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Cássia Eller|Cássia Eller

Cássia Eller

Cássia Eller

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The first album by the rock vocalist Cássia Eller. The aggressiveness of her low voice and the dry arrangements brought her national fame, even if the release didn't have a high selling. In 1989, she had recorded a demo tape with "Por Enquanto" (Renato Russo) for her first manager, her uncle Anderson, who showed it at Polygram. The song, included here, would be her first hit. The melancholic nostalgia of the lyrics is highlighted by her own folk rendition at the acoustic guitar. The album open's with an Itamar Assumpção version of Marcus Miller's "Tutu," "Já Deu Pra Sentir." "Rubens" (Mário Manga), already recorded by Manga's Premê, is an ambiguous love song that had been vetoed by censorship. The song, portraying an unconventional romance, is an adequate vehicle for Eller's rebellious image, as are the aggressive "O Dedo de Deus" (Arrigo Barnabé/Mário Manga), "Não Sei o Que Eu Quero da Vida" (Hermelino Neder/Arrigo Barnabé, where, in both songs, she incorporated Barnabé's dramatic performance), "Barraco," and the blues "Que o Deus Venha" (from Barão Vermelho's Frejat/Cazuza, over a poem by Clarice Lispector). But MPB is recalled in the instrumental samba "Lullaby" (one of her rare compositions, together with Márcio Faraco), and the classic "Eleanor Rigby" (Lennon/McCarney) is interpreted as reggae, with a Carmen Miranda-like accent. Hilarious.

© Alvaro Neder /TiVo

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Cássia Eller

Cássia Eller

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1
Já Deu Pra Sentir - Tutu
00:03:11

Itamar Assumpção, ComposerLyricist - Cássia Eller, Vocalist, MainArtist, AssociatedPerformer - Wanderson Clayton, Producer

℗ 1990 Universal Music Ltda

2
Rubens
00:03:27

Mário Manga, ComposerLyricist - Cássia Eller, Vocalist, MainArtist, AssociatedPerformer - Wanderson Clayton, Producer

℗ 1990 Universal Music Ltda

3
Barraco
00:03:00

Jorge Salomão, ComposerLyricist - Roberto Frejat, ComposerLyricist - Cássia Eller, Vocalist, MainArtist, AssociatedPerformer - Wanderson Clayton, Producer

℗ 1990 Universal Music Ltda

4
Que O Deus Venha
00:03:19

Cazuza, ComposerLyricist - Roberto Frejat, ComposerLyricist - Cássia Eller, Vocalist, MainArtist, AssociatedPerformer - Clarice Lispector, ComposerLyricist - Wanderson Clayton, Producer

℗ 1990 Universal Music Ltda

5
Eleanor Rigby
00:03:07

John Lennon, ComposerLyricist - Paul Mccartney, ComposerLyricist - Cássia Eller, Vocalist, MainArtist, AssociatedPerformer - Wanderson Clayton, Producer

℗ 1990 Universal Music Ltda

6
Otario
00:03:57

Cássia Eller, Vocalist, MainArtist, AssociatedPerformer - Bocato, ComposerLyricist - Wanderson Clayton, Producer

℗ 1990 Universal Music Ltda

7
Por Enquanto
00:04:04

Renato Russo, ComposerLyricist - Cássia Eller, Vocalist, MainArtist, AssociatedPerformer - Wanderson Clayton, Producer

℗ 1990 Universal Music Ltda

8
O Dedo De Deus
00:02:55

Mário Manga, ComposerLyricist - Cássia Eller, Vocalist, MainArtist, AssociatedPerformer - Arrigo Barnabe, ComposerLyricist - Wanderson Clayton, Producer

℗ 1990 Universal Music Ltda

9
Lullaby
00:01:45

Cássia Eller, MainArtist, ComposerLyricist - Márcio Faraco, ComposerLyricist - Wanderson Clayton, Producer

℗ 1990 Universal Music Ltda

10
Não Sei O Que Eu Quero Da Vida
00:02:32

Cássia Eller, Vocalist, MainArtist, AssociatedPerformer - Arrigo Barnabe, ComposerLyricist - Hermelino Neder, ComposerLyricist - Wanderson Clayton, Producer

℗ 1990 Universal Music Ltda

11
Tutti Frutti
00:03:07

Richard Penniman, ComposerLyricist - Joe Lubin, ComposerLyricist - Dorothy La Bostrie, ComposerLyricist - Cássia Eller, MainArtist

℗ 1990 Universal Music Ltda

Album review

The first album by the rock vocalist Cássia Eller. The aggressiveness of her low voice and the dry arrangements brought her national fame, even if the release didn't have a high selling. In 1989, she had recorded a demo tape with "Por Enquanto" (Renato Russo) for her first manager, her uncle Anderson, who showed it at Polygram. The song, included here, would be her first hit. The melancholic nostalgia of the lyrics is highlighted by her own folk rendition at the acoustic guitar. The album open's with an Itamar Assumpção version of Marcus Miller's "Tutu," "Já Deu Pra Sentir." "Rubens" (Mário Manga), already recorded by Manga's Premê, is an ambiguous love song that had been vetoed by censorship. The song, portraying an unconventional romance, is an adequate vehicle for Eller's rebellious image, as are the aggressive "O Dedo de Deus" (Arrigo Barnabé/Mário Manga), "Não Sei o Que Eu Quero da Vida" (Hermelino Neder/Arrigo Barnabé, where, in both songs, she incorporated Barnabé's dramatic performance), "Barraco," and the blues "Que o Deus Venha" (from Barão Vermelho's Frejat/Cazuza, over a poem by Clarice Lispector). But MPB is recalled in the instrumental samba "Lullaby" (one of her rare compositions, together with Márcio Faraco), and the classic "Eleanor Rigby" (Lennon/McCarney) is interpreted as reggae, with a Carmen Miranda-like accent. Hilarious.

© Alvaro Neder /TiVo

About the album

© 1990 Universal Music Ltda ℗ 1990 Universal Music Ltda

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