Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Over the course of their career, the Dandy Warhols alternated between slick, smart, slightly smirky pop singles like "Not If You Were the Last Junkie on Earth" and "Bohemian Like You" and the ambitious yet somehow empty-sounding tracks that made up the rest of their albums. With their fifth album, Welcome to the Monkey House, the band capitalizes on their pop sensibilities and even manages to turn their prior weaknesses into strengths, resulting in a collection of gloriously blank, cleverly stupid neo-new wave songs. It's true that, once again, the Dandy Warhols look to other people's music for direction, but this time around, the new wave and synth-pop revivals that inform the album sound so natural that it's hard to imagine the band in any other incarnation. Welcome to the Monkey House's glossy mix of synths, guitars, and drum machines -- aided and abetted by co-producer Nick Rhodes of Duran Duran -- are the perfect complement to Courtney Taylor's knowing, flip outlook. The album gets off to a strong start with sharply crafted songs like "We Used to Be Friends" -- which feels a little bit like a follow-up to Thirteen Tales From Urban Bohemia's "Bohemian Like You" -- and "I Am Over It," a slice of electronic pop that's delivered in appropriately blasé, mechanical fashion. Not surprisingly, most of the album's best songs revolve around emptiness, drugs, and narcissism, such as "The Dope," an electro-inspired number that could give Fischerspooner a run for its money when it comes to jittery, vocodered trendiness. "I Am a Scientist" is the album's trashy zenith; a hybrid of sleazy beats, breathy samples and a rather nihilistic celebration of science's lack of emotion (not to mention its contributions to recreational chemistry). "You Were the Last High," however, confuses drugs and girls in an unusually bittersweet way. Some shades of paranoia and existential crisis creep into the album from time to time, more playfully on "Plan A" and more seriously on the brooding "Insincere Because I," giving a what-goes-up-must-come-down balance to party-hard odes such as "The Dandy Warhols Love Almost Everyone" and "Hit Rock Bottom." Like any party, things start to fall flat toward the end of Welcome to the Monkey House; "Heavenly," "I Am Sound" -- an "Ashes to Ashes" homage -- and "You Come in Burned" provide a sluggish comedown to the rest of the album's go-go pace, although they're not as distinctive as what came before them. Ultimately, in general and on this album, the Dandy Warhols work best when they don't try to inject weighty matters like meaning and substance into their jaded pop confectionery. Thirteen Tales From Urban Bohemia might still be the band's most accomplished album, but by embracing their emptiness and stylishness on Welcome to the Monkey House, they've crafted an album that is no less enjoyable because of its disposability.
© Heather Phares /TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde $ 16.190,00/mes
courtney taylor-taylor, Composer, Producer - The Dandy Warhols, MainArtist - Brian Coates, SoundEngineer
2003 Capitol Records Inc. 2003 Capitol Records Inc.
courtney taylor-taylor, Composer, Producer - The Dandy Warhols, MainArtist
2003 Capitol Records Inc. 2003 Capitol Records Inc.
Yoad Nevo, Guitar - courtney taylor-taylor, Composer, Producer - The Dandy Warhols, MainArtist - Simon Le Bon, BackgroundVocals - Nick Rhodes, Producer - Brent Deboer, BassGuitar - Bjorn Thorsrud, SoundEngineer - Brian Coates, Guitar, SoundEngineer
2003 Capitol Records Inc. 2003 Capitol Records Inc.
courtney taylor-taylor, Composer - The Dandy Warhols, MainArtist - Tony Visconti, BassGuitar - Bjorn Thorsrud, SoundEngineer - Brian Coates, SoundEngineer
2003 Capitol Records Inc. 2003 Capitol Records Inc.
NILE RODGERS, Guitar - courtney taylor-taylor, Composer - The Dandy Warhols, MainArtist - Nick Rhodes, Producer - David Bowie, Composer - Bjorn Thorsrud, SoundEngineer - Ed Tinley, SoundEngineer
2003 Capitol Records Inc. 2003 Capitol Records Inc.
courtney taylor-taylor, Composer, Producer - The Dandy Warhols, MainArtist - Nick Rhodes, Producer - Bjorn Thorsrud, SoundEngineer - Brian Coates, SoundEngineer - Ed Tinley, SoundEngineer - Mark Tinley, Guitar
2003 Capitol Records Inc. 2003 Capitol Records Inc.
courtney taylor-taylor, Composer, Producer - The Dandy Warhols, MainArtist - Nick Rhodes, Producer - Bjorn Thorsrud, SoundEngineer - Brian Coates, SoundEngineer - Ed Tinley, SoundEngineer
2003 Capitol Records Inc. 2003 Capitol Records Inc.
courtney taylor-taylor, Composer - The Dandy Warhols, MainArtist - Nick Rhodes, Producer - Brian Coates, SoundEngineer - Ed Tinley, SoundEngineer
