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Idioma disponible: inglés
Unlike Padrewski, Artur Rubinstein, and Vladimir Horowitz, Fannie Bloomfield Zeisler's name is not one that immediately springs to mind when the subject of the great pianists of the early twentieth century is broached. Her name is most likely to be known to those who collect piano rolls, are well-versed in the histories of recital pianists, or have heard her piano roll performances reproduced from LP records older than this reviewer. In her own day, however, Zeisler would have been one of the first pianists music fans would have thought of. Among her contemporaries were Ferruccio Busoni, Sergey Rachmaninov, and Moriz Rosenthal, all still in their prime and touring widely. This generation of pianists regarded Zeisler as an equal in terms of pianism, and after you experience Pierian Recording Society's two-disc survey Fannie Bloomfield Zeisler, Pianist, perhaps so shall you.
Zeisler only made piano rolls, never pursuing the alternate method of making phonograph recordings. Zeisler's rolls were made for Welte-Mignon, the Welte system being the reproducing roll device of choice for concert pianists, as it recorded a maximum amount of the player's touch, pedaling, and degrees of volume. Zeisler was a player equipped with a tremendous amount of strength in her arms. Her Chopin is quite different from the norm established nowadays -- a lot of it is loud, played with energy and gusto, in the manner of Liszt. Zeisler's turbulent and stormy Beethoven Piano Sonata, Op. 111, is a marvel -- you wont believe it's coming from a piano roll. The second disc is made up of encore pieces, some rather rare, all being delightful and interpreted with an ear toward variety of approach. The Welte reproducing piano used by Pierian Recording Society is in excellent shape, and the recording has the perspective of a parlor, rather than that of a concert hall, so that none of the piano's sound is compromised by reverberation. There is quite simply no other way on Earth to hear her work than through the medium of the reproducing roll, and Fannie Bloomfield Zeisler, Pianist is about as ideal a tribute to it as one could ever want.
© TiVo
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Scherzo No. 2 in B-Flat Minor, Op. 31 (Frédéric Chopin)
Frederic Chopin, Composer - Fannie Bloomfield Zeisler, Artist, MainArtist
(C) 2010 Pierian Recording Society (P) 2010 Pierian Recording Society
Nocturne in C minor, Op. 48 No. 1 (Frédéric Chopin)
Frederic Chopin, Composer - Fannie Bloomfield Zeisler, Artist, MainArtist
(C) 2010 Pierian Recording Society (P) 2010 Pierian Recording Society
Scherzo No. 1 in B minor, Op. 20 (Frédéric Chopin)
Frederic Chopin, Composer - Fannie Bloomfield Zeisler, Artist, MainArtist
(C) 2010 Pierian Recording Society (P) 2010 Pierian Recording Society
Piano Sonata No. 2 in B-Flat Minor, Op. 35 "Funeral March" (Frédéric Chopin)
Frederic Chopin, Composer - Fannie Bloomfield Zeisler, Artist, MainArtist
(C) 2010 Pierian Recording Society (P) 2010 Pierian Recording Society
Frederic Chopin, Composer - Fannie Bloomfield Zeisler, Artist, MainArtist
(C) 2010 Pierian Recording Society (P) 2010 Pierian Recording Society
Frederic Chopin, Composer - Fannie Bloomfield Zeisler, Artist, MainArtist
(C) 2010 Pierian Recording Society (P) 2010 Pierian Recording Society
Frederic Chopin, Composer - Fannie Bloomfield Zeisler, Artist, MainArtist
(C) 2010 Pierian Recording Society (P) 2010 Pierian Recording Society
Piano Sonata No. 32 in C minor, Op. 111 (Ludwig van Beethoven)
Ludwig van Beethoven, Composer - Fannie Bloomfield Zeisler, Artist, MainArtist
(C) 2010 Pierian Recording Society (P) 2010 Pierian Recording Society
Ludwig van Beethoven, Composer - Fannie Bloomfield Zeisler, Artist, MainArtist
(C) 2010 Pierian Recording Society (P) 2010 Pierian Recording Society
DISCO 2
La Jongleuse, Op. 52, No. 4 (Moritz Moszkowski)
Moritz Moszkowski, Composer - Fannie Bloomfield Zeisler, Artist, MainArtist
(C) 2010 Pierian Recording Society (P) 2010 Pierian Recording Society
Keyboard Sonata in D Minor, K 9 (Domenico Scarlatti)
DOMENICO SCARLATTI, Composer - Carl Tausig, Composer - Fannie Bloomfield Zeisler, Artist, MainArtist
(C) 2010 Pierian Recording Society (P) 2010 Pierian Recording Society
Capriccio in E Major, K.20/L.375/P.76 (arr. C. Tausig for piano) (Domenico Scarlatti)
DOMENICO SCARLATTI, Composer - Carl Tausig, Composer - Fannie Bloomfield Zeisler, Artist, MainArtist
(C) 2010 Pierian Recording Society (P) 2010 Pierian Recording Society
Waltz in G-Flat Major, Op. 70 No. 1 (Frédéric Chopin)
Frederic Chopin, Composer - Fannie Bloomfield Zeisler, Artist, MainArtist
(C) 2010 Pierian Recording Society (P) 2010 Pierian Recording Society
Sérénade (Howard Brockway)
Fannie Bloomfield Zeisler, Artist, MainArtist - Howard Brockway, Composer
