is very good -- Laurin is certainly facile on the recorder and Suzuki provides a low-key accompaniment on harpsichord and organ that is tasteful and does not dominate. However, the recorder has a tendency to be a very bright instrument, and here Bis seems to have picked Laurin's playing up in a way that makes it rather shrill sounding for much of the disc. This does not hold true for every selection, as in the Giovanni Paolo Cima Sonata Seconda the recorder sounds fine and does not distort or prove piercing in tone. Why Bis, whose recordings are generally among the best being made these days, was unable to maintain a consistent, and comfortable, volume level for the recorder here is an absolute mystery.
It is very nice to have these sonatas recorded, and Early Italian Chamber Music does provide some insight into the chamber music of the early Baroque. Nevertheless, be prepared to jockey the treble knob on your amplifier or the higher sliders on your EQ, as the recording overall is a little too bright.

© TiVo

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