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The Netherlands Bach Society|Buxtehude: Membra Jesu Nostri

Buxtehude: Membra Jesu Nostri

The Netherlands Bach Society and Jos van Veldhoven

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This cycle, which is clearly not intended for liturgical use and dedicated to his friend Gustav Dben, must indubitably be seen as an expression of Buxtehude's own religious experience and personal devotion. In fact, we know unusually little about this great musician; no personal letters or anecdotes have survived. His music speaks to us all the more powerfully - especially the Membra Jesu Nostri, with its highly personal combination of introverted expressivity, deliberately simple declamation (here and there it can even be called naive), and great harmonic richness. No matter how alien the content of the medieval Latin text may be to our 21st-century sensibilities, it nevertheless inspired Buxtehude to produce a visionary setting, in a vivid cycle of compositions which still go straight to our hearts. Pieter Dirksen (from liner notes)

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Buxtehude: Membra Jesu Nostri

The Netherlands Bach Society

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Membra Jesu Nostri, BuxWV 75 (Dieterich Buxtehude)

1
I. Ad pedes, "Ecce super montes" (Sopranos 1 & 2, Alto, Tenor, Bass)
00:08:32

Copyright Control, MusicPublisher - Dietrich Buxtehude, Composer - Jos van Veldhoven, Conductor, MainArtist - The Netherlands Bach Society, Ensemble, MainArtist - Nahum, Lyricist

2006 Channel Classics Records 2006 Channel Classics Records

2
II. Ad genua, "Ad ubera portabimini" (Sopranos 1 & 2, Alto, Tenor, Bass)
00:08:14

Copyright Control, MusicPublisher - Dietrich Buxtehude, Composer - Jos van Veldhoven, Conductor, MainArtist - The Netherlands Bach Society, Ensemble, MainArtist - Isaiah, Lyricist

2006 Channel Classics Records 2006 Channel Classics Records

3
III. Ad manus, "Quid sunt plagae istate" (Sopranos 1 & 2, Alto, Tenor, Bass)
00:10:19

Copyright Control, MusicPublisher - Dietrich Buxtehude, Composer - Jos van Veldhoven, Conductor, MainArtist - The Netherlands Bach Society, Ensemble, MainArtist - Zechariah, Lyricist

2006 Channel Classics Records 2006 Channel Classics Records

4
IV. Ad latus, "Surge amica mea" (Sopranos 1 & 2, Alto, Tenor, Bass)
00:07:35

Solomon, Lyricist - Copyright Control, MusicPublisher - Dietrich Buxtehude, Composer - Jos van Veldhoven, Conductor, MainArtist - The Netherlands Bach Society, Ensemble, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

5
V. Ad pectus, "Sicut modo geniti infantes" (Alto, Tenor, Bass)
00:09:43

Copyright Control, MusicPublisher - Dietrich Buxtehude, Composer - Jos van Veldhoven, Conductor, MainArtist - The Netherlands Bach Society, Ensemble, MainArtist - Peter the Apostle, Lyricist

2006 Channel Classics Records 2006 Channel Classics Records

6
VI. Ad cor, "Vulnerasti cor meum" (Sopranos 1 & 2, Bass)
00:10:52

Solomon, Lyricist - Copyright Control, MusicPublisher - Dietrich Buxtehude, Composer - Jos van Veldhoven, Conductor, MainArtist - The Netherlands Bach Society, Ensemble, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

7
VII. Ad faciem, "Illustra faciem tuam" (Sopranos 1 & 2, Alto, Tenor, Bass)
00:07:23

Anonymous, Lyricist - Copyright Control, MusicPublisher - Dietrich Buxtehude, Composer - Jos van Veldhoven, Conductor, MainArtist - The Netherlands Bach Society, Ensemble, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

Mit Fried und Freud ich fahr dahin, BuxWV 76 (Dieterich Buxtehude)

8
No. 1. Contrapunctus - No. 2. Evolutio - No. 3. Contrapunctus - No. 4. Evolutio
00:05:06

Copyright Control, MusicPublisher - Martin Luther, Lyricist - Dietrich Buxtehude, Composer - Jos van Veldhoven, Conductor, MainArtist - The Netherlands Bach Society, Ensemble, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

9
No. 5. Klaglied
00:04:37

Copyright Control, MusicPublisher - Martin Luther, Lyricist - Dietrich Buxtehude, Composer - Jos van Veldhoven, Conductor, MainArtist - The Netherlands Bach Society, Ensemble, MainArtist

2006 Channel Classics Records 2006 Channel Classics Records

Album review

This cycle, which is clearly not intended for liturgical use and dedicated to his friend Gustav Dben, must indubitably be seen as an expression of Buxtehude's own religious experience and personal devotion. In fact, we know unusually little about this great musician; no personal letters or anecdotes have survived. His music speaks to us all the more powerfully - especially the Membra Jesu Nostri, with its highly personal combination of introverted expressivity, deliberately simple declamation (here and there it can even be called naive), and great harmonic richness. No matter how alien the content of the medieval Latin text may be to our 21st-century sensibilities, it nevertheless inspired Buxtehude to produce a visionary setting, in a vivid cycle of compositions which still go straight to our hearts. Pieter Dirksen (from liner notes)

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