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Munich Radio Orchestra|Beethoven: Egmont, Op. 84

Beethoven: Egmont, Op. 84

Christina Landshamer, Munich Radio Orchestra, John Fiore

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In this complete recording, Beethoven's incidental music to Goethe's Egmont, which includes the popular and well-known overture, can be experienced in its entirety. It offers here only Beethoven's music. This album also includes a recording of Beethoven's overture Zur Namensfeier, Op. 115. In September 1809, the Vienna Hofburg Theatre commissioned Ludwig van Beethoven to create new incidental music for Johann Wolfgang von Goethe's Egmont. The music itself makes it clear that this commission was close to Beethoven's heart - it far exceeds the level of incidental music common at that time. That applies not only to the compositional demands but also to the relationship of the music to the drama. © BR-Klassik

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Beethoven: Egmont, Op. 84

Munich Radio Orchestra

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Egmont, Op. 84 (Ludwig van Beethoven)

1
Overture
Munich Radio Orchestra
00:08:16

Munich Radio Orchestra, Orchestra, MainArtist - Ludwig van Beethoven, Composer - John Fiore, Conductor, MainArtist

(C) 2022 BR-Klassik (P) 2022 BR-Klassik

2
I. Die Trommel gerühret
Christina Landshamer
00:02:57

Munich Radio Orchestra, Orchestra, MainArtist - Ludwig van Beethoven, Composer - JOHANN WOLFGANG VON GOETHE, Lyricist - Christina Landshamer, Artist, MainArtist - John Fiore, Conductor, MainArtist

(C) 2022 BR-Klassik (P) 2022 BR-Klassik

3
II. Entr'acte I
Munich Radio Orchestra
00:02:59

Munich Radio Orchestra, Orchestra, MainArtist - Ludwig van Beethoven, Composer - John Fiore, Conductor, MainArtist

(C) 2022 BR-Klassik (P) 2022 BR-Klassik

4
III. Entr'acte II
Munich Radio Orchestra
00:04:34

Munich Radio Orchestra, Orchestra, MainArtist - Ludwig van Beethoven, Composer - John Fiore, Conductor, MainArtist

(C) 2022 BR-Klassik (P) 2022 BR-Klassik

5
IV. Freudvoll und leidvoll
Christina Landshamer
00:01:50

Munich Radio Orchestra, Orchestra, MainArtist - Ludwig van Beethoven, Composer - JOHANN WOLFGANG VON GOETHE, Lyricist - Christina Landshamer, Artist, MainArtist - John Fiore, Conductor, MainArtist

(C) 2022 BR-Klassik (P) 2022 BR-Klassik

6
V. Entr'acte III
Munich Radio Orchestra
00:04:06

Munich Radio Orchestra, Orchestra, MainArtist - Ludwig van Beethoven, Composer - John Fiore, Conductor, MainArtist

(C) 2022 BR-Klassik (P) 2022 BR-Klassik

7
VI. Entr'acte IV
Munich Radio Orchestra
00:03:20

Munich Radio Orchestra, Orchestra, MainArtist - Ludwig van Beethoven, Composer - John Fiore, Conductor, MainArtist

(C) 2022 BR-Klassik (P) 2022 BR-Klassik

8
VII. Clärchens Tod bezeichnend
Munich Radio Orchestra
00:02:38

Munich Radio Orchestra, Orchestra, MainArtist - Ludwig van Beethoven, Composer - John Fiore, Conductor, MainArtist

(C) 2022 BR-Klassik (P) 2022 BR-Klassik

9
VIII. Melodrama
Munich Radio Orchestra
00:04:24

Munich Radio Orchestra, Orchestra, MainArtist - Ludwig van Beethoven, Composer - John Fiore, Conductor, MainArtist

(C) 2022 BR-Klassik (P) 2022 BR-Klassik

10
IX. Siegessymphonie
Munich Radio Orchestra
00:01:27

Munich Radio Orchestra, Orchestra, MainArtist - Ludwig van Beethoven, Composer - John Fiore, Conductor, MainArtist

(C) 2022 BR-Klassik (P) 2022 BR-Klassik

Overture in C Major, Op. 115 "Zur Namensfeier" (Ludwig van Beethoven)

11
Overture in C Major, Op. 115 "Zur Namensfeier"
Munich Radio Orchestra
00:06:18

Munich Radio Orchestra, Orchestra, MainArtist - Ludwig van Beethoven, Composer - John Fiore, Conductor, MainArtist

(C) 2022 BR-Klassik (P) 2022 BR-Klassik

Album review

In this complete recording, Beethoven's incidental music to Goethe's Egmont, which includes the popular and well-known overture, can be experienced in its entirety. It offers here only Beethoven's music. This album also includes a recording of Beethoven's overture Zur Namensfeier, Op. 115. In September 1809, the Vienna Hofburg Theatre commissioned Ludwig van Beethoven to create new incidental music for Johann Wolfgang von Goethe's Egmont. The music itself makes it clear that this commission was close to Beethoven's heart - it far exceeds the level of incidental music common at that time. That applies not only to the compositional demands but also to the relationship of the music to the drama. © BR-Klassik

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