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Paul Bley|Double Time

Double Time

Paul Bley and Jane Bunnett

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Paul Bley learned long ago what it took many other avant-garde musicians (particularly saxophonists) years to realize, that it is not necessary to play free improvisations at a consistently ferocious level; one can improvise freely with lyricism, melodies and an inventive use of space. Throughout his often-fascinating duet set with Jane Bunnett (the latter is mostly on soprano but also plays some of her very individual flute), Bley is very much the leader, setting the atmosphere and the groove (if there is any). Other than "Music Matador" (which was written by Prince Lasha and Sonny Simmons 30 years ago), all of the 11 selections (which range in length from 41 seconds to eight minutes) were composed by Bley and/or Bunnett, much of it improvised on the spot. Generally the performances are concise enough not to overstay their welcome with the most memorable tracks being Bunnett's scalar (a la Steve Lacy) "B&B on the Rocks," the ballad "Foolishly," and the delightfully overcrowded and constantly evolving "Green & Brown." This is stimulating music subtle enough to reward repeated listenings.

© Scott Yanow /TiVo

More info

Double Time

Paul Bley

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1
Prequel
00:00:41

Paul Bley, MainArtist - Jane Bunnett, MainArtist - Pablo Music, MusicPublisher - Janijam Music Reg D administered by Nettwerk Music Group Inc./Kobalt Music, MusicPublisher

1994 Justin Time Records 1994 Justin Time Records

2
Sequel
00:04:46

Paul Bley, MainArtist - Jane Bunnett, MainArtist - Pablo Music, MusicPublisher - Janijam Music Reg D administered by Nettwerk Music Group Inc./Kobalt Music, MusicPublisher

1994 Justin Time Records 1994 Justin Time Records

3
B & B On The Rocks
00:01:34

Paul Bley, MainArtist - Jane Bunnett, MainArtist - Janijam Music Reg D administered by Nettwerk Music Group Inc./Kobalt Music, MusicPublisher

1994 Justin Time Records 1994 Justin Time Records

4
Time Was
00:00:41

Paul Bley, MainArtist - Jane Bunnett, MainArtist - Pablo Music, MusicPublisher - Janijam Music Reg D administered by Nettwerk Music Group Inc./Kobalt Music, MusicPublisher

1994 Justin Time Records 1994 Justin Time Records

5
Neo Boogie
00:04:31

Paul Bley, MainArtist - Jane Bunnett, MainArtist - Pablo Music, MusicPublisher - Janijam Music Reg D administered by Nettwerk Music Group Inc./Kobalt Music, MusicPublisher

1994 Justin Time Records 1994 Justin Time Records

6
Music Matador
00:06:26

Paul Bley, MainArtist - Jane Bunnett, MainArtist - Matador Music Publishing Inc, MusicPublisher

1994 Justin Time Records 1994 Justin Time Records

7
Foolishly
00:05:41

Paul Bley, MainArtist - Jane Bunnett, MainArtist - Pablo Music, MusicPublisher - Janijam Music Reg D administered by Nettwerk Music Group Inc./Kobalt Music, MusicPublisher

1994 Justin Time Records 1994 Justin Time Records Inc.

8
Green & Brown
00:08:07

Paul Bley, MainArtist - Jane Bunnett, MainArtist - Pablo Music, MusicPublisher - Janijam Music Reg D administered by Nettwerk Music Group Inc./Kobalt Music, MusicPublisher

1994 Justin Time Records 1994 Justin Time Records

9
Please Don't Ever Leave Me
00:04:50

Paul Bley, MainArtist - Jane Bunnett, MainArtist - Pablo Music, MusicPublisher - Janijam Music Reg D administered by Nettwerk Music Group Inc./Kobalt Music, MusicPublisher

1994 Justin Time Records 1994 Justin Time Records

10
Ballade
00:03:32

Paul Bley, MainArtist - Jane Bunnett, MainArtist - Pablo Music, MusicPublisher - Janijam Music Reg D administered by Nettwerk Music Group Inc./Kobalt Music, MusicPublisher

1994 Justin Time Records 1994 Justin Time Records

11
A Dozen Blues
00:06:19

Paul Bley, MainArtist - Jane Bunnett, MainArtist - Pablo Music, MusicPublisher - Janijam Music Reg D administered by Nettwerk Music Group Inc./Kobalt Music, MusicPublisher

1994 Justin Time Records 1994 Justin Time Records

Album review

Paul Bley learned long ago what it took many other avant-garde musicians (particularly saxophonists) years to realize, that it is not necessary to play free improvisations at a consistently ferocious level; one can improvise freely with lyricism, melodies and an inventive use of space. Throughout his often-fascinating duet set with Jane Bunnett (the latter is mostly on soprano but also plays some of her very individual flute), Bley is very much the leader, setting the atmosphere and the groove (if there is any). Other than "Music Matador" (which was written by Prince Lasha and Sonny Simmons 30 years ago), all of the 11 selections (which range in length from 41 seconds to eight minutes) were composed by Bley and/or Bunnett, much of it improvised on the spot. Generally the performances are concise enough not to overstay their welcome with the most memorable tracks being Bunnett's scalar (a la Steve Lacy) "B&B on the Rocks," the ballad "Foolishly," and the delightfully overcrowded and constantly evolving "Green & Brown." This is stimulating music subtle enough to reward repeated listenings.

© Scott Yanow /TiVo

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