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Trevor Hall|Trevor Hall

Trevor Hall

Trevor Hall

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Trevor Hall looks like Kurt Cobain's flower child cousin and sings like an aspiring reggae soldier. It's an odd combination, made all the more unusual by Hall's accent -- a fusion of Californian beach bum drawl and Jamaican slang -- and his reggae-centric lyrics, which include references to mango trees, eternal givers, and mansions in the sky. This isn't a dreadful album by normal reggae standards, and tracks like "The Lime Tree" are leisurely enough to avoid the overzealous performance that saturates many of the louder songs. Reggae isn't simply a genre, however -- it's a lifestyle, a response to anti-colonialism, a sound borne from a very specific environment -- and Hall possesses neither the pedigree nor the poise to make this album convincing.

© Andrew Leahey /TiVo

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Trevor Hall

Trevor Hall

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1
Internal Heights
00:03:13

Marshall Altman, Composer, Producer, Recording Producer - Trevor Hall, Composer, MainArtist

(C) 2009 Vanguard Records, A Welk Music Group Company ℗ 2009 Vanguard Records, a Welk Music Group Company

2
Who You Gonna Turn To
00:04:13

Marshall Altman, Producer, Recording Producer - Trevor Hall, Composer, MainArtist

(C) 2009 Vanguard Records, A Welk Music Group Company ℗ 2009 Vanguard Records, a Welk Music Group Company

3
Unity
00:04:32

Marshall Altman, Producer, Recording Producer - Trevor Hall, Composer, MainArtist

(C) 2009 Vanguard Records, A Welk Music Group Company ℗ 2009 Vanguard Records, a Welk Music Group Company

4
The Lime Tree
00:03:20

Marshall Altman, Producer, Recording Producer - Trevor Hall, Composer, MainArtist - Sam Markus, Composer

(C) 2009 Vanguard Records, A Welk Music Group Company ℗ 2009 Vanguard Records, a Welk Music Group Company

5
Volume
00:04:09

Marshall Altman, Composer, Producer, Recording Producer - Trevor Hall, Composer, MainArtist

(C) 2009 Vanguard Records, A Welk Music Group Company ℗ 2009 Vanguard Records, a Welk Music Group Company

6
House
00:05:13

Marshall Altman, Composer, Producer, Recording Producer - Trevor Hall, Composer, MainArtist

(C) 2009 Vanguard Records, A Welk Music Group Company ℗ 2009 Vanguard Records, a Welk Music Group Company

7
Where's The Love
00:03:59

Marshall Altman, Composer, Producer, Recording Producer - Trevor Hall, Composer, MainArtist

(C) 2009 Vanguard Records, A Welk Music Group Company ℗ 2009 Vanguard Records, a Welk Music Group Company

8
Origami Crane
00:04:45

Marshall Altman, Composer, Producer, Recording Producer - Trevor Hall, Composer, MainArtist

(C) 2009 Vanguard Records, A Welk Music Group Company ℗ 2009 Vanguard Records, a Welk Music Group Company

9
My Baba
00:03:47

Marshall Altman, Producer, Recording Producer - Trevor Hall, Composer, MainArtist - Krishna Das, MainArtist

(C) 2009 Vanguard Records, A Welk Music Group Company ℗ 2009 Vanguard Records, a Welk Music Group Company

10
31 Flavors
00:04:04

Marshall Altman, Producer, Recording Producer - Trevor Hall, Composer, MainArtist

(C) 2009 Vanguard Records, A Welk Music Group Company ℗ 2009 Vanguard Records, a Welk Music Group Company

11
Sing The Song
00:03:38

Marshall Altman, Composer, Producer, Recording Producer - Trevor Hall, Composer, MainArtist

(C) 2009 Vanguard Records, A Welk Music Group Company ℗ 2009 Vanguard Records, a Welk Music Group Company

12
Many Roads
00:03:36

Marshall Altman, Producer, Recording Producer - Trevor Hall, Composer, MainArtist

(C) 2009 Vanguard Records, A Welk Music Group Company ℗ 2009 Vanguard Records, a Welk Music Group Company

13
Unity
00:03:40

Matisyahu, Composer, MainArtist - Marshall Altman, Producer, Recording Producer - Trevor Hall, Composer, MainArtist

(C) 2009 Vanguard Records, A Welk Music Group Company ℗ 2009 Vanguard Records, a Welk Music Group Company

Presentación del Álbum

Trevor Hall looks like Kurt Cobain's flower child cousin and sings like an aspiring reggae soldier. It's an odd combination, made all the more unusual by Hall's accent -- a fusion of Californian beach bum drawl and Jamaican slang -- and his reggae-centric lyrics, which include references to mango trees, eternal givers, and mansions in the sky. This isn't a dreadful album by normal reggae standards, and tracks like "The Lime Tree" are leisurely enough to avoid the overzealous performance that saturates many of the louder songs. Reggae isn't simply a genre, however -- it's a lifestyle, a response to anti-colonialism, a sound borne from a very specific environment -- and Hall possesses neither the pedigree nor the poise to make this album convincing.

© Andrew Leahey /TiVo

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