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Marianne Faithfull|Vagabond Ways

Vagabond Ways

Marianne Faithfull

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Following a pair of albums that delved into cabaret and one which paired her with Angelo Badalamenti (an affair that yielded mixed results), the Grande dame of rock & roll returned with her most striking effort in a while. Faithfull, an amazing interpreter of others' material, co-wrote most of the songs here, including the haunting title track. In fact, haunting is the best way to describe the first several cuts. "Incarceration of a Flower Child," written by Roger Waters, is emotionally wrenching, and "File It Under Fun From the Past" has an air of wistful resignation. Some of the material wavers a bit ("Marathon Kiss," the somewhat overly dramatic, spoke word "After the Ceasefire"), but Faithfull is never anything less than riveting. For long-time fans, Vagabond Ways is a worthy addition to her body of work. For newcomers, it's a suitable introduction to one of the true icons of rock history and one who has become more relevant with age.

© Tom Demalon /TiVo

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Vagabond Ways

Marianne Faithfull

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1
Vagabond Ways
00:03:22

Victor Indrizzo, Guitar - Glenn Patscha, Piano, Synthesizer - Mark Howard, Producer - Marianne Faithfull, Composer, Writer, MainArtist - Brian Blade, Drums, Percussion - Christopher Thomas, Bass Guitar, Bass - Barry Reynolds, Guitar - David Courts, Composer, Writer

© 1999 BMG Rights Management (UK) Ltd. ℗ 1999 BMG Rights Management (UK) Limited

2
Incarceration Of A Flower Child
00:05:34

Glenn Patscha, Organ, Piano - CHRIS THOMAS, Bass Guitar, Bass - Mark Howard, Producer, Synthesizer, Loops - Roger Waters, Composer, Writer, Synth Bass, Synthesiser - Simon Francis, Engineer - Michael Chaves, Guitar - Marianne Faithfull, MainArtist - Daryl Johnson, Vocals, Synthesizer - Danny Frankel, Drums, Percussion - Barry Reynolds, Guitar - Joe Gastirt, Masterer, MasteringEngineer - Zack Allentuck, Engineer

© 1999 BMG Rights Management (UK) Ltd. ℗ 1999 BMG Rights Management (UK) Limited

3
File It Under Fun From The Past
00:04:50

Glenn Patscha, Piano, Synthesizer - Mark Howard, Producer, Mixer - Simon Francis, Engineer - Marianne Faithfull, Composer, MainArtist - Brian Blade, Drums - Novi Novog, Viola - Christopher Thomas, Bass Guitar, Bass - Barry Reynolds, Composer, Guitar, Piano - Joe Gastirt, Masterer, MasteringEngineer - Zack Allentuck, Engineer - Stephanie File, Cello

© 1999 BMG Rights Management (UK) Ltd. ℗ 1999 BMG Rights Management (UK) Limited

4
Electra
00:03:24

Glenn Patscha, Arranger, Keyboards, Piano, Strings, Bass Pedals, Vibes - Mark Howard, Producer, Mixer - Simon Francis, Engineer - Marianne Faithfull, Composer, Writer, MainArtist - Novi Novog, Viola - Christopher Thomas, Double Bass - Barry Reynolds, Composer, Guitar, Writer - Joe Gastirt, Masterer, MasteringEngineer - Zack Allentuck, Engineer - Stephanie File, Cello - Frank McGuiness, Composer - Frank McGuinness, Composer, Writer

© 1999 BMG Rights Management (UK) Ltd. ℗ 1999 BMG Rights Management (UK) Limited

5
Wilder Shores Of Love
00:05:40

Glenn Patscha, Keyboards - Guy Pratt, Composer - Mark Howard, Producer - Simon Francis, Engineer - Marianne Faithfull, Composer, MainArtist - Brian Blade, Drums - Barry Reynolds, Composer, Guitar, Bass - Joe Gastirt, Masterer, MasteringEngineer - Zack Allentuck, Engineer

© 1999 BMG Rights Management (UK) Ltd. ℗ 1999 BMG Rights Management (UK) Limited

6
Marathon Kiss
00:04:00

Glenn Patscha, Piano, Synthesizer, Moog - Emmylou Harris, Vocals - Mark Howard, Mixer, Production - Daniel Lanois, Composer, Producer, Guitar - Simon Francis, Engineer - Marianne Faithfull, MainArtist - Brian Blade, Drums - Joe Gastirt, Masterer, MasteringEngineer - Zack Allentuck, Engineer

© 1999 BMG Rights Management (UK) Ltd. ℗ 1999 BMG Rights Management (UK) Limited

7
For Wanting You
00:03:57

Glenn Patscha, Arranger, Keyboards, Piano, Strings, Bass Pedals, Vibes - Bernie Taupin, Composer - Elton John, Composer - Mark Howard, Producer - Simon Francis, Engineer - Marianne Faithfull, MainArtist - Novi Novog, Viola - Christopher Thomas, Double Bass - Joe Gastirt, Masterer, MasteringEngineer - Zack Allentuck, Engineer - Stephanie File, Cello

© 1999 BMG Rights Management (UK) Ltd. ℗ 1999 BMG Rights Management (UK) Limited

8
Great Expectations
00:03:13

Mark Howard, Producer, Mixer - Daniel Lanois, Composer, Drums, Guitar, Organ, Percussion, Bass - Simon Francis, Engineer - Marianne Faithfull, Composer, MainArtist - Joe Gastirt, Masterer, MasteringEngineer - Zack Allentuck, Engineer

© 1999 BMG Rights Management (UK) Ltd. ℗ 1999 BMG Rights Management (UK) Limited

9
Tower Of Song
00:04:35

Glenn Patscha, Organ, Piano - Mark Howard, Producer, Mixer - Leonard Cohen, Composer, Writer - Simon Francis, Engineer - Marianne Faithfull, MainArtist - Brian Blade, Drums - Christopher Thomas, Bass Guitar, Bass - Barry Reynolds, Guitar - Joe Gastirt, Masterer, MasteringEngineer - Zack Allentuck, Engineer

© 1999 BMG Rights Management (UK) Ltd. ℗ 1999 BMG Rights Management (UK) Limited

10
After The Ceasefire
00:04:22

Glenn Patscha, Piano, Vibes - Mark Howard, Producer, Percussion - Daniel Lanois, Composer, Loops - Simon Francis, Engineer - Marianne Faithfull, MainArtist - Joe Gastirt, Masterer, MasteringEngineer - Zack Allentuck, Engineer - Frank McGuiness, Composer

© 1999 BMG Rights Management (UK) Ltd. ℗ 1999 BMG Rights Management (UK) Limited

Presentación del Álbum

Following a pair of albums that delved into cabaret and one which paired her with Angelo Badalamenti (an affair that yielded mixed results), the Grande dame of rock & roll returned with her most striking effort in a while. Faithfull, an amazing interpreter of others' material, co-wrote most of the songs here, including the haunting title track. In fact, haunting is the best way to describe the first several cuts. "Incarceration of a Flower Child," written by Roger Waters, is emotionally wrenching, and "File It Under Fun From the Past" has an air of wistful resignation. Some of the material wavers a bit ("Marathon Kiss," the somewhat overly dramatic, spoke word "After the Ceasefire"), but Faithfull is never anything less than riveting. For long-time fans, Vagabond Ways is a worthy addition to her body of work. For newcomers, it's a suitable introduction to one of the true icons of rock history and one who has become more relevant with age.

© Tom Demalon /TiVo

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