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A big chunk of the pop audience Joni Mitchell had earned with Court and Spark in 1974 deserted her in 1975 and 1976 when the follow-ups, The Hissing of Summer Lawns and Hejira, proved more difficult works. With this pretentious double album, Mitchell lost many of the loyal fans who'd stuck with her from the beginning but who now, as she spread her obscure poetic observations and thin melodies across whole sides of the album, found her disengaged from the close, personal observations that filled her best songs. This was Mitchell's last album to go gold.
© William Ruhlmann /TiVo
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Steve Katz, Audio Recording Engineer, MixingEngineer - Bernie Grundman, MasteringEngineer - JOHN GUERIN, Drums - Henry Lewy, Audio Recording Engineer, MixingEngineer - Joni Mitchell, Producer, Guitar, Vocals, Writer, MainArtist - Frank Laico, Orchestral Engineer - JACO PASTORIUS, Bass Guitar - Robert Ash, AssistantEngineer
© 1977 Asylum Records ℗ 1977 Asylum Records
Steve Katz, Audio Recording Engineer, MixingEngineer - Bernie Grundman, MasteringEngineer - Henry Lewy, Audio Recording Engineer, MixingEngineer - Joni Mitchell, Producer, Guitar, Vocals, Writer, MainArtist - Frank Laico, Orchestral Engineer - JACO PASTORIUS, Bass Guitar - Robert Ash, AssistantEngineer
© 1977 Asylum Records ℗ 1977 Asylum Records
Tom Scott, Horn - JOHN GUERIN, Drums - Joni Mitchell, Guitar, Piano, Vocals, Writer, MainArtist - Max Bennett, Bass Guitar - Larry Nash, Piano - Robben Ford, Electric Guitar
© 1977 Asylum Records ℗ 1974 Elektra/Asylum Records
Steve Katz, Audio Recording Engineer, MixingEngineer - Bernie Grundman, MasteringEngineer - JOHN GUERIN, Drums - Henry Lewy, Audio Recording Engineer, MixingEngineer - Joni Mitchell, Producer, Piano, Vocals, Writer, MainArtist - Wayne Shorter, Soprano Saxophone - Frank Laico, Orchestral Engineer - Michael Gibbs, Conductor - JACO PASTORIUS, Bass Guitar - Robert Ash, AssistantEngineer
© 1977 Asylum Records ℗ 1977 Asylum Records
Steve Katz, Audio Recording Engineer, MixingEngineer - Michael Colombier, Piano - Bernie Grundman, MasteringEngineer - JOHN GUERIN, Drums - Henry Lewy, Audio Recording Engineer, MixingEngineer - Joni Mitchell, Producer, Acoustic Guitar, Vocals, Writer, MainArtist - LARRY CARLTON, Electric Guitar - Frank Laico, Orchestral Engineer - Robert Ash, AssistantEngineer
© 1977 Asylum Records ℗ 1977 Asylum Records
Steve Katz, Audio Recording Engineer, MixingEngineer - Bernie Grundman, MasteringEngineer - Airto Moreira, Writer - Henry Lewy, Audio Recording Engineer, MixingEngineer - Joni Mitchell, Producer, Vocals, Writer, MainArtist - CHAKA KHAN, Vocals - Frank Laico, Orchestral Engineer - Don Alias, Congas Drums, Vocals, Writer, Claves Percussion - JACO PASTORIUS, Bongo Drums - Alejandro Acuna, Congas Drums, Vocals, Writer, Cowbell Percussion - Manola Badrena, Congas Drums, Lead Vocals - Airto, Surdo - Robert Ash, AssistantEngineer - John Pastorius, Writer - Manuel Badrena, Writer
© 1977 Asylum Records ℗ 1977 Asylum Records
Steve Katz, Audio Recording Engineer, MixingEngineer - Bernie Grundman, MasteringEngineer - Henry Lewy, Audio Recording Engineer, MixingEngineer - Joni Mitchell, Producer, Vocals, Writer, MainArtist - CHAKA KHAN, Vocals - Frank Laico, Orchestral Engineer - Don Alias, Percussion - JACO PASTORIUS, Cowbell Percussion - Alejandro Acuna, Shaker - Manola Badrena, Congas Drums - Airto, Surdo - Robert Ash, AssistantEngineer
© 1977 Asylum Records ℗ 1977 Asylum Records
Steve Katz, Audio Recording Engineer, MixingEngineer - Bernie Grundman, MasteringEngineer - Henry Lewy, Audio Recording Engineer, MixingEngineer - Joni Mitchell, Producer, Guitar, Vocals, Writer, MainArtist - Frank Laico, Orchestral Engineer - Don Alias, Percussion - JACO PASTORIUS, Bass Guitar - Alejandro Acuna, Bells - Robert Ash, AssistantEngineer - El Bwyd, Vocal Percussion
© 1977 Asylum Records ℗ 1977 Asylum Records
J. D. SOUTHER, Vocals - Steve Katz, Audio Recording Engineer, MixingEngineer - Bernie Grundman, MasteringEngineer - JOHN GUERIN, Drums - Henry Lewy, Audio Recording Engineer, MixingEngineer - Joni Mitchell, Producer, Vocals, Writer, MainArtist - Glenn Frey, Vocals - Frank Laico, Orchestral Engineer - Michael Gibbs, Conductor - JACO PASTORIUS, Bass Guitar - Robert Ash, AssistantEngineer
© 1977 Asylum Records ℗ 1977 Asylum Records
Steve Katz, Audio Recording Engineer, MixingEngineer - Bernie Grundman, MasteringEngineer - Henry Lewy, Audio Recording Engineer, MixingEngineer - Joni Mitchell, Producer, Guitar, Vocals, Writer, MainArtist - Frank Laico, Orchestral Engineer - Robert Ash, AssistantEngineer
© 1977 Asylum Records ℗ 1977 Asylum Records
Album review
A big chunk of the pop audience Joni Mitchell had earned with Court and Spark in 1974 deserted her in 1975 and 1976 when the follow-ups, The Hissing of Summer Lawns and Hejira, proved more difficult works. With this pretentious double album, Mitchell lost many of the loyal fans who'd stuck with her from the beginning but who now, as she spread her obscure poetic observations and thin melodies across whole sides of the album, found her disengaged from the close, personal observations that filled her best songs. This was Mitchell's last album to go gold.
© William Ruhlmann /TiVo
About the album
- 1 disc(s) - 10 track(s)
- Total length: 00:59:35
- Main artists: Joni Mitchell
- Label: Rhino
- Genre: Pop/Rock Pop
© 1977 Asylum Records ℗ 1977 Asylum Records
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