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Hauschka|Volker Bertelmann: Room to Expand

Volker Bertelmann: Room to Expand

Hauschka

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German composer Volker Bertelmann--aka Hauschka--writes imaginative, pop-derived experimental pieces for piano that truly sound like nothing else out there. Compositionally, he works in a mode similar to that of Harold Budd, alternating between subtle melodic movement and rhythm-focused circularity, but his piano--which is often chopped and jerry-rigged and tampered with--possesses a unique timbre. Unlike many modern artists who use the recording studio to mess with sound, Bertelmann messes with sound and then records it in stunningly clear audio verite. The results are hypnotic.
© TiVo

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Volker Bertelmann: Room to Expand

Hauschka

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1
La Dilettante
00:04:06

Hauschka, Composer, MainArtist

2006 Fat Cat Records 2006 Fat Cat Records

2
Paddington
00:03:57

Hauschka, Composer, MainArtist

2006 Fat Cat Records 2006 Fat Cat Records

3
One Wish
00:05:20

Hauschka, Composer, MainArtist

2006 Fat Cat Records 2006 Fat Cat Records

4
Chicago Morning
00:04:55

Hauschka, Composer, MainArtist

2006 Fat Cat Records 2006 Fat Cat Records

5
Kleine Dinge
00:04:04

Hauschka, Composer, MainArtist

2006 Fat Cat Records 2006 Fat Cat Records

6
Belgrade
00:03:33

Hauschka, Composer, MainArtist

2006 Fat Cat Records 2006 Fat Cat Records

7
Sweet Spring Come
00:03:53

Hauschka, Composer, MainArtist

2006 Fat Cat Records 2006 Fat Cat Records

8
Femmeassise
00:04:03

Hauschka, Composer, MainArtist

2006 Fat Cat Records 2006 Fat Cat Records

9
Watercolour Milk
00:04:29

Hauschka, Composer, MainArtist

2006 Fat Cat Records 2006 Fat Cat Records

10
Zahnluecke
00:03:44

Hauschka, Composer, MainArtist

2006 Fat Cat Records 2006 Fat Cat Records

11
Fjorde
00:03:37

Hauschka, Composer, MainArtist

2006 Fat Cat Records 2006 Fat Cat Records

12
Old Man Playing Boules
00:03:21

Hauschka, Composer, MainArtist

2006 Fat Cat Records 2006 Fat Cat Records

Presentación del Álbum

German composer Volker Bertelmann--aka Hauschka--writes imaginative, pop-derived experimental pieces for piano that truly sound like nothing else out there. Compositionally, he works in a mode similar to that of Harold Budd, alternating between subtle melodic movement and rhythm-focused circularity, but his piano--which is often chopped and jerry-rigged and tampered with--possesses a unique timbre. Unlike many modern artists who use the recording studio to mess with sound, Bertelmann messes with sound and then records it in stunningly clear audio verite. The results are hypnotic.
© TiVo

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