2003 Capitol Records Inc. 2003 Capitol Records Inc.
Jeremy Wheatley, MixingEngineer - Evan Dando, Composer - courtney taylor-taylor, Composer - The Dandy Warhols, MainArtist - Nick Rhodes, Producer - Bjorn Thorsrud, SoundEngineer - Brian Coates, SoundEngineer - Ed Tinley, SoundEngineer
2003 Capitol Records Inc. 2003 Capitol Records Inc.
Jeremy Wheatley, MixingEngineer - Yoad Nevo, Guitar - courtney taylor-taylor, Composer, Producer - The Dandy Warhols, MainArtist - Nick Rhodes, Producer - Bjorn Thorsrud, SoundEngineer - Brian Coates, SoundEngineer - Ed Tinley, SoundEngineer
2003 Capitol Records Inc. 2003 Capitol Records Inc.
courtney taylor-taylor, Composer, Producer - The Dandy Warhols, MainArtist - Nick Rhodes, Producer - Brian Coates, SoundEngineer - Ed Tinley, SoundEngineer - Parker Posey, Mandolin - Adam Flick, BassGuitar
2003 Capitol Records Inc. 2003 Capitol Records Inc.
Jeremy Wheatley, MixingEngineer - courtney taylor-taylor, Composer - The Dandy Warhols, MainArtist - Tony Visconti, Producer, BackgroundVocals, BassGuitar - Bjorn Thorsrud, SoundEngineer - Brian Coates, SoundEngineer
2003 Capitol Records Inc. 2003 Capitol Records Inc.
Jeremy Wheatley, MixingEngineer - courtney taylor-taylor, Composer, Producer - The Dandy Warhols, MainArtist - Bjorn Thorsrud, SoundEngineer - Brian Coates, SoundEngineer
2003 Capitol Records Inc. 2003 Capitol Records Inc.
Presentación del Álbum
Over the course of their career, the Dandy Warhols alternated between slick, smart, slightly smirky pop singles like "Not If You Were the Last Junkie on Earth" and "Bohemian Like You" and the ambitious yet somehow empty-sounding tracks that made up the rest of their albums. With their fifth album, Welcome to the Monkey House, the band capitalizes on their pop sensibilities and even manages to turn their prior weaknesses into strengths, resulting in a collection of gloriously blank, cleverly stupid neo-new wave songs. It's true that, once again, the Dandy Warhols look to other people's music for direction, but this time around, the new wave and synth-pop revivals that inform the album sound so natural that it's hard to imagine the band in any other incarnation. Welcome to the Monkey House's glossy mix of synths, guitars, and drum machines -- aided and abetted by co-producer Nick Rhodes of Duran Duran -- are the perfect complement to Courtney Taylor's knowing, flip outlook. The album gets off to a strong start with sharply crafted songs like "We Used to Be Friends" -- which feels a little bit like a follow-up to Thirteen Tales From Urban Bohemia's "Bohemian Like You" -- and "I Am Over It," a slice of electronic pop that's delivered in appropriately blasé, mechanical fashion. Not surprisingly, most of the album's best songs revolve around emptiness, drugs, and narcissism, such as "The Dope," an electro-inspired number that could give Fischerspooner a run for its money when it comes to jittery, vocodered trendiness. "I Am a Scientist" is the album's trashy zenith; a hybrid of sleazy beats, breathy samples and a rather nihilistic celebration of science's lack of emotion (not to mention its contributions to recreational chemistry). "You Were the Last High," however, confuses drugs and girls in an unusually bittersweet way. Some shades of paranoia and existential crisis creep into the album from time to time, more playfully on "Plan A" and more seriously on the brooding "Insincere Because I," giving a what-goes-up-must-come-down balance to party-hard odes such as "The Dandy Warhols Love Almost Everyone" and "Hit Rock Bottom." Like any party, things start to fall flat toward the end of Welcome to the Monkey House; "Heavenly," "I Am Sound" -- an "Ashes to Ashes" homage -- and "You Come in Burned" provide a sluggish comedown to the rest of the album's go-go pace, although they're not as distinctive as what came before them. Ultimately, in general and on this album, the Dandy Warhols work best when they don't try to inject weighty matters like meaning and substance into their jaded pop confectionery. Thirteen Tales From Urban Bohemia might still be the band's most accomplished album, but by embracing their emptiness and stylishness on Welcome to the Monkey House, they've crafted an album that is no less enjoyable because of its disposability.
© Heather Phares /TiVo
Acerca del álbum
- 1 disco(s) - 13 pista(s)
- Duración total: 00:48:22
- Artistas principales: The Dandy Warhols
- Compositor: Various Composers
- Sello: [PIAS] Recordings Catalogue
- Género Pop/Rock Rock
2003 Capitol Records Inc. 2003 Capitol Records Inc.
Mejorar la información del álbum