(C) 2010 Pierian Recording Society (P) 2010 Pierian Recording Society
2 Pieces, Op. 30 (Anton Rubinstein)
Anton Rubinstein, Composer - Fannie Bloomfield Zeisler, Artist, MainArtist
(C) 2010 Pierian Recording Society (P) 2010 Pierian Recording Society
Fruhling, Op. 57 (Moritz Moszkowski)
Moritz Moszkowski, Composer - Fannie Bloomfield Zeisler, Artist, MainArtist
(C) 2010 Pierian Recording Society (P) 2010 Pierian Recording Society
Croquis et Silhouettes, Op. 87, No. 4 (Eduard Schütt)
Eduard Schütt, Composer - Fannie Bloomfield Zeisler, Artist, MainArtist
(C) 2010 Pierian Recording Society (P) 2010 Pierian Recording Society
Waltzes, Op. 64 (Frédéric Chopin)
Frederic Chopin, Composer - Fannie Bloomfield Zeisler, Artist, MainArtist
(C) 2010 Pierian Recording Society (P) 2010 Pierian Recording Society
Lieder ohne Worte, Book 5, Op. 62 (Felix Mendelssohn)
Felix Mendelssohn, Composer - Fannie Bloomfield Zeisler, Artist, MainArtist
(C) 2010 Pierian Recording Society (P) 2010 Pierian Recording Society
La Retour, Op. 134 (Cécile Chaminade)
Cecile Chaminade, Composer - Fannie Bloomfield Zeisler, Artist, MainArtist
(C) 2010 Pierian Recording Society (P) 2010 Pierian Recording Society
4 Klavierstücke, op. 119 (Johannes Brahms)
Johannes Brahms, Composer - Fannie Bloomfield Zeisler, Artist, MainArtist
(C) 2010 Pierian Recording Society (P) 2010 Pierian Recording Society
Piano Suite in D minor, Op. 1 (Eugen d' Albert)
Fannie Bloomfield Zeisler, Artist, MainArtist - Eugen d'Albert, Composer
(C) 2010 Pierian Recording Society (P) 2010 Pierian Recording Society
Nocturne in D-Flat Major, Op. 27 No. 2 (Frédéric Chopin)
Frederic Chopin, Composer - Fannie Bloomfield Zeisler, Artist, MainArtist
(C) 2010 Pierian Recording Society (P) 2010 Pierian Recording Society
Beethoven - Turkish March from Die Ruinen von Athen (Anton Rubinstein)
Anton Rubinstein, Composer - Fannie Bloomfield Zeisler, Artist, MainArtist
(C) 2010 Pierian Recording Society (P) 2010 Pierian Recording Society
Toccata and Fugue in D Minor, BWV 565 (arr. C. Tausig) (Johann Sebastian Bach)
Johann Sebastian Bach, Composer - Carl Tausig, Composer - Fannie Bloomfield Zeisler, Artist, MainArtist
(C) 2010 Pierian Recording Society (P) 2010 Pierian Recording Society
Johann Sebastian Bach, Composer - Carl Tausig, Composer - Fannie Bloomfield Zeisler, Artist, MainArtist
(C) 2010 Pierian Recording Society (P) 2010 Pierian Recording Society
Presentación del Álbum
Unlike Padrewski, Artur Rubinstein, and Vladimir Horowitz, Fannie Bloomfield Zeisler's name is not one that immediately springs to mind when the subject of the great pianists of the early twentieth century is broached. Her name is most likely to be known to those who collect piano rolls, are well-versed in the histories of recital pianists, or have heard her piano roll performances reproduced from LP records older than this reviewer. In her own day, however, Zeisler would have been one of the first pianists music fans would have thought of. Among her contemporaries were Ferruccio Busoni, Sergey Rachmaninov, and Moriz Rosenthal, all still in their prime and touring widely. This generation of pianists regarded Zeisler as an equal in terms of pianism, and after you experience Pierian Recording Society's two-disc survey Fannie Bloomfield Zeisler, Pianist, perhaps so shall you.
Zeisler only made piano rolls, never pursuing the alternate method of making phonograph recordings. Zeisler's rolls were made for Welte-Mignon, the Welte system being the reproducing roll device of choice for concert pianists, as it recorded a maximum amount of the player's touch, pedaling, and degrees of volume. Zeisler was a player equipped with a tremendous amount of strength in her arms. Her Chopin is quite different from the norm established nowadays -- a lot of it is loud, played with energy and gusto, in the manner of Liszt. Zeisler's turbulent and stormy Beethoven Piano Sonata, Op. 111, is a marvel -- you wont believe it's coming from a piano roll. The second disc is made up of encore pieces, some rather rare, all being delightful and interpreted with an ear toward variety of approach. The Welte reproducing piano used by Pierian Recording Society is in excellent shape, and the recording has the perspective of a parlor, rather than that of a concert hall, so that none of the piano's sound is compromised by reverberation. There is quite simply no other way on Earth to hear her work than through the medium of the reproducing roll, and Fannie Bloomfield Zeisler, Pianist is about as ideal a tribute to it as one could ever want.
© TiVo
Acerca del álbum
- 2 disco(s) - 26 pista(s)
- Duración total: 02:10:29
- Artistas principales: Fannie Bloomfield Zeisler
- Compositor: Various Composers
- Sello: Pierian Recording Society
- Género Clásica
(C) 2010 Pierian Recording Society (P) 2010 Pierian Recording Society